I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because the protagonist—gritty, hard-talking heart-of-gold Ruby Fortune—is a lady as tough as the Arizona land she comes from and loves. She cusses and shoots, rides horses, entertains and cooks, and takes no guff from men. But first, she must rid herself of an abusive husband in order to save herself and her young boys.
I am partial to a cast of characters in what I read, and a remarkable cast joins her in this exquisitely written story. Her father Big Burl, her chosen mother who’s a madame, the Shakespeare-quoting drunk she puts up in her barn, the law man, and the black miner with whom she secretly falls in love.
Arizona Territory, 1899. Ruby Fortune faces an untenable choice: murder her abusive husband or continue to live with bruises that never heal. One bullet is all it takes. Once known as “Girl Wonder” on the Wild West circuit, Ruby is now a single mother of four boys in her hometown of Jericho, an end-of-the-world mining town north of Tucson. Here, Ruby opens a roadside inn to make ends meet. Drifters, grifters, con men, and prostitutes plow through the hotel’s doors, and their escapades pepper the local newspaper like buckshot.…
I was curious about the moment that the story was depicting before I started reading it. I sort of knew what ultimately happened, but now I feel like I lived it. That's what's so great about historical fiction written by someone who can capture how the moment truly felt by people/characters who were actually experiencing it. Walter writes so well, that learning about the labor movement of that era, which would generally be things to study as a history lesson, became an American chapter worthy of a binge. I was consumed by the entire time I was reading it.
'A beautiful, lyric hymn to the power of social unrest in American history...funny and harrowing, sweet and violent, innocent and experienced; it walks a dozen tightropes' Anthony Doerr, author of All the Light We Cannot See _____________________________________________
1909. Spokane, Washington.
The Dolan brothers are living by their wits, jumping freight trains and lining up for work at crooked job agencies. While sixteen-year-old Rye yearns for a steady job and a home, his dashing older brother Gig dreams of a better world, fighting alongside other union men for fair pay and decent treatment.
After the death of her father, Annalee is taking over the running of the family ranch. Her foreman is the best in the state. But he's irritating. Arrogant. And, unfortunately, handsome.
In order to have full control of the ranch, she's got to go on a trip up the Chisolm…
Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.
Lyn Macdonald is my go-to historian for WW1, and I only pick out this volume – she has written one for each year of the war – because if you want a thorough, detailed account of the war you will want to start at the beginning. She is a fine writer, and very readable, and her books are full of extracts from letters and diaries of the men at the front, and their families back home, which give you the genuine, authentic flavour of how people thought and spoke at the time, and allows you to feel you were really there.
This is an account of the first few months of the Great War, from the build-up of the fighting to the first Battle of Ypres, written by the author of "Somme", "They called it Passchendaele" and "The Roses of No Man's Land".
In nineteenth-century Texas, two tough-minded women dare to challenge the status quo in a warm, witty, and adventurous historical romance by New York Times bestselling author Carolyn Brown.
Daisy Lindberg and Lily Boyle traded a colorful past for a fresh start as seamstresses in Autrie, Texas, and their aim to spark a women's rights movement is raising eyebrows among the town's dumbfounded men. But among the ladies? Tired of being treated like possessions, they have two words: Amen, sister!
Beulah, a sassy shop owner as formidable as a cannon shot, is on board. So is Alma, a timid preacher's wife…
Coleman is a unique character an erudite, talkative and yet anxious and fearful young man who is exceeding loyal to both Oliver, his dog and June, his sister.
Amity is a story of a quest and journey which highlights family ties of many kinds. I didn't feel the emotional impact in this one as I did in Sweetness of Water, but I really loved the characters and have a soft spot in my heart for Oliver.
The highly anticipated second novel from the author of the Booker-longlisted THE SWEETNESS OF WATER
'Amity is deeply adventurous and astonishingly beautiful' Robert Jones, Jr., author of The Prophets 'A writer of great lyricism and power' i paper 'Harris will win over the hearts of many readers' Financial Times 'Masterful' Oprah Winfrey
Louisiana, 1869. The Civil War might be over, but former slaves Coleman and June have yet to find the freedom they've been promised. Two years ago, the siblings were separated when their old master, Mr Harper, took June away on a hair-brained scheme to Mexico, to escape the…
I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.
McGuane sure kicked it off for me in terms of seeing a way to write new fiction. Story is not a priority in his world rather observation of characters battling the odds of surviving each day. The reader wants to be like some of the characters and run to the hills from others but the sense of humor, dirt under the fingernails of these singular people we’ll never meet, relationships we’ll never be in, and locations such as Livingston, Montana or Key West, Florida we won’t spend much time in, draws me to McGuane’s page. McGuane, who wrote scripts for Missouri Breaks and Rancho Deluxe, writes like a filmmaker – the smells, the weather, the alcohol, the drugs – the reader is in the scene, the sun on your neck, the dust in the air, the sound of the ice-cold creek. McGuane is a travel agent.
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle).
In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
Although originally published almost 60 years ago, this work remains a classic account of the longest battle of the war, a battle that still stands as the most symbolic of the war for France. The only book on my list that is not focused on an individual’s experiences, or those of a few people, this broader account of the huge battle nonetheless captures the many ways individuals experienced its horrors. Horne is a vivid writer and skilled historian, and this work has stood the test of time as a key work not only about the Great War but also about the modern French nation as a whole.
The Price of Glory: Verdun 1916 is the second book of Alistair Horne's trilogy, which includes The Fall of Paris and To Lose a Battle and tells the story of the great crises of the rivalry between France and Germany.
The battle of Verdun lasted ten months. It was a battle in which at least 700,000 men fell, along a front of fifteen miles. Its aim was less to defeat the enemy than bleed him to death and a battleground whose once fertile terrain is even now a haunted wilderness.
Alistair Horne's classic work, continuously in print for over fifty…
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Taking us inside the artist balls, music halls, and into the hidden bohemian enclaves of Paris, Kerley examines the myriad ways that the sexualized female body was commodified and spectacularized at the turn of the twentieth century. At this time, the nude female body reigned supreme as a subject of fine art as well as on the commercial stages of the bustling metropolis. Nude women were everywhere, even as respectable women were increasingly told to cover up. How to reconcile the contradiction between woman as housewife, woman as a harlot? This is a central question of Kerley’s beautifully written, thoughtful book.
From 1889 to 1914 nude spectacles increased at an astonishing rate as a result of burgeoning artistic experimentation, the commercialization of the female body, and the rise of urban nightlife. In particular, artists' balls and music halls provided creative spaces in which women, artists, impresarios, and the illustrated press could cast the natural body as a source of sexual pleasure, identity, and reform. Emphasizing the role of erotic entertainment as an outlet and agent of modern sensibilities, Uncovering Paris: Scandals and Nude Spectacles in the Belle A0/00poque offers a fresh approach to important topics of the period- Bohemian artists, the…
I was never a fan of superheroes, not even as a child. My heroes had to be credible, human, acceptably flawed yet redeemable by a personal moral code that ultimately defined their actions. The heroes in my favorite books are of this ilk, determined to pursue the right thing, regardless of how life challenges them. It speaks to how I’ve tried to live my life–and still do.
An atypical Western, I loved its unusual, yet believable plot.
A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.
Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.
I love to believe that potential exists within me.
The Homesman opens in the 1850s, when early pioneers are doing anything they can to survive dreadful conditions. Women especially struggle with broken hearts and minds as they face bitter hardships: One nineteen-year-old mother loses her three children to diphtheria in three days; another woman left alone for two nights is forced to shoot wolves to protect herself. The situation calls for a "homesman"-a person charged with taking these women, driven mad by the conditions of rural life, to asylums in the East. Not exactly a job people are lining up for, it falls to Mary Bee Cuddy, an ex-teacher…
I became fascinated by history when, as a child, I visited the Coliseum in Rome; my father told me, “This is where they fed the Christians to the lions.” That awakened my curiosity for people of the past, and I went on to earn an undergraduate degree and a PhD in history at the Universities of Michigan and Hamburg respectively. My interest in the crusades was ignited by the enormous disconnect between popular perceptions and historical reality, and I have published two nonfiction books on the Crusader States, as well as seven novels set in the era of the crusades. The Knights Templar were an important component of my research.
What I found so exciting about this book is that it focuses on the vast majority of Templars who were not fighting men at all. Furthermore, it depicts the Templar's monastic and communal life. This is an aspect of Templar life that many novelists appear never to have heard about.
I particularly enjoyed the detailed look at recruiting and demographics, and as a novelist, Nicholson’s discussion of career paths was helpful. Yet it was the degree of integration in local communities that was perhaps most surprising to me. I wish that no one would write a novel featuring Templars without first grasping the essence of this book: that the vast majority of Templars lived out their lives like humble monks working on farms and praying far from the ‘glamour’ attached to their fighting brethren in the Holy Land.
The Knights Templar did not write about themselves, or keep diaries, so you would be forgiven for thinking there would not be much to know about their everyday lives. However, the records of the Templars' estates tell us how they lived—from the buildings they lived in and their furnishings, to the books and ornaments in their chapels, and their clothes and crockery. These early fourteenth-century records tell us about the men and women who worked for the Templars on their lands and in their houses, their tenants, and the people who owed them money. We can see what animals they…
