Book cover of Totalitarian Art: In the Soviet Union, the Third Reich, Fascist Italy and the People's Republic of China

Book description

In the Soviet Union, and later in Maoist China, theories of mass artistic appeal were used to promote the Revolution both at home and abroad. In Nazi Germany and Fascist Italy they asserted the putative grandeur of the epoch. All too often, art that served the Revolution became "total realism,"…

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Why read it?

1 author picked Totalitarian Art as one of their favorite books. Why do they recommend it?

Rich in illustrations, ambitious in scope, and still relevant despite having been written in the pre-perestroika Soviet Union, Golomstock makes his four-way comparison accessible and convincing by insisting that “totalitarian art,” a distinct genre with its own aesthetics and style, organization, and ideology, emerged with the rise of the four regimes indicated in the title of his book. 

From Gregory's list on art and aesthetics in Nazi Germany.

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