Book cover of Musicophilia: Tales of Music and the Brain

Book description

Oliver Sacks has been hailed by the New York Times as `one of the great clinical writers of the twentieth century'. In this eagerly awaited new book, the subject of his uniquely literate scrutiny is music: our relationship with it, our facility for it, and what this most universal of…

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Why read it?

2 authors picked Musicophilia as one of their favorite books. Why do they recommend it?

Sacks is a supreme storyteller of remarkable human experiences in the world of music. The people of these extraordinary tales who are on the neurological edge of sonic perception (e.g., struck by lightning and immediately becoming an inspired pianist) give me such awe of what is possible, even miraculous.

Related from the perspective of a curious scientist, the mysteries are explained in a manner that resembles well-told science fiction… except they are real and relate to our own untapped capacities. Sacks’ extensive body of writing about the marvels of being human stands tall in my library.

Oliver Sacks was a person who really loved science and being a scientist. Instead of describing some neurological condition or syndrome then explaining why that condition matters to our humanity, he describes the condition and the people who have it in ways that make it clear why it matters. 

In Musicophilia, Sacks’ object of study is musical disorders, including cases of people who suddenly showed a great interest in music after having little prior interest, as well as people who suddenly lost all love for music. He also looks at people who have hallucinations of music, and struggle to…

From William's list on bridging the gap between mind and brain.

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The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.

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