100 Books Like The Passage

I was first introduced to the film adaptation of The Road in my early teens when I went through all five stages of grief in the span of 1 hour and 51 minutes.

I then made a beeline to the bookstore for a copy of McCarthy’s novel, which subsequently solidified my love of end-of-the-world stories in how they can examine what it means to survive.

The Road is a story that has stayed with me over the subsequent decade and a half and greatly influenced my post-apocalyptic novel.

I jumped in and hung on, and loved the ride.

This series is the epitome of change from a world order in chaos towards a solution to survive. The creativity explodes from every page, as you immerse yourself in a new environment full of amazing and wonderful characters, experiencing insane challenges, personal and professional, as well as moral and emotional. The whole evolution of the ‘silo’ world is seamlessly integration into the story, making it all seem so normal.

This series is absolutely the best ever! I never wanted it to end!

Tigana might be my favorite book of all time, any genre, which says a lot.

Every time I read it, I am blown away by the perfection of the story and characters and the intricate story of love, hate, rebellion, magic, and politics. I have read it at least a dozen times since I first discovered it, and every time, I find something new or rediscover something I’d forgotten that makes this book wonderful.

It has the structure of a fantasy story and quest for redemption but is also a story of family, friendship, trust, loyalty, and love. It could be any empire and conquest in history. Imagine how devastating it would be to have the name of your country erased from time and memory. 

This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.

The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.

I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.

The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too. 

Who Fears Death was a book assigned to me in a college course, and it was the most enjoyable piece of course work I ever had to read. Centered in post-apocalyptic Africa, Who Fears Death follows a biracial girl living in a segregated society that rejects “mixed blood.” I was endlessly cheering for the main character—Onyesonwu—and her stubborn pursuit of her own magical path. I pushed off reading most of my other coursework in order to finish this story and discover where Onye’s path would take her. Okorafor’s society-building was not only convincing, but also heartbreaking, and contained mirrors to present-day society. This book had me excited to do my homework, and is one I would recommend to anyone—in school or not.

This isn’t a typical murder story, but it has it all: personal dilemmas, paranormal lines, and killings wrapped around a dystopian world where good and evil are on a collision course. This is, perhaps my favorite book.

It was King’s gold standard for decades. The traveling east to west, the sages met, the people killed. Those turned against their friends. Twists galore. It is a long read, a bit over 1,100 pages. Don’t let that scare you, it is a page turner from start to finish. 

I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.

It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period… show more.

Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.

Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience. 

That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner. 

I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.

Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.

This book reminded me that hope is often raw, painful, and ultimately necessary.