Here are 75 books that Blindness fans have personally recommended once you finish the Blindness series.
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I’m A.M. Geever, and I write post-apocalyptic and disaster fiction. I’ve always been curious about what we are as humans—good or bad, or a mix of both? I'm fascinated by how ordinary people rise—or break—when the world falls apart. Disasters and apocalypses strip life down to its essentials: survival, love, loyalty, and the choices that define us. While I'm woefully unprepared for a zombie apocalypse or other disasters, I’ve spent years imagining "What would I do if...?" That curiosity fuels my writing and my reading. The books on this list captured that same feeling for me—gritty, hopeful, and deeply human stories that keep you wondering: if society crashed tonight, who would you become?
When they got twinkly and dreamy in popular fiction, I was unimpressed. Then I read The Passage. These are your grandfather’s vampires, boys and girls, and they want to kill you. I loved the blend of horror, science fiction, and the dystopian near-future United States where the story begins.
From the scientist who wants to cure death to the quest a hundred years after the Virals appeared, this book is filled with a raw humanity and the struggle to survive that captivated me. It’s a long book, but when I finished, I dove right into the next one. I had to know what happened, and I needed another dose of vampires that scared the sh!t out of me.
Amy Harper Bellafonte is six years old and her mother thinks she's the most important person in the whole world. She is. Anthony Carter doesn't think he could ever be in a worse place than Death Row. He's wrong. FBI agent Brad Wolgast thinks something beyond imagination is coming. It is. THE PASSAGE. Deep in the jungles of eastern Colombia, Professor Jonas Lear has finally found what he's been searching for - and wishes to God he hadn't. In Memphis, Tennessee, a six-year-old girl called Amy is left at the convent of the Sisters of Mercy and wonders why her…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I stumbled across this book, written by a Nobel prize winner I had never heard of, when I was researching “comps” for my new novel. Both turn on the premise that suddenly death ceases to happen to people after a certain point in time; in Saramago’s novel, this is because Death is a female deity who gets really tired of her job.
It’s utterly fanciful but scathingly satirical in portraying humankind’s reactions to what they always thought would be a boon but soon realize is a catastrophe. It made me change some aspects of my book to try to emulate Saramago’s level of sophistication—and sense of humor—about human nature.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I love this book because it is so beautifully written—lyrical, poetic, vivid, moving, and engaging. I find this book to be a thing of beauty, from sentence to sentence, from page to page. This is the way I write. I would encourage others who love prose stylists to read this book.
Blind people are not casual listeners. Blind since birth, Stephen Kuusisto recounts with a poet's sense of detail the surprise that comes when we are actively listening to our surroundings. There is an art to eavesdropping. Like Annie Dillard's An American Childhood or Dorothy Allison's One or Two Things I Know for Sure, Kuusisto's memoir highlights periods of childhood when a writer first becomes aware of his curiosity and imagination. As a boy he listened to Caruso records in his grandmother's attic and spent hours in the New Hampshire woods learning the calls of birds. As a grown man the…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I think Helen Keller is one of the most fascinating and brilliant individuals in human history. In this book, she shows and tells us what it is like to be a person who cannot see, hear, or speak. I find the book quite moving. Some readers will be familiar with the biopics that have been made about Heller. Take my word these movies don’t offer the pleasure of reading Keller’s story.
These poetic, inspiring essays offer insights into the world of a gifted woman who was deaf and blind. Helen Keller relates her impressions of life's beauty and promise, perceived through the sensations of touch, smell, and vibration, together with the workings of a powerful imagination. The World I Live In comprises fifteen essays and a poem, "A Chant of Darkness," all of which originally appeared in The Century Magazine. These brief articles include "The Seeing Hand," "The Hands of Others," "The Power of Touch," "The Finer Vibrations," "Smell, the Fallen Angel" "Inward Visions," and other essays. "Optimism," written while Keller…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.
At the age of five, a blind African-American boy is handed over to a brutal state home. Here Ludlow Washington will suffer for eleven years, until his prodigious musical talent provides him an unlikely ticket back into the world.
The property of a band, playing for down-and-outs in a southern dive, Ludlow's pioneering flair will take him to New York and the very top of the jazz scene - where his personal demons will threaten to drag him back down to the bottom.
A Drop of Patience is the story of a gifted and damaged man entirely set apart -…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I love this book because it is the only other novel, besides my own, that I know of that features pianist Blind Tom. or at least a character based on Blind. In Cather’s novel, he is called the Blind d’Arnault. Cather is a fine writer who knows how to tell a story. It is a novel that I go back to for inspiration and ideas. I often write about music in my fiction and appreciate other authors who take up this challenge.
Packaged in handsome, affordable trade editions, Clydesdale Classics is a new series of essential literary works. It features literary phenomena with influence and themes so great that, after their publication, they changed literature forever. From the musings of literary geniuses like Mark Twain in The Adventures of Huckleberry Finn to the striking personal narrative of Solomon Northup in Twelve Years a Slave, this new series is a comprehensive collection of our history through the words of the exceptional few.
My Antonia, a novel by Willa Cather, tells the story of friendship between Antonia Shimerda a young woman who moves to…
I’ve worked in journalism, politics, and public policy for 30-plus years and watched as the extreme voices gained the most traction on either side of a debate. On social media, these minority views often dominate the discussion. 48 States is a stand-alone novel highlighting the problems of extremist viewpoints in a civil society. I also have another book series that features a political consultant who discovers she's a witch and joins a secret society that uses magic to manipulate elections to protect humanity. Bottom line: if I can’t fix political discourse for a living, I can write science fiction novels that contemplate how to do it.
I came across this little gem of a novel through Libby, the app I use to borrow ebooks from the San Francisco Public Library. What I liked about the story's premise was the idea of bacteria evolving beyond what modern antibiotics can manage and how that could turn a simple paper cut into a deadly injury.
A thrilling debut in the style of Crichton or A.G. Riddle, Resistant imagines a chilling-and entirely plausible-future where antibiotics don't work, and weaves adventure, romance, and science into a thrilling chase for a cure.
In the final battle with drug-resistant bacteria, one woman's blood holds a secret weapon.
Rory and her father have survived the antibiotic crisis that has killed millions, including Rory's mother-but ingenuity and perseverance aren't their only advantages. When a stoic and scarred young military veteran enters their quiet life, Rory is drawn to him against her better judgment . . . until he exposes the secrets…
I basically write everything I can’t say in real life. So my characters tend to be witty assholes who see the world for what it is: a raging dumpster fire. The best compliment I ever received came from a reviewer who said my writing style was like a “wholesome Palahniuk or less trippy Vonnegut.” That’s about as good as gets for any author, especially one who adores all things Kurt Vonnegut. I am a fan of books that trace the trajectory of human behavior to its logical end: self-destruction. So my list is made up of books that imagine funny, scary, sad, and absurd apocalyptic endings to human civilization.
I found Dissipatio H.G. through a New York Times book review when the first English translation was released in 2020. The story was originally published in Italian in 1977, four years after the author died from suicide. This obscure but brilliant work of fiction takes place in a fictional mountain metropolis. One day our main character wakes up, and every human being on the entire planet has vanished. Except of course for him. Part philosophical treatise, part post-apocalyptic adventure, Dissipatio H.G. is a rare find for those lovers of eclectic literature.
A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century.
From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he…
I love the fantastic—madly, insatiably. Far too much, indeed, to limit myself to what the publishers label “fantasy”. Such labels don’t enlighten us, however much they condition us to predictable purchasing behavior. We’re better off ignoring them. We’re better off defining fantasy for ourselves. These five knockout novels are saturated with fantasy. It’s high time we fantasy lovers recognized our kin.
Do you like a good scare? Well, Stephen King is one kind of scary, but A Question of Power is something else altogether: a descent into a sunless valley writhing with monsters. We know that these monsters dwell in the mind of the main character, Elizabeth. But there’s no safety in knowing that, for we’re locked in with them. If we sometimes climb a tree and feel a fresh breeze on our faces, it’s with the knowledge that those tentacles can slither up and snatch us back into hell at a moment’s notice. And they do.
I didn’t start with what many consider the most important facts of this novel: that Elizabeth is a mixed-race woman born in South Africa and exiled to Botswana. And those are vital facts. But Elizabeth is also one luminous, suffering soul. Watching her fight her way out of that dark valley is a terrifying…
"It wasn't any kind of physical stamina that kept her going, but a vague, instinctive pattern of normal human decencies combined with the work she did, the people she met each day and the unfolding of a project with exciting inventive possibilities. But a person eventually becomes a replica of the inner demons he battles with. Any kind of demon is more powerful than normal human decencies, because such things do not exist for him." Bessie Head
In this fast-paced, semi-autobiographical novel, Head exposes the complicated life of Elizabeth, whose reality is intermingled with nightmarish dreams and hallucinations. Like the…
