I have a strong personal connection to Latin America, having lived there for several years and being married to a Brazilian.

This also means that Disney’s Latin American features (Saludos Amigos and The Three Caballeros) have always been among my favorites. Therefore, a book about the making of those movies must rise to the top of my list, especially since the book is also written by one of the best Disney historians, the esteemed JB Kaufman.

I was privileged to see firsthand these two Disney Legends and their passions for the craft of storytelling through animation. I worked with Frank and Ollie as a young animation trainee. I learned the basics of animation by ‘in-betweening’ scenes primarily for Frank. In addition to ‘in-betweening’ for Frank, he would give me scenes to animate under his supervision. The principles and philosophy of the ‘Disney way’ are explained within the pages of this book and I was fortunate to have absorbed them firsthand.

Applying the principles of animation that Frank and Ollie presented has had a tremendous effect on all aspects of my art. My book, my personal award-winning illustrations, and a 38-year career with the Disney Studio bear witness of putting these principles into practice.

This was my favourite book as a kid, and I still love it now. Bill Peet is an incredible author and artist, who also did amazing work for Walt Disney. Many of his books are about finding the gift in your uniqueness, where the thing that makes the main character an outcast, the butt of jokes, ends up being the thing that makes them special in the end. 

The Pinkish, Purplish, Bluish Egg does this wonderfully as Zeke, a griffin hatched by a pigeon, finds his heart, courage, and uniqueness to save the very birds who had wanted to exile him.

I couldn’t put this book down because it spoke directly to the struggles and triumphs of building something entirely new. Disney’s story isn’t just about cartoons or theme parks—it’s about relentless vision, persistence through bankruptcy, and the refusal to give up when the world says “no.” In difficult times, I find myself looking to Disney’s optimism, which still echoes in places like EPCOT, where innovation and hope define the landscape.

This book resonated deeply with me because my own work involves inventing something new—something that could be world-changing and massively valuable. I’ve spent years pushing through barriers, and every time I hit a wall, the same question arises: pivot or persist? Disney’s journey reminds me that great things are built through unwavering belief and perseverance. If you’ve ever wrestled with a big idea or felt like giving up, this book will light a fire under you.

I cannot stop loving this book, which graphically depicts a city growing up around a small farm country cottage. While the storyline concerns the fate of the tiny house, the thrill is watching the steady mushrooming growth of vehicles, electric lines, street cars, street lamps, apartment buildings, elevated and subway trains, and finally skyscrapers as they surround the home before it is able to make its satisfying escape back to the country. The art is warm and cozy, befitting a book that has a gutsy cottage as the main character.

This book celebrates the artistry and legacy of Walt Disney’s key talents not only in animation but in the theme park attraction design. Mary Blair’s influence can be seen in animated classics like Disney’s Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953) to Disneyland’s It’s a Small World and the mural at the Contemporary Resort at Walt Disney World, just to name a few. In a studio dominated by men, Blair rose to the top based on her talent for design and color styling. A wonderfully written book that showcases an artistic genius who brought magic to every project she worked on at Disney.   

The ultimate insider business story at the ultimate Hollywood company. Stewart takes readers unbelievably deep inside Disney at a critical moment when Michael Eisner’s 20-year run as CEO was coming to a dramatic end amidst, as the title implies, a corporate civil war.

While most people know Disney as the happiest place on Earth, the last few years of Eisner’s reign saw big-name moguls like Jeffrey Katzenberg, Michael Ovitz, Eisner, and Walt Disney’s nephew Roy Disney at each other’s throats.

Disneywar is a gripping and illuminating tale that shows how the sausage really gets made in Hollywood and how easily power in this town can disappear.

An Academy Award®-winning animator in his own right, John Canemaker has combined his firsthand knowledge of the craft with superior writing skills to produce a series of outstanding books on animation history. You can pretty much close your eyes, pick any one of Canemaker’s books at random, and come up with a winner. But I’m highlighting this one as the definitive study of the “Nine Old Men,” the Disney artists widely recognized as the leading masters of animation. For each of the nine, Canemaker provides a detailed biography and a cogent analysis of the artist’s work, heavily illustrated. It’s a fitting testament to a royal legacy of talent.

In order to really understand Disney history, I felt that I had to learn more about all of the ideas that Disney has explored and shelved. I could not believe my eyes when I discovered Charles Solomon’s volume on that very subject.

This book is one of a handful that changed my life as it led to a life-long fascination for the “hidden art” of Disney. Along with John Canemaker’s Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists, it is one of the two books that led me to write my own artbooks. I still re-read it from time to time up to this day.

For years, I was frustrated to see Disney historians focus primarily on the role that male artists played at the Walt Disney Studio. I always felt that someone should, one day, write a full book about the many women artists who worked at Disney.

When historian Mindy Johnson filled this important gap, she did it with this massive (and beautifully illustrated) volume, which immediately became one of the most important reference books about Disney history that I own (and I own hundreds). It is a huge book, which is also an easy read!