One of the reasons I prefer novels to short stories as both reader and writer is that I like to immerse myself in fictional worlds and forge ongoing relationships with the characters who live in them. Often, in fact, I experience something resembling grief when I reach the end of a beloved book and am forced to say goodbye to the people and places that have so captured my imagination through all those pages. And that’s as true for the books I write as for those I read. For me, whether I’m writing it or reading it, that’s the major attraction of a compelling series!
I was 13 when I was gifted Tolkien’s Lord of the Rings and, for all the many times I tried, I couldn’t get into it. Some 25 years later when I sold most everything I owned to move to Nova Scotia, my unread Tolkien didn’t make the cut.
What changed my mind? A BBC Radio dramatization. I stumbled on it soon after I got to Nova Scotia and was instantly hooked. Although I’d begun writing my book earlier that year, I’d set it aside before my move, unsure whether I would ever return to it.
But I was so inspired by the BBC dramatization, and then by the books, that I immediately picked up my abandoned manuscript. Twelve weeks later, it was done. I’d finished writing my first novel!
This brand-new unabridged audio book of The Fellowship of the Ring, the first part of J. R. R. Tolkien's epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author, Andy Serkis.
In a sleepy village in the Shire, a young hobbit is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lord Sauron's evil dominion.
Thus begins J. R. R. Tolkien's classic tale of adventure, which continues in…
Most people read young adult fantasy when they’re in their teens. That wasn’t true for me.
In fact, ironically for someone who would end up writing fantasy, I didn’t read much of it until I was well beyond my teens. That’s when I discovered YA authors like Madeleine L’Engle, Michael Ende, and Ursula K. Le Guin. L’Engle’s A Wrinkle in Time, however, was the first.
At the time, I was refocusing my life—away from the logical and intellectual and toward the spiritual and numinous, not unlike Wrinkle’s main characters, whose journey became a powerful metaphor for my own creative and spiritual awakening.
Moreover, that the now-classic book was rejected 26 times over two years was a potent lesson in perseverance. It still is.
Puffin Classics: the definitive collection of timeless stories, for every child.
We can't take any credit for our talents. It's how we use them that counts.
When Charles and Meg Murry go searching through a 'wrinkle in time' for their lost father, they find themselves on an evil planet where all life is enslaved by a huge pulsating brain known as 'It'.
Meg, Charles and their friend Calvin embark on a cosmic journey helped by the funny and mysterious trio of guardian angels, Mrs Whatsit, Mrs Who and Mrs Which. Together they must find the weapon that will defeat It.…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Although in my 30s when I read this first installment in Mary Stewart’s Arthurian series, I couldn’t help but identify with this tale of a young outsider with uncertain parentage who is shunned for his visionary abilities…a young outsider named Merlin.
As I followed his coming-of-age story, I couldn’t help but see myself in Merlin’s journey. At the time, I was barely a year into a life-changing odyssey, feeling pushed into embracing my own uncertain parentage and prodded into acknowledging inner realms that I would once have dismissed as New Age claptrap.
Like Merlin, I was in the midst of experiencing a version of myself for the first time. And like Merlin, I was learning to be okay with it.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
A Wizard of Earthsea is a coming-of-age story. I also didn’t discover it until long after I’d passed out of my teens. Yet, A Wizard of Earthsea affected me deeply at a time when I was moving through earthquaking life changes.
As someone who had been creatively blocked for decades — I had not yet started writing my book—I was immediately sucked in by the first line of the quote that opens the book: “Only in silence the word…”
In the end, I was so inspired by the Earthsea series and by Le Guin’s writings on creativity that I sent her a copy of my book’s first edition as soon as it was published.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
If my previous selections showed up for me at a time of profound shift and helped reignite my creativity, I was already an established author by the time I discovered The Alchemyst.
What I was looking for in those days was a compelling story, and what attracted me to this one was its blend of magic and mythology played out in a contemporary setting and involving a real-life historical figure. I love what I guess you’d call fictional biography, and the Nicholas Flamel series must be the most creative example of the genre I have ever come across.
At the same time, Michael Scott’s imaginative use of the historical Nicholas Flamel inspired me to borrow real-life personages for my other (non-fantasy) fiction series.
Nicholas Flamel was born in Paris on 28 September 1330. Nearly seven hundred years later, he is acknowledged as the greatest Alchemyst of his day. It is said that he discovered the secret of eternal life. The records show that he died in 1418. But his tomb is empty and Nicholas Flamel lives. The secret of eternal life is hidden within the book he protects - the Book of Abraham the Mage. It's the most powerful book that has ever existed. In the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do…
What if speaking or writing the words “once upon a time” got you jailed…or killed? That’s the situation in Q’ntana, where stories are banned, storytellers are exiled or executed, and the moon, saddened by the silence, has cried tears that have extinguished her light.
Now, one young bard must come out of hiding to embark on The MoonQuest, the long-prophesied journey to restore story to the land and light to the moon. He sets off reluctantly and with no clear direction, knowing only that it's the stories he tells from his heart that will guide him and keep him safe, even as he’s relentlessly pursued by the King’s Men—black shirts, black masks, and black mounts surging toward him through the black night.
