Books like A Stroke of Malice — picked by fans

I have been a lover of histories and mysteries for as long as I can remember. Equal parts museum junkie and Dateline addict, I cannot get enough of history and whodunnits. From Poirot and Conan Doyle to Bernard Cornwall and Ken Follett, I love them all. As a kid, reading with a flashlight under the covers was a favorite pastime, and I wore out my library card. As an adult, I head to the true crime section of the bookstore first. I love that there are books that blend my two passions so well, and I hope you enjoy this list of historical mysteries as much as I do.

On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today. 

I've read mystery books since I was a kid in a small Iowa town and my mother was on the library board and in charge of reviewing books for purchase. She would bring home mysteries and I grew up reading about James Bond, The Saint, Miss Marple, and many, many other 'classic' detectives. I wrote my first mystery 'novel' when I was ten and it took me forty more years to finally decide to get serious about it. I found I wanted to write about an older demographic—my heroes and heroines are usually in their 40s or 50s. I try to make my characters believable and down-to-earth—except they get involved in the occasional murder!

I've read mystery books since I was a kid in a small Iowa town and my mother was on the library board and in charge of reviewing books for purchase. She would bring home mysteries and I grew up reading about James Bond, The Saint, Miss Marple, and many, many other 'classic' detectives. I wrote my first mystery 'novel' when I was ten and it took me forty more years to finally decide to get serious about it. I found I wanted to write about an older demographic—my heroes and heroines are usually in their 40s or 50s. I try to make my characters believable and down-to-earth—except they get involved in the occasional murder!

I’ve always been drawn to stories where women defy expectations and carve out power in a world that seeks to silence them. As a writer of historical mysteries, I love exploring unconventional heroines—women who take risks, uncover secrets, and refuse to conform. The best mysteries blend atmosphere, intelligence, and a touch of rebellion, and I seek out books that do just that. Whether it’s a detective disguising her true identity or a woman outwitting society’s constraints, these stories inspire me. My book was born from this passion, and I hope readers who love fiercely independent heroines and richly layered mysteries will enjoy this list as much as I do.

Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.

I’ve loved murder mysteries since childhood, and during the pandemic–when reading became a challenge–I returned to my first literary love, binging on one mystery series after another. Eventually, I decided to write one with my friend Elizabeth Renzetti. It’s been the most enjoyable writing experience either of us has had. I’ve written three other published novels, and I have a day job as a therapist (I like to think this helps with realistic characterization, but it also pays the bills). I write humor because I like to have fun at work, and I appreciate a good laugh when I’m reading.

While I love many novels about individuals, there’s something about weird groups of people—for example, cults—that I’ve always been drawn to. The Book of Fred plays with this dynamic by showing the intersection between a doomsday cult, the Fredians, and the quirky liberal community that foster child Mary Fred Anderson finds herself in. What I find fascinating about cults is how appealing they are, how being part of a group has a seductive quality that can so easily go horribly wrong. I love novels and memoirs that show that seductive side while zeroing in on the complications groups pose to individual identity. 

When I was participating on a crime fiction panel in 2022, we were all asked to recommend books, and I was struck that none of us mentioned a book by a writer of color. Since I knew there were many excellent books by writers of color, I felt this was something I needed to fix. This past summer I decided to make a concerted effort to read more books by writers of color/#OwnVoices, and looked to members of Crime Writers of Color as a starting point. Encouraged by that very exciting read, I went to Bouchercon in Minneapolis where the association Crime Writers of Color was actively promoting the works of their members.

In elementary school, I was told I had an overactive imagination, an insatiable curiosity, and an adventurous spirit. Fortunate to live across the street from the school, the school’s tiny, nondescript library became a sacred place, a sanctuary, a peaceful and magical space where I could escape into worlds far beyond the limits of a small southern town in the 1950s. I incorporate all of these characteristics, plus my love of travel, into my books. My goal is to write thrilling multicultural fiction novels that depict the blended relationships and experiences of African Americans and people within the communities that make up the global African diaspora.