10 books like Barker and Llewelyn

I found the premise of this book intriguing. A detective with amnesia discovering his identity through his interactions with those who knew him before his accident? Yes, please! It's so unique!

This first book in the Inspector Monk series sets the stage for the many great books that follow with a brilliant murder mystery, interesting characters, and an immersive setting. I loved the intersection of Victorian London and the Crimean War and the many ways in which Perry brought the history to life with characters Dickens would be proud of, puzzles that would please Agatha Christie, and world-building that would satisfy Brandon Sanderson.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.

In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.

And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.

I enjoy reading historical fiction, especially when I'm in the middle of writing my next mystery story. I like to read outside my genre so historical mysteries satisfy that desire for me to learn about the past while still studying how other mystery authors craft their stories.

This book features a heroine who is an artist and who was also initially ostracized by society because of her first husband. Her current husband is an 'investigative agent' in the 19th century and she's frequently drawn into his cases.

I like her because she's not afraid to speak her mind but she also knows when to keep quiet – a talent she had to acquire when dealing with some of the high-and-mighty people she meets.

I love reading books that look underneath what is shown to most people—how things work behind the scenes, or a glimpse into a different world.

This book takes what we think is a modern-day world and gives it a bit of a twist, with a special division of the London police charged with handling supernatural crimes that take place, well, in plain sight.

The thing that was most intriguing about this narrator was that I had the feeling I was learning with him about all the ghosts and goblins and beasties as he discovered them. I was as surprised as he was about the solving of the mystery.

I thought this book was the perfect blend of mysterious and romantic. The characters are multi-faceted, both strong and vulnerable, and they play off each other’s strengths and weaknesses. I was rooting for a happy ending for them all, even though I couldn’t imagine how Michelle Griep could pull it off.

The brief appearance by Mary Shelley was the perfect nod to the themes of this book. Michelle Griep is a fearless writer who raises the stakes in her novels, and with Lost in Darkness, she ups the ante even more.

I began reading Grimes in the 80s, but her books still hold up today, and this one establishes all of the cozy/Gothic things I love. Grimes has a gift for ironic humor, so even though she sets her books in a very cozy English village called Long Piddleton, she tends to satirize the residents and the narrow-mindedness of the provincial town.

In this way, she is similar to Agatha Christie, except that Grimes is much funnier. In this small town, Melrose Plant, a Lord by inheritance who has thrown off his title and tries to live a quiet life in the family manse, is a long-suffering, sane person in an often chaotic existence. He is continually terrorized by his “Aunt Agatha,” an American who married his uncle and refers to herself as “Lady Ardry,” although her late husband had no title. Their relationship is a source of great humor, but… show more.

The year is 1837 and Liberty is a fiercely independent young woman. The story begins with her crossing the Channel to find her father, only to discover that he had recently been killed in a duel. In the course of investigating what had happened, she comes upon a plot that involves treason, with the potential to spark another civil war.

What I love about Peacock’s work is her use of imagery in echoing a character’s psyche or situation. Horse lovers will enjoy Liberty’s relationship with her horse and her growing friendship with her good-hearted stable hand. I have not yet put my finger on it, but for some reason, I feel a hint of Edgar Allen Poe when I read her books.

I was immediately drawn to the main character, her plight, and her questions. At every turn, it seemed there were more secrets to uncover.

Julie Klassen seemed to have written herself into an inescapable tangle, but she deftly wove a satisfying solution that fit both the story and characters as well as the social expectations of the Regency Era—masterfully done! It's definitely a sigh-worthy read!

The story may evoke the rip-roaring thrillers of yore in terms of probability, but dang, from the first lines, I was hooked. There is nothing like seeing 19th-century Egypt through the eyes of Amelia Peabody.

I could practically hear the calls of the crowded streets of Cairo, feel the warmth of the desert sand and the spookiness of a night in a canyon. It was not intentional, I promise, but Miss Peabody’s voice may have had the tiniest bit of influence on a certain Victorian lady that I write about–and this book is why.