Faith “Zanweah” Sternstein grew up in Tappita, Nimba County, Liberia. Her heritage and cultural background is that of the Dan (Gio) ethnic group, where her lineage comes directly through Chiefs Tarpeh, Snagon, and Vonleh. She met her future husband, Martin Sternstein, when he served as Fulbright Professor at the University of Liberia. While much has been written about Liberia, there has been little serious research into the lives of the early presidents, and we much enjoyed filling in this gap. We subscribe to the African proverb: Until the lion tells his side of the story, the tale of the hunt will always glorify the hunter.
We have divergent views on Greene’s travelog. Before first venturing forth to Liberia, Martin read Greene’s book for some appreciation of the undeveloped regions of the country. Faith, a native Liberian, read the book and found Greene’s naivety somewhat amusing.
In 1935 Greene embarked on a four-week, 350-mile trek through the Liberian hinterland. He had sharp eyes and was a master storyteller. With wit, compassion, and insight, he described a part of Liberia seemingly untouched by Western civilization.
While he overly dwelled on what he perceives as negatives, still an unconquered spirit of the indigenes manages to shine forth.
His mind crowded with vivid images of Africa, Graham Greene set off in 1935 to discover Liberia, a remote and unfamiliar republic founded for released slaves. Now with a new introduction by Paul Theroux, Journey Without Maps is the spellbinding record of Greene's journey. Crossing the red-clay terrain from Sierra Leone to the coast of Grand Bassa with a chain of porters, he came to know one of the few areas of Africa untouched by colonization. Western civilization had not yet impinged on either the human psyche or the social structure, and neither poverty, disease, nor hunger seemed able to…
Requesting that I justify my credentials as a misfit, eh? Okay, then. I personally differ from almost everyone around me in many ways, but most notably with respect to faith, sexual arousal, and use of the intellect. I’ve always sought to cultivate and nourish my spiritual side, but faith-based Western religions never resonated with me—I instead cobbled together a discipline encompassing yoga, meditation, vegetarianism, and Ahimsa—which has served me for over half a century. From the earliest age, sexual arousal has involved scenarios where one person cedes power and the other wields it. And I have always obsessed about any bit of minutia my brain happened to seize upon.
This is the darkest of Hermann Hesse’s well-known spiritual journey novels. Unlike works such as Siddhartha, and Demian, Harry Haller in Steppenwolf is a despondent, surly, and suicidal misfit, incapable of coming to grips with the bourgeois culture around him, which seems to him irreparably antithetical to the classical art and literature he worships.
Haller’s eventual spiritual awakening is far more subtle and less dazzling than those Hesse portrayed in other works, and for me, therefore, in many ways more relatable. Deeply ingrained in my mind is Hesse’s image of the gramophone playing tinny, distorted works by master classical composers—which Haller at first despises— but then comes to see that it is much like his trying to decipher mystical truth, which manifests to him in a sort of abridged and imperfect form—because that is all that we, as corporeal humans, are able to discern.
Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine. The tale of the Steppenwolf culminates in the surreal Magic Theater—for mad men only.
Steppenwolf is Hesse's best-known and most autobiographical work. With its blend of Eastern mysticism and Western culture, it is one of literature's most poetic evocations of the soul's journey…
Survivors was actually inspired by a video game, The Last of Us, but after discovering my love of post-apocalyptic stories via games I quickly moved on to books. There’s something freeing about these kinds of stories, to people who feel society can often be suffocating, it’s nice to imagine it burning down and something new and better rising from the ashes. My Survivors duology is the first of many books I hope. I’m a biomedical scientist in microbiology, and while these types of stories always require a certain suspension of disbelief, I’ve used some of my knowledge to create the world of Survivors. I hope you enjoy it!
This is a post-apocalyptic book set well after a war decimated civilisation. We follow two main characters, and it was lovely to see their relationship unfold and grow. Survival and trust are two big themes in this book, as they are in my own, and it was nice to read a similar book. This is for those who are more romantic at heart, as romance is a major part of the book. I really liked the characters. Plus, there’s a dog!
Civilization ended long before Lynn Tanner was born. Wild animals roam the streets, but mankind is still the biggest threat to a woman alone in the ruins of a world reclaimed by nature. Lynn survives by sleeping with one eye open at all times and trusting no one but her dog. When she is forced to go on a dangerous journey through the concrete jungle of New York City, Lynn does all she can to scheme her way to safety. Her guard, Dani Wilson, won’t be played that easily, however. As their lives become entwined, Lynn finds herself developing feelings…
My super-power is making brain science accessible and entertaining for children and adults alike. I am living this out as an author, mental health counselor, and the founder of BraveBrains. In addition to training parents and professionals, I have the joy of sharing my passion and expertise through podcast appearances, blogs, and articles. The lightbulb moments are my favorite, and I'm committed to helping people bring what they learn home in practical ways. I write picture books because the magic of reading and re-reading stories light up the brain in a powerful way. But don’t worry…I always include some goodies for the adults in the back of the book.
Grief, unfortunately, is a part of life. Western culture has a habit of ignoring and minimizing grief in detrimental ways. When we gently turn toward the difficult stuff in life, we can “feel and deal” in ways that benefit mental health. There are many books about grieving the death of a loved one (a list for another day, perhaps), but few acknowledge the other intense and life-altering kinds of loss and change that children are grieving. Dr. Coombes’ book is much more inclusive–plus, it delivers a treasure trove of activities to help children (and adults) navigate this challenging part of being human. The delightful doodles will appeal to upper elementary and quite a few tweens and teens.
These writing, craft, and doodling activities are designed to offer children support through experiences of loss, change, disappointment, and grief by using creativity to combat negative feelings and help them work through difficult times.
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
I read this book every year. In my opinion, Walker Percy, along with Flannery O’Connor, is the premiere southern novelist of the last half of the 20th Century. I consider it one of the finest novels written and an example of the plotting, character development, use of language, and religious parody to which young novelists should aspire.
Percy’s novel blends Southern Gothic, science fiction, and comedy to create a world in which the racial divide in New Orleans blossoms into an apocalypse with hilarious and unpredictable results.
A pair of profound dystopian novels from the “brilliantly breathtaking” New York Times–bestselling and National Book Award–winning author of The Moviegoer (The New York Times Book Review).
Winner of the National Book Award for The Moviegoer, the “dazzlingly gifted” Southern philosophical author Walker Percy wrote two vividly imagined satirical novels of America’s future featuring deeply flawed psychiatrist and spiritual seeker Tom More (USA Today). Love in the Ruins is “a great adventure . . . so outrageous and so real, one is left speechless” (Chicago Sun-Times), and its sequel The Thanatos Syndrome “shimmers with intelligence and verve” (Newsday).
Russell Goodman is a Regents Professor of Philosophy Emeritus at the University of New Mexico. Russell loved the remark by the philosopher Wittgenstein that "James was a good philosopher because he was a real human being". This list is inspired by that statement. Russell picked books that he loves and admires and would happily read again, and which explore in their various ways what it is to be a human being.
In my college days, it seemed that everyone was carrying around a copy of Barzun’s book on Darwin, Marx, and Wagner, and I remember devouring his two-volume book on Berlioz and the Romantic Century, just for fun. When I began to seriously study William James, I was amazed to see that Barzun had written about him too. A Stroll with William James has one of my favorite titles, signifying a certain American informality and inherent movement that is characteristic of both James the man and his philosophy of pragmatism.
Barzun’s engagingly written book contains chapters on James’s life, his relation to his brother Henry James the novelist, and on William’s masterwork, The Principles of Psychology, with its great chapter on “the stream of thought.” Barzun also considers the brilliant “study in human nature” that James calls The Varieties of Religious Experience, with its chapters on conversion, mysticism, and…
I am an anthropologist and professor at Cornell University, where I taught 20-year-olds for thirty years. It was my job to explore the world, learn about it, and then educate others, underscoring the notion that all peoples and cultures are equally interesting and valuable. I started out, as a graduate student, watching macaque monkeys for my research, testing if their behavior might give us clues to the evolution of human behavior. But then I switched to science journalism for the popular audience and have, for decades, written for magazines, newspapers, and many books about the intersection of biology and culture on human thought and behavior.
As an anthropologist, I am always trying to enlighten Westerners that not everyone looks or acts as they do. So, I love this book with the usually great quality photos and accurate explanations by DK. Its point is not that you might have new kids in your classroom who don’t yet speak English and maybe eat food that you don’t recognize.
The point is that there are vast differences in the ways kids grow up around the world because there are so many different cultures and customs besides Western culture. In fact, Western culture only accounts for 1.2 billion people on the planet, while the remaining 6.8 live and act differently than we do. They dress, think, worship, play, and eat differently as well. And yet (also the point), we are all one species with so very much in common.
Read this, look and look at the photos by yourself,…
A favorite in classrooms, libraries, and homes, Children Just Like Me is a comprehensive view of international cultures, exploring diverse backgrounds from Argentina to New Zealand to China to Israel. With this brand new edition, children will learn about their peers around the world through engaging photographs and understandable text laid out in DK's distinctive style.
Highlighting 36 different countries, Children Just Like Me profiles 44 children and their daily lives. From rural farms to busy cities to riverboats, this celebration of children around the world shows the many ways children are different and the many ways they are the…
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
France also had a rich Romantic movement (Chateaubriand, Madame de Staël, Victor Hugo, Alfred de Musset, to name a few writers, not to mention Delacroix and Berlioz), though it flowered later than those in Germany and England, probably because of the distraction of the Revolution. Bénichou’s book traces the origin of the “consecration” of the poet and creative genius, an idea fundamental to romanticism and still with us in our skeptical times. It is the first of four volumes on French romanticism, and it is a pity that the other three have yet to be translated.
The Consecration of the Writer is the definitive study of the first stages of a phenomenon that has profoundly affected world literature: the process by which modern writers ceased to speak as representatives of some religious or political power and instead seized the mantle of spiritual authority in their own right, speaking directly to and in the name of humanity. Paul Benichou identifies three great moments in this process: the advent of the Enlightenment faith in philosophy and the rise of its literary concomitant, the man of letters; the literary creations of the counterrevolution and their surprising involvement in the…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This book engages with questions of violence, suffering, and cultural value both in terms of literature and critical debate.
Eagleton asks us to consider how society may invest in and elsewhere venerate certain kinds of experience (e.g., inflicting pain, victimisation, witnessing destruction), which initially we may expect to be demonised.
Terry Eagleton's Tragedy provides a major critical and analytical account of the concept of 'tragedy' from its origins in the Ancient world right down to the twenty-first century.
A major new intellectual endeavour from one of the world's finest, and most controversial, cultural theorists.
Provides an analytical account of the concept of 'tragedy' from its origins in the ancient world to the present day.
Explores the idea of the 'tragic' across all genres of writing, as well as in philosophy, politics, religion and psychology, and throughout western culture.
Considers the psychological, religious and socio-political implications and consequences of our fascination…
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
Though he declines to define it, Berlin says “The importance of romanticism is that it is the largest recent movement to transform the lives and the thought of the Western world.” In this brief set of lectures he dwells mainly on German writers, since Germany was arguably the homeland of romanticism. Berlin seems to know everything, but his erudition does not interfere with his lively style. What the book lacks in thoroughness it more than makes up with sharp and provocative ideas.
In The Roots of Romanticism, one of the twentieth century's most influential philosophers dissects and assesses a movement that changed the course of history. Brilliant, fresh, immediate, and eloquent, these celebrated Mellon Lectures are a bravura intellectual performance. Isaiah Berlin surveys the many attempts to define romanticism, distills its essence, traces its developments from its first stirrings to its apotheosis, and shows how it still permeates our outlook. He ranges over a cast of some of the greatest thinkers and artists of the eighteenth and nineteenth centuries, including Kant, Rousseau, Diderot, Schiller, the Schlegels, Novalis, Goethe, Blake, Byron, and Beethoven.…
