Here are 100 books that Chili Palmer fans have personally recommended once you finish the Chili Palmer series.
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I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
Dashiell Hammett is one of the great stylists in American literature.
His characters are absolutely real, and the plot is a wonderful tour of the seamy side of 20th-century America. What I absolutely love about this story is that it ends, not with the apprehension of a killer, but with the sense that the pursuit of mystery in the first place was not worth it.
To pull this off—to undercut the idea of a mystery at all, is a great achievement. The book, then, is stunning for its characters, descriptions, and serpentine plot.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
Not so long ago, I got paid to roam Florida and send back quirky dispatches to waiting newspaper editors. I’m fourth-generation, and like many Floridians, I have a love-hate relationship with my home state. I love the exotic beauty, the tumultuous weather, and the “end-of-the-road” mentality of the Sunshine State, but I hate the sprawl, the traffic and the “everything’s for-sale” greed that’s turning this once-pristine place into a steaming suburban parking lot. I enjoy books that capture the beauty, the strangeness, and the quirky characters who still haunt this pistol-shaped peninsula.
Carl was a journalist I got to know during my days roaming the state for The Tampa Tribune and later, the St. Petersburg Times.
A Miami Herald columnist, Carl pretty much invented the modern Florida novel, with his dark and often hilarious first book, Tourist Season. Like many of his other books, this razor-sharp satire is stocked with colorful characters dealing with a state being consumed by greed, corrupt leadership, and overdevelopment.
Take a trip to exotic South Florida with this dark, funny book that established Carl Hiaasen as one of the top mystery writers in the game.
The first sign of trouble is a Shriner's fez washed up on a Miami beach. The next is a suitcase containing the almost-legless body of the local chamber of commerce president found floating in a canal...
The locals are desperate to keep the murders under wraps and the tourist money flowing. But it will take a reporter-turned–private eye to make sense of a caper that mixes football players, politicians, and one very hungry crocodile…
I grew up watching old Bogart movies on TV with my father. From Phillip Marlowe to Sam Spade, I was taken with the life of the P. I. Once I was old enough to read and enjoy the irony as well as the sex and violence in Mickey Spillane’s Mike Hammer tales, I’d pull the detective novels from under my old man’s bed and spend time with all the lowlifes. Guess I’ve never grown out of my love for noir. That’s why I started writing P. I. novels as well as reading them. I hope they bring as much entertainment to others as those old-school sagas brought to me.
I was pulled in by the concept of the birth of a private eye.
Easy Rollins, a guy with no background in law enforcement, a day laborer, accepts money to find a missing woman, and a shamus is born. Did I mention that Easy is black, and has to deal with all the prejudices and difficulties that entails?
In addition to being a great whodunit of who and why, it’s a cool trip riding along with Easy on his maiden voyage into gumshoe land.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This book pulled me from classical American literature (think Steinbeck, Faulkner, and Hemingway) to hardboiled crime fiction, and I haven’t come up for air since.
I was captured by both the substance and the style—the rich possibilities of an antihero protagonist delivered in a prose as direct and compelling as a bullet to the brain. After this one, I couldn’t stop until I had devoured the entire series!
You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.
Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it? In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.
Griffin Mill is senior vice president of production at a Hollywood studio. Obsessed with his career, dedicated to his success and riveted by paranoia, he is the ultimate player. But now he is in trouble. He has been getting postcards from a writer he rejected, who threatens to kill him.
To be a successful sales exec, required my being an observant student of human nature. The same skill applied to my becoming a successful author. I discovered the most unforgettable people I encountered throughout my career were a lot like the zany oddballs my favorite authors created and the perfect models to base my cast of characters on.
As a woman who was raised to have a moral compass, I am outraged whenever someone in authority abuses their power and gets away with it.
While I don’t condone revenge, nonetheless, I have to admit I cheered when lewd, lecherous, law-bending Florida Judge Robert “Maximum Bob” Gibbs finally gets his comeuppance and is judged guilty by a grudge-bearing malefactor and sentenced to death-by alligator, a unique means of execution, to say the least.
Ingenious, more than slightly off-kilter Elmore Leonard is the undisputed king of criminal mayhem. His wacky, raucous Maximum Bob is a delightfully dark humorous tale chocked full of zany characters; a group of magnificent miscreants Mr. Leonard created, knowing his readers would love to hate.
The New York Times bestselling author of Be Cool and Get Shorty
When someone delivers an alligator to Judge Bob Gibbs' porch, there's no shortage of suspects - hard-sentencing, womanising redneck 'Maximum Bob' is pretty much the most unpopular man in Florida.
Throw into the mix the Crowe clan - about as primitive and aggressive as any alligator - a doped-up doctor on early release with a tag, quick-witted probation officer Kathy Baker, a mermaid and a long-dead slave girl called Wanda, and things get a tad complicated. And inevitably, they don't work out the way you might expect...
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.
The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first…
I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
This story by Poe is one of the first modern mystery stories written and creates a template for almost everything that follows.
This story by Poe is one of the first modern mystery stories written and creates a template for almost everything that follows. It is a brilliant, short, but perfect example of detection. Poe set the standard for a whole genre of mysteries that have followed, featuring a detective who, by reason, logic, and intuition, solves a puzzle.
What I like about this particular story is that the detective figures out the mystery without some sort of mystical intellect (as Sherlock Holmes). It is just his intelligence.
The Purloined Letter by Edgar Allan Poe. The Purloined Letter is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Roget". These stories are considered to be important early forerunners of the modern detective story. It first appeared in the literary annual The Gift for 1845 (1844) and was soon reprinted in numerous journals and newspapers. The unnamed narrator is discussing with the famous Parisian amateur detective C. Auguste Dupin…
