Book description
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive…
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Why read it?
1 author picked The Wounds of Nations as one of their favorite books. Why do they recommend it?
How do nations process a trauma like Auschwitz, the Vietnam War, 9/11, or Hiroshima and Nagasaki? Linnie Blake argues in The Wounds of Nations that the horror genre provides a medium through which nations can process recent historical traumas “from a distance.” Examining horror films produced in Germany, the US, Japan, and others countries with a vested interest in burying violent history can tell us a great deal about national identity formation in the wake of war, terrorism, and seismic political changes.
From Brian's list on the history of horror and science fiction.
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