Here are 9 books that Caverns and Creatures fans have personally recommended once you finish the Caverns and Creatures series.
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Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
I read this as a teenager, just as I was diving into the horror genre. I already knew at this point that I wanted to be a storyteller. What struck me while reading It was the jumping back and forth between time periods.
I had never read a book structured that way, and it seemed that every chapter ended on a cliffhanger, forcing me to keep reading. There aren’t many books that I would say I had a hard time putting down (I get bored easily), but It was certainly one of them!
This tie-in edition will be available from 16 July
TIE IN TO A NEW MAJOR MOTION PICTURE, IT: CHAPTER 2, ADAPTED FROM KING'S TERRIFYING CLASSIC
27 years later, the Losers Club have grown up and moved away, until a devastating phone call brings them back...
Derry, Maine was just an ordinary town: familiar, well-ordered for the most part, a good place to live.
It was a group of children who saw- and felt- what made Derry so horribly different. In the storm drains, in the sewers, IT lurked, taking on the shape of every nightmare, each one's deepest dread. Sometimes…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If you enjoy horror colored with off-color laughs, but you’re not in the mood for a long series, then you can truly do no better than Jeff Strand. He is without question the master of standalone horror/comedy stories, and this 100% shows in Clowns Vs. Spiders. It’s a novel designed to play upon many people’s worst fears, while somehow keeping their eyes glued to the story. You’ll hate yourself a little bit more with every page you read, but damn, Jeff makes self-loathing more fun than it has any right to be.
Jaunty the Clown just wants to entertain families with lighthearted slapstick antics, but people think of clowns as terrifying, nightmarish creatures who hide in closets or under beds. When Jaunty, along with his fellow performers Guffaw, Wagon, Reginald The Pleasant Clown, and Bluehead are fired from the circus, they're told that the world just doesn't like clowns anymore.
Still, clowns have to eat. And since these clowns don't eat children, to make ends meet they're eventually forced to take a job in a popular haunted attraction, the Mountain of Terror. Instead of charming entertainers, they're now scary clowns. A zombie…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
There should be no doubt for anyone who follows me that I love any tale that involves an underdog loser forced to either save the world or die trying. Even better if it involves rampaging tentacle beasts and other Lovecraftian horrors. Throw in a talking cockroach with a serious attitude problem, and you have a perfect recipe for that succulent dish known as horror/comedy. Definitely, a must-read for anyone who enjoys a good laugh in between their screams.
One loser, one talking cockroach, and one karate-chopping bombshell are all that stand between YOU and hell on earth.
Lloyd Wallace is the most clueless crossing guard the intersection of hell and earth has ever seen. So clueless, that he doesn't even realize the beer cave in the corner store where he works is the gateway to hell. The gate needs a hero, but Lloyd's a zero, a loser with a capital L. He's ten thousand dollars in debt and lives with his parents. He's been fired from every job he's ever had. He was the first thing his ex-girlfriend…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If you like thrills, chills, magic, and badass one-liners then Quincy Harker Demon Hunter is the series for you. Set in rural NC, this series follows the immortal descendent of Jonathan Harker and Mina Murray from the classic tale of Dracula. It’s a fresh, modern take on a tale as old as time itself...and it doesn’t hurt that it's fun as all hell to read. Set in a world of nightmare terrors, Quincy Harker is a hero who isn’t impressed with any of that crap. In the world of horror/comedy, it doesn’t get much better.
Academy Award Winner Whoopi Goldberg says, “I love these books!”
Dracula calls him nephew. His guardian angel calls him Q. Demons call him The Reaper.
Award-winning dark fantasy with action, snark, and demons galore. Straight out of the pages of the legendary vampire novel Dracula comes a demon hunter for the modern world.
Quincy Harker is the immortal magic-wielding son of Jonathan Harker and Mina Murray from the classic novel Dracula. Today he lives in Charlotte, NC, hunting demons and making the world a safer place while making wisecracks and tossing back shots.
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
This book asks policymakers to look beyond incentives when designing policies.
Whether we are trying do something at a personal level, such as have our children do chores, or achieve something much bigger, such as combat obesity, designing appropriate incentives (carrots or sticks) is generally believed to help us achieve our goals.
Bowles warns us that this view assumes that incentives and morality are independent and that such view is faulty. Numerous experimental evidence attests to his argument. In its stead, he suggests shaping norms as a much more viable option.
When I presented these concepts in my economics elective this semester, one student commented that this was a “paradigm shift” in their understanding of economics; hence, the reason why I recommend this book.
Why do policies and business practices that ignore the moral and generous side of human nature often fail?
Should the idea of economic man-the amoral and self-interested Homo economicus-determine how we expect people to respond to monetary rewards, punishments, and other incentives? Samuel Bowles answers with a resounding "no." Policies that follow from this paradigm, he shows, may "crowd out" ethical and generous motives and thus backfire.
But incentives per se are not really the culprit. Bowles shows that crowding out occurs when the message conveyed by fines and rewards is that self-interest is expected, that the employer thinks the…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I recommend this book because it is in part a historical account of wartime architecture destruction, in part a compilation of academic literature on causes and consequences of architecture destruction, and in part a cautionary note on post-war reconstruction of public memory.
With a detailed and vivid description of cultural destruction, Bevan weaves a latticework of examples that helps readers find common threads across seemingly different events.
Whether a war is emergent, on-folding, or terminated, such as the war in Ukraine, Israel-Hamas war, and the Nagorno-Karabakh conflict, the book serves as a roadmap that helps us understand the inextricable link between people and their culture and shows how architectural destruction is most visible as ‘wars greatest picture’ but also least observed as wars greatest fatality.
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here"that shattered buildings are not merely "collateral damage," but rather calculated acts of cultural annihilation.From Hitler's Kristallnacht to the toppling of Saddam Hussein's statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I bought Kalyvas’s book back in 2009 as a doctoral student looking to understand the social science literature on civil war violence and finished reading it only in 2023 as an associate professor interested in studying target choice for a class I was teaching.
Though singularly focused on civil wars, the book goes deep in constructing theoretical arguments to support the premise of the book and travels broad in applying the models across various civil wars. It teaches readers to look beneath the surface to understand what we observe on the outside.
It is a great resource for those looking for good examples of how to develop a theoretical model. Finally, I also highly recommend this book to graduate students looking for research ideas.
By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I recommend this book because, to me, the book is like a pair of glasses that I put on whenever I want to see the world a little more clearly.
For others, it has something to offer to anyone who is looking to learn to analytically study conflict, war, and peace. Don’t know “enough” economics to study these topics analytically? No problem. Read Part II of the book. Don’t know “enough” about conflict to apply your knowledge of economics to those topics? Part III of the book has you covered.
Enough of conflict, can we learn more about peace, you say? The last part of the book is for you. Together, the book is as an indispensable resource for professors, students, policymakers, and an educated general audience, alike.
Conflict economics contributes to an understanding of violent conflict and peace in two important ways. First, it applies economic concepts and models to help one understand diverse conflict activities such as war, terrorism, genocide, and peace. Second, it treats coercive appropriation as a fundamental economic activity, joining production and exchange as a means of wealth acquisition. In the second edition of their book Principles of Conflict Economics, Anderton and Carter provide comprehensive, up-to-date coverage of the key themes and principles of conflict economics. Along with new scholarship on well-established areas such as war, terrorism and alliances and under-researched areas including…
I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
In this book we learn that our actions are shaped by that of others or by our expectation of what others will do.
If, for example, a white neighbor leaves the neighborhood upon seeing a minority family move in, other white neighbors are likely to follow suit if they expect more white neighbors to move out and more minorities to move in. If a critical mass of white neighbors adopts this behavior, the result is a segregated neighborhood.
Applied this idea to the study of mass atrocities, we understand mass participation in mass atrocities as not a result of moral failure, but a social phenomenon driven by imitating nature and belonging need of the humankind. This understanding humanizes the mass perpetrators of an atrocity and opens space for reconciliation.
"Schelling here offers an early analysis of 'tipping' in social situations involving a large number of individuals." -official citation for the 2005 Nobel Prize
Micromotives and Macrobehavior was originally published over twenty-five years ago, yet the stories it tells feel just as fresh today. And the subject of these stories-how small and seemingly meaningless decisions and actions by individuals often lead to significant unintended consequences for a large group-is more important than ever. In one famous example, Thomas C. Schelling shows that a slight-but-not-malicious preference to have neighbors of the same race eventually leads to completely segregated populations.
