32 books like Camelot Rising Trilogy

Vlad the Impaler reimagined as an ugly, vicious girl named Lada? Yes, please. This novel is very loosely based on history. The best part is how unlikeable Lada is. She is violent, she is cruel, and she wants to take down the Ottoman empire all by herself.

This book is all about finding political and societal power and learning how to wield it to your advantage. And even though I didn’t like her, I loved watching Lada go up against forces much more powerful than she and fight tooth and nail against them.

Bayron made the classic Cinderella fairy tale something modern girls can relate to. Black, LGBT girls will especially find a kindred spirit in Sophia. I loved how determined Sophia was to fight back against society’s expectations of her. She was willing to fight for her happily ever after, even if it didn’t look like how the world thought it should. To see Sophia’s struggles rewarded with her love story with Constance was great to read.  

Beauty and the Beast is my favourite fairy tale, so not only do I read every retelling I can get my hands on, but I’m quite particular about how I rate them. Stalking Shadows exceeded all expectations. I loved how she changed the genders of her Beauty and Beast (or Beasts). I love when women are allowed to be beastly and monstrous. Panin also didn’t shy away from talking about tough subjects in her book, another reason I loved it so much. I especially liked how she tackled racism and Lord Sebastian’s experiences as a biracial child growing up in the village.  

This book is for a slightly older reader (probably 16+), but the first scene opens with a period. Blood. It’s one of the things I love most about it.

The story revolves around Bisou Martel, who becomes a wolf hunter. She is at her strongest when she has her period, and she saves girls who are in danger of being violated by boys and men. Talk about female empowerment!

Be careful what you say out loud. You never know who might hear you.

In this story, you have a cruel and harsh Staryk lord with only care for his silver to be turned to gold. He’s cold and indifferent to the one he appoints to this seemingly impossible task, yet you find yourself clinging to hope he will change.

There are multiple POV, so if this is your thing, trust me you’ll love how many are in here. It’s like getting multiple thrilling stories in one book. Redeemable monsters is how I would label this book in two words if I had to.

I loved a number of things about Pennyblade. For starters, the main character’s (Kyra’s) race, the Commrach, who are like elves, are ruthless libertines and hedonists. 

The Pennyblade world is a fascinating and grim place where same sex relationships are punishable by death and the action, which is visceral and very explicit, just keeps coming.

I really liked that this is a novel about prejudices, it appealed to me as someone from an ethnic minority group who grew up in London in the late 1970s / early 80s and experienced racism.

Fortunately, Pennyblade has plenty of humour which makes the grimdark nature of the book more palatable.

The first big draw of this novel is the characterisation.

The protagonists and antagonists are all wonderfully sketched, giving them depth and life, especially Tormalin the Oathless, of a vampire-like race, and Lady Vincenza de Grazon – eccentric old scholar and wine fiend. The book is full of humour and the plot is well drawn with perfect pacing. 

At the heart of the novel is a mystery – where are the Jurelia – the fearsome race that invaded millennia ago, and are they going to return? What will happen when they do?

Finally, Williams has created an intriguing world full of powerful oppressed witches alongside steam trains and the remnants of the previous Jurelia invasion.

Y takes place on 20th-century Earth, but with a twist: all men have been exterminated by a mysterious virus except one. You’d think setting the story on Earth in the current time period would be easy, but I think that kind of setting is even harder because we know what that world should feel like and if things deviate, we’ll be quick to notice. And yet, although the premise of Y has not happened on Earth, the worldbuilding makes it plausible that it could. Y dives into the past and jumps into the future, it travels from one end of the U.S. to the other, it tangles international conspiracies with a lovelorn hero and a monkey that won’t stop flinging its poop—and you accept it because the foundation—the worldbuilding—is secure.

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

When I was a kid I was very excited about wolves. Not in the sense that I knew a lot about wolves—I didn’t study them and learn about them—so much as I felt certain, in my heart of hearts, that if I met a wolf, we would understand each other in a way no two creatures ever have. Feed Them Silence is a book that returned me to that sense of certainty, but with a more fundamentally realistic understanding of the nature of animals as existing outside of human understanding. I couldn’t put it down, and the hours slipped right past me.