Series
by
Kelly Sue DeConnick,
Cheryl Lynn Eaton,
Valentine De Landro (artist)
,
Andrew Aydin
,
Taki Soma (artist)
,
Conley Lyons
,
Maria Frohlich (artist)
,
Joanna Estep (artist)
,
Craig Yeung (artist)
,
Sharon Dela Cruz (artist)
Picked by Bitch Planet fans
Here are 35 books that Bitch Planet fans have personally recommended once you finish the Bitch Planet series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
Nothing wrong with a little bit of erotica. This one not only has one of the best titles of any book ever, it also has its tongue jammed firmly in its cheek. When your inciting incident is a jilted bride walking into a bar in Alaska, in her wedding dress—a bar that happens to be owned by eight brothers, one of whom is named Sebastian Badd– You know you're in for a good time.
Your wedding day is supposed to be the happiest day of your life, right? That’s what they say, at least. I went into that day hoping I’d get the happiest day of my life. What I got? The worst. I mean, you really can’t get any worse of a day without someone actually dying. So…I may have gotten just a little drunk, and maybe just a tad impetuous… And landed myself in a dive bar somewhere in Alaska, alone, still in my wedding dress, half-wasted and heart-broken. *** Eight brothers, one bar. Sounds like the beginning to a bad joke,…
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
The book may not have much swearing in it, but it has one of the best titles ever. It sounds like an insult drawn from an obscure meme. Dahl is a master of the short story, and here you get four of them, including his fabulous character Oswald Hendryks Cornelius.
In Switch Bitch four tales of seduction and suspense are told by the grand master of the short story, Roald Dahl.
Topping and tailing this collection are The Visitor and Bitch, stories featuring Dahl's notorious hedonist Oswald Hendryks Cornelius (or plain old Uncle Oswald) whose exploits are frequently as extraordinary as they are scandalous. In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.
In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.
As a young man who deals with issues of loneliness, depression, and melancholy, I’ve always been drawn to platonic male friendships in fiction. Seeing acts of brotherly courage and heroism on the page has always resonated with me, especially when my own friendships in the real world have felt lacking. Men aren’t the best at discussing their emotions, especially not with each other, and I’ve desperately sought out stories where even the most grizzled male heroes are, deep down, in need of a friend. In writing Stormblood, I wanted to have a strong sense of brotherhood and unity between the male cast members as they battle enemies and face their personal demons.
Did someone say a brotherhood of half-orcs? Sign me the hell up.
I’ve always loved non-human characters, whether monsters, aliens, ghouls, or whatever. I’ve always strongly identified with the “other.” When monsters do show up, they’re often depicted as just that: monsters. This is especially true of orcs.
But in The Grey Bastards, we get to see these mutts as so much more than drooling, mindless beasts. Their loyalty and brotherhood is what keeps them alive. When they’re riding out into battle, it’s not their tactics or strategy that gives them the edge, it’s knowing that whether they live or they die, their brothers will be fighting fiercely by their side. And that’s the sort of thing that makes me feel all warm and fuzzy inside.
'AN ADDICTIVELY READABLE - AND UNDENIABLY COOL - FANTASY MASTERWORK' Kirkus
BRING ON THE ORCS . . .
Jackal is proud to be a Grey Bastard, member of a sworn brotherhood of half-orcs. Unloved and unwanted in civilized society, the Bastards eke out a hard life in the desolate no-man's-land called the Lots, protecting frail and noble human civilization from invading bands of vicious full-blooded orcs.
But as Jackal is soon to learn, his pride may be misplaced. Because a dark secret lies at the heart of the Bastards' existence - one that reveals a horrifying truth behind humanity's tenuous…
I love a smart, capable, skilled, determined heroine who’ll risk it all for the people she loves and the things she believes in. History and popular culture have long overlooked, minimized, or outright ignored the contributions of women and girls, especially in times of strife or hardship. Writing the Devil’s Revolver series, I wanted women from all walks of life proactively working to change the world and their own circumstances, wherever their paths lead them. Throughout, my protagonist, Hettie Alabama, develops allyship and understanding with women who have their own ideas, opinions, dreams, and desires, and together, they shape their own destinies and the fate of the world.
The first time I saw Pretty Deadly on the shelves at my local comic book store, I was fascinated and chilled by the cover art, and the story within did not disappoint. This Eisner-Award-nominated graphic novel by Captain Marvel writer Kelly Sue DeConnick melds Western and horror genres for a macabre tale about Death’s daughter, Deathface Ginny, riding a horse made of smoke and wind across the harsh and unrelenting landscapes of a brutal Wild West, doling out retribution. I love me some grim reaping, and the same dark, evocative imager. I love me some grim reaping, and I wanted the same dark, evocative imagery to come through on my pages and through Hettie’s own journey with the cursed gun Diablo at her side.
Kelly Sue DeConnick (Avengers Assemble, Captain Marvel) and
Emma Rios (Dr. Strange, Osborn) present the collected opening arc
of their surprise-hit series that marries the magical realism of Sandman
with the western brutality of Preacher. Death's daughter rides the wind
on a horse made of smoke and her face bears the skull marks of her father. Her
origin story is a tale of retribution as beautifully lush as it is unflinchingly
savage.
"It's a perfect match for the gorgeous, dizzying artwork in a sumptuous
palette-overlaid panels add intricate choreography to fight scenes, and
detailed, whirling splash pages beg for long-lingering…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
In my writing I love to relate the stories of important historical actors that are unknown. Especially young actors.
Phillip Hoose apparently shares those loves. He gives us the story of Claudette Colvin who, at fifteen, refused to give up her seat on a Montgomery, Alabama bus to a White person. This was nine months before Rosa Parks’ famous stand. Through Hoose’s beautifully-rendered narrative, we are on the bus with Colvin that day and we are later in the courtroom when she bravely tells her story.
As I said previously, I love to use the actual words historical actors spoke in my books. Hoose seems to share that passion as well. The author carried out fourteen interviews with Ms. Colvin. Through her own voice, we come to know this amazing young woman.
"When it comes to justice, there is no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.'" - Claudette Colvin On March 2, 1955, an impassioned teenager, fed up with the daily injustices of Jim Crow segregation, refused to give her seat to a white woman on a segregated bus in Montgomery, Alabama. Instead of being celebrated as Rosa Parks would be just nine months later, fifteen-year-old Claudette Colvin found herself shunned by her classmates and dismissed by community leaders. Undaunted, a year later she dared to challenge…
I’ve worked as a tugboat hand in Singapore and Peace Corps Volunteer in Polynesia. I’ve served on the editorial staffs of five newspapers, from a small-town daily in New Mexico to The New York Times. I’m also the authorof contemporary novels for young adults. Like the writers of these five great graphic novels, I choose themes that are important to me. Foremost are hope, healing, family, and friendship. These are themes I’d like my own children to embrace. Life can be hard, so as a writer I choose to send out that “ripple of hope” on the chance it may be heard or felt, and so make a difference.
This is the stunning opening salvo of John Lewis’ brilliant trilogy tracking his lifelong struggle for civil and human rights. We follow Lewis’ upbringing in rural Alabama during which young John honed his preaching skills before an audience of barnyard chickens, his transformative meeting with Martin Luther King, Jr., and the birth of the Nashville Student Movement. In shedding light on our country’s racist history, Lewis rakes you raw, holds no punches, and yet offers hope.
Congressman John Lewis (GA-5) is an American icon, one of the key figures of the civil rights movement. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington, and from receiving beatings from state troopers to receiving the Medal of Freedom from the first African-American president.
Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
When I taught, I hoped to engage students by making historical figures as human as possible. At the time I wish I had known the writing of Jean Fritz who brings the people of history to life. Magnificently.
Peppering her books with oddball information about her subjects, she allows them to become more human. And in Jean Fritz books, people talk and act. These features are present in Fritz’s wonderful biography of the women’s rights activist, Elizabeth Cady Stanton.
The reader comes to know Ms. Stanton intimately, her warm friendships with fellow activists, her tensions with her father, her overall independent spirit. And we get a wonderful history of the early American women’s movement.
Jean Fritz delivers for younger readers and makes history engaging, human, and, yes, exciting.
This biography of Elizabeth Cady Stanton is as spirited as the women's rights pioneer herself.
Who says women shouldn't speak in public? And why can't they vote? These are questions Elizabeth Cady Stanton grew up asking herself. Her father believed that girls didn't count as much as boys, and her own husband once got so embarrassed when she spoke at a convention that he left town. Luckily Lizzie wasn't one to let society stop her from fighting for equality for everyone. And though she didn't live long enough to see women get to vote, our entire country benefited from her…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
Young people need to know that they are a part of history. I believe this with all my heart and so does Ellen Levine.
In Freedom’s Children the words fly as young African Americans describe their ugly experiences growing up in the segregated South and then their exhilarating involvement in major civil rights events including the Montgomery Bus Boycott, the Birmingham Movement, and the Selma voting rights campaign.
Ellen Levine travelled south and interviewed many, capturing these riveting stories. And I include the voices of some of these amazing young people in a book I wrote about the Birmingham marches. Readers of both books will see the vital role young people played in the civil rights movement.
In this inspiring collection of true stories, thirty African-Americans who were children or teenagers in the 1950s and 1960s talk about what it was like for them to fight segregation in the South-to sit in an all-white restaurant and demand to be served, to refuse to give up a seat at the front of the bus, to be among the first to integrate the public schools, and to face violence, arrest, and even death for the cause of freedom.
"Thrilling...Nothing short of wonderful."-The New York Times
Awards:
( A School Library Journal Best Book of the Year ( A Booklist…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
I believe that historical nonfiction is best told as a rich narrative with compelling characters and a page-turning plot structure. No one accomplishes that ideal better than Steve Sheinkin.
Sheinkin’s power is on full display in this book about the Port Chicago 50, a group of Black sailors during World War II. Living in a world of rampant racism, the men are relegated to the dangerous task of loading ammunition onto ships. When the danger and racism become untenable, many refuse to work. Fifty of the men are charged with mutiny, convicted, and sentenced to fifteen years of hard labor.
I love to include the actual words of historical actors in my writing and so does Sheinkin. His book draws from oral histories of the sailors. What power their voices bring to the story!!!!
An astonishing World War II military story of civil rights from New York Times bestselling author and Newbery Honor recipient Steve Sheinkin.
A National Book Award Finalist A YALSA Award for Excellence in Nonfiction Finalist A School Library Journal Best Book of the Year
On July 17, 1944, a massive explosion rocked the segregated Navy base at Port Chicago, California, killing more than 300 sailors who were at the docks, critically injuring off-duty men in their bunks, and shattering windows up to a mile away. On August 9th, 244 men refused to go back to work until unsafe and unfair…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
I had the honor of meeting John Lewis and introducing him when he spoke at the college where I taught.
You can have no better guide to the civil rights movement than the saintly John Lewis. And Lewis’ insider’s look is conveyed as a graphic novel. The images enhance the drama introduced through narration and dialogue. (I was excited to see depictions of places I had visited from my travels in the South.)
March Three begins with the bombing of Birmingham’s Sixteenth Street Baptist Church, includes a discussion of the Mississippi movement, and concludes with a powerful telling of the event Lewis is best known for, the Selma voting rights campaign. You can broaden what you learn from March Three by also reading Books One and Two.
2016 National Book Award Winner for Young People's Literature2017 Printz Award Winner2017 Coretta Scott King Author Award Winner2017 Sibert Medal Winner2017 YALSA Award for Excellence in Nonfiction Winner2017 Walter Award Winner "One of the Best Books of 2016" - Publishers Weekly Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy. Congressman John Lewis, an American icon and one ofthe key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today's world. By the fall of 1963,…
