Here are 13 books that Batman: The Dark Knight Returns fans have personally recommended once you finish the Batman: The Dark Knight Returns series.
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One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Like the Greenberger book, this official history of Batman from DC Comics is essential for any fan. Unlike Kane’s book, this account gives much more credit to Bill Finger as Batman’s creator and highlights many of the writers and illustrators who followed, shaping the Caped Crusader's image over the years. The color reproductions and photos—including ones of collectibles and movie stills—alone are worth the price of this great book.
The Comprehensive overview of the Dark Kights dark past - now in pb. Now in paperback, Batman: The Complete History offers a comprehensive overview of the Dark Knight's dark past. Best-selling author Les Daniels covers the gamut - from Batman's creation and runaway success, to the 1954 accusations of Batman and Robin's homosexuality, to the campy antics of the Adam West TV show, and the emergence of Frank Miller's very disturbed and very dark Knight. Illustrated with archival comic book art and rare Batman paraphernalia and designed by Batman's biggest fan, Chip Kidd, this history aims to please the core…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
OK, I have to say this upfront: a lot of comic-book aficionados don’t care much for Bob Kane, Batman’s co-creator. He took too much of the credit for coming up with the Caped Crusader, at the expense of writer Bill Finger. And there are details in the autobiography that seem to stretch the truth. But I wanted to get Kane’s perspective on Batman and his development over the years. As a bonus, the book has complete color reproductions of several early Batman adventures.
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
While I wanted to know the history of Batman and all the facts and figures, I needed to know Batman’s larger cultural impact, and Brooker’s book helps provide it. He explores the different incarnations of Batman, from the comic-book page to the big screen. Brooker looks at the 1950s hysteria against comic books that targeted Batman, among others; the “camp” Batman of the 1960s TV show; and the Batman of films, from the 1989 Tim Burton version through the 1990s. Now all Brooker needs to do is update the book to include Christopher Nolan’s take on The Dark Knight!
An academic monograph that traces the various ways in which Batman has been interpreted over the years - by wartime film producers, gay teenagers, pop artists, Internet fan communities, and so on. Written from both an academic and a fan's perspective, is examines how a character can be a brand and a myth at the same time. The book draws on substantial research from the DC Comics archives, as well as interviews with DC editors and writers. Also included is a comprehensive Batman iconography, listing examples of how Batman has been used as a reference in other TV shows, movies,…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Essential is right—any fan of the Caped Crusader needs this book! Greenberger is a former DC Comics editor, and his extensive research helped me rediscover characters I had forgotten about and learn about ones I had never encountered before. Along with being packed with great info, the book is filled with illustrations, including 32 full-page color covers.
The ultimate guide to the man behind the mask . . . and the mythology behind the man.
“Criminals are a superstitious, cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible. . . . I shall become a bat!” So declared millionaire industrialist Bruce Wayne, orphaned as a boy by a murderous thug and driven as a man to battle the scourge of crime by becoming Batman. Batman swooped into popular culture in 1939–and for nearly seventy years has thrilled audiences in countless comics, live-action…
I like the thrill of feeling like a place truly exists, whether it’s described in complete detail or sparsely sketched for the reader to take over. I’m a professional comic illustrator, most known for illustrating Transformers for IDW Publishing. In 2020 I created my own original series called The Kill Lock, also published by IDW. It was my first real stab at taking all my years of studying world building and attempting to tell an original story of my own. It was a wonderful experience to create and write, and I highly suggest anyone who has been looking to do it to take the plunge. The rewards are thrilling.
A present-day western, Preacher is the story of a lost pastor who is suddenly infused with the word of God-allowing any who hear his voice to bow to his commands. His best friend is an alcoholic vampire. His love is a hard-fighting sharpshooter. The Angel of Death is an immortal wild west gunslinger, a cowboy with unmatchable firepower who stalks the modern landscape. The characters are some of the richest I’ve ever seen. There’s a hilarity that runs through the entire series, and a real beating human heart alongside it. Despite a seemingly nihilistic premise, Preacher is one of the most moving stories I’ve ever seen about friendship and remains true to ones principles. Steve Dillon as an artist is another example of beautifully economical storytelling.
Written by Garth Ennis Art by Steve Dillon Cover by Glenn Fabry "Features more blood and blasphemy than any mainstream comic in memory. Cool." - Entertainment Weekly Available for the first time in hardcover, preacher Jesse Custer begins his dark journey to find God, in this volume collecting PREACHER #1-12, plus pinups from PREACHER #50 and #66. After merging with a bizarre spiritual force called Genesis, Texan preacher Jesse Custer has become completely disillusioned with the beliefs to which he had dedicated his entire life. Now possessing the power of "the word," an ability to make people do whatever he…
Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating.
I love love love an unreliable narrator! Especially when that narrator is a beautiful, elegant woman who turns out to have the ugliest soul imaginable. I think as a whole, our society tends to be extra afraid when they see conniving evil existing in a female’s mind, especially when she’s physically beautiful and well spoken.
At certain points in this book, I found myself weirdly rooting for Amy and chomping at the bit to see how far her “crazy” would take her. The twists and turns kept me racing through this book and left me wondering at the end, “What happens to them now?!”
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
I‘ve always been fascinated by the dividing line between human and monster. Because, what is a monster?
I know, this kind of question will usually get a quick answer, but I have been thinking about this particular question for quite some time now. I am Legend revolves around this question, and I love it for that. I also love it for the somewhat unexpected twist in the end, and that one can be interpreted as an answer.
Anyway, for me, this book got me thinking about morale and ethics and other stuff. I just like it when a book gets me to that point where I think: wait a moment, but what if…?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
As a horror writer whose interests tend to favor morbid topics that are often neglected, end-of-the-world stories have fascinated me since I first read Stephen King’s The Stand at far too young of an age. I love how these works enable the exploration of life, death, and survival. My appreciation for the subject matter deepened during my studies in Seton Hill University’s Writing Popular Fiction MFA program, where I learned how genre fiction has the unique ability to both enlighten and entertain readers. This inspired me to write my post-apocalyptic horror novel, What Remains.
I was first introduced to the film adaptation of The Road in my early teens when I went through all five stages of grief in the span of 1 hour and 51 minutes.
I then made a beeline to the bookstore for a copy of McCarthy’s novel, which subsequently solidified my love of end-of-the-world stories in how they can examine what it means to survive.
The Road is a story that has stayed with me over the subsequent decade and a half and greatly influenced my post-apocalyptic novel.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
The Hernandez Brothers burned down almost anything I thought about comics. As a young Latin kid I hadn’t seen stories that referenced Latin characters in anything but a really heavy-handed way, the idea that we were allowed to be these flawed weird characters seemed impossible to me. I connected pretty heavily with Jaime’s work especially and when I’m stuck on almost anything I revisit these pages as a sort of hard reset on whatever I think my process is.
This oversized art book collects the comics series’ iconic covers sans title or logo.
Five women stand in a police lineup; four of them are garishly dressed, impressively endowed superwomen ― perfectly normal, because this is, after all, the cover of a comic book. A closer look, however, reveals a fifth woman who seems thoroughly out of place ― mousy, in bathrobe and curlers, smoking a cigarette, she appears to have been suddenly yanked from her breakfast table. Surely, this diminutive, dowdy woman is here by mistake ― or is she? From the very first cover of the very first…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This book spoke early to me as a kid on form and presentation, it played with visual scale and pace on a level you still very rarely see. Sienkiewicz tells a sort of elaborate impressionist visual poem through paint and graphic design. And Miller layers text almost like a melody track, playing with texture and emotion, speeding things up and then slowing them all the way down, playing with time in a way that changed the whole game for me.
Meet Elektra Natchios. This intriguing young woman has played equally intriguing roles throughout her life: Gymnast. Martial artist. Ninja. Assassin! Trained in the deadliest of arts and renowned as the world's fi nest killer, Elektra remains an enigma even to herself. Now, relive her fi rst solo adventure, an epic crafted by two of comics' greatest innovators - Frank Miller and Bill Sienkiewicz! An unconscious woman washes ashore off the coast of a small Central American country. Two policemen are strangled. A diplomat is assassinated. A S.H.I.E.L.D. agent is brutally dismembered. Unrelated events? Hardly. Elektra has returned - and she's…
