Here are 100 books that Chili Palmer fans have personally recommended once you finish the Chili Palmer series.
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Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well.
A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America.
But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it…
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This book pulled me from classical American literature (think Steinbeck, Faulkner, and Hemingway) to hardboiled crime fiction, and I haven’t come up for air since.
I was captured by both the substance and the style—the rich possibilities of an antihero protagonist delivered in a prose as direct and compelling as a bullet to the brain. After this one, I couldn’t stop until I had devoured the entire series!
You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.
His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it? In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.
Griffin Mill is senior vice president of production at a Hollywood studio. Obsessed with his career, dedicated to his success and riveted by paranoia, he is the ultimate player. But now he is in trouble. He has been getting postcards from a writer he rejected, who threatens to kill him.
To be a successful sales exec, required my being an observant student of human nature. The same skill applied to my becoming a successful author. I discovered the most unforgettable people I encountered throughout my career were a lot like the zany oddballs my favorite authors created and the perfect models to base my cast of characters on.
As a woman who was raised to have a moral compass, I am outraged whenever someone in authority abuses their power and gets away with it.
While I don’t condone revenge, nonetheless, I have to admit I cheered when lewd, lecherous, law-bending Florida Judge Robert “Maximum Bob” Gibbs finally gets his comeuppance and is judged guilty by a grudge-bearing malefactor and sentenced to death-by alligator, a unique means of execution, to say the least.
Ingenious, more than slightly off-kilter Elmore Leonard is the undisputed king of criminal mayhem. His wacky, raucous Maximum Bob is a delightfully dark humorous tale chocked full of zany characters; a group of magnificent miscreants Mr. Leonard created, knowing his readers would love to hate.
The New York Times bestselling author of Be Cool and Get Shorty
When someone delivers an alligator to Judge Bob Gibbs' porch, there's no shortage of suspects - hard-sentencing, womanising redneck 'Maximum Bob' is pretty much the most unpopular man in Florida.
Throw into the mix the Crowe clan - about as primitive and aggressive as any alligator - a doped-up doctor on early release with a tag, quick-witted probation officer Kathy Baker, a mermaid and a long-dead slave girl called Wanda, and things get a tad complicated. And inevitably, they don't work out the way you might expect...
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.
The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first…
I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.
Carroll is simply a great writer—more on the literature end of the book spectrum.
Nonetheless, this book gripped me as if it were a best-selling thriller. Sleeping in Flame confounded my expectations at every turn, and at times it seemed as though it couldn’t possibly end with any sort of resolution. But it does—in mind-expanding fashion.
I also try to take readers on the same sort of mysterious journey that Carroll’s protagonist hazards. Sometimes it’s challenging to imagine what would be a realistic reaction to a truly extraordinary event. Then I remember some of the stories I’ve heard in sessions as a psychotherapist.
Confused by his past, actor Walker Easterling falls in love with model Maris York, but his past lives threaten their safety and that of their unborn son
I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.
I found this book deeply disturbing, despite the seemingly normal content of the story.
Like the protagonist, I could never tell what was real, what was paranoia, and what the hell might happen next. We’re inside the head of a confused, scared man dealing with disturbed characters who hide in plain sight as mere neighbors.
I relate to this, as does the protagonist in my book.
Decades ago, I was seduced by a guru to become the first disciple of a small, relatively benign cult. Serving as an assistant guru of sorts—manning a branch office of our organization, so to speak, I experienced both sides of the coin—being manipulated by someone with confounding abilities, as well as manipulating others myself.
NEIGHBORS is a black comedy about Earl Keese, a regular suburbanite whose world is overturned when Harry and Ramona move into the house next door. Harry and Ramona instantly unsettle the staid Earl with their abrupt mannerisms, their disturbing wolfhound and their dangerous schemes. Earl's suspicions about the couple's lack of stability and normalcy are ignored by his wife, Enid, and his daughter, Elaine, even while he is concerned that they are all being negatively affected by their relationships with the neighbours. Ramona is by turns seductive and manipulative with Earl while Harry is threatening and confrontational, upending Earl's carefully…
I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.
This twisty, hypnotic story by the great Ross Macdonald focuses on the dark side of the Hollywood dream.
Private detective Lew Archer is drawn into the search for a missing woman, Hester Campbell-Wall, who seemed poised on the cusp of success via an oblique connection to Helio-Graff Studios when she vanished after a frantic phone call to her estranged husband.
Against his better judgment Archer agrees to look for Hester, a quest that pits him against the powerful and corrupt studio head, Simon Graff. The book is full of complex characters who are neither all good nor all bad, despite their acts of betrayal, deceit, and even murder.
That’s what makes them so poignant and believable: in various ways, they are all broken by dreams that didn’t come true.
The beautiful, high-diving blonde had Hollywood dreams and stars in her eyes but now she seems to have disappeared without a trace. Hired by her hotheaded husband and her rummy “uncle,” Lew Archer sniffs around Malibu and finds the stink of blackmail, blood-money, and murder on every pricey silk shirt. Beset by dirty cops, a bumptious boxer turned silver screen pretty boy and a Hollywood mogul with a dark past, Archer discovers the secret of a grisly murder that just won't stay hidden.Lew Archer navigates through the watery, violent world of wealth and privilege, in this electrifying story of obsession…
