I'm a student of animation and Disney history. As a Disney historian, I find much joy in writing the stories that intrigue and peak my curiosity. Stories that haven't been told or explored in-depth are exciting to bring to life because readers are hungry for new information on the Disney universe. And so am I. In choosing my writing projects it's important that no one else has written more than a cursory amount or nothing at all on the subject matter. I equally like to read books that shed new light on topics that I’m interested in and doing so in an authoritative voice. I hope you will enjoy the selection of books listed here.    

Ever since my primary school teacher read out my essay about a friendly octopus to the whole class, I’ve known I was a storyteller. I went on to enjoy a long career as a journalist–first, writing stories about rock and pop groups for the music paper Sounds (where I coined the term ‘The New Romantics’), then as editor of the pop magazine Record Mirror, and subsequently as a writer/editor for national newspapers including The Observer and The Sunday Telegraph. After that, I became a coach, a public speaking trainer, and a book editor. However, my most enduring passion is helping people find and tell their most meaningful stories.

Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.

There is something so magical about creating art and bringing an idea to life. As a writer and an art teacher, I love watching artists of any age find their own inspiration and joy in creating. I have used these books to launch all kinds of projects, from paintings to pottery, for every age and stage of artist. I hope you will find inspiration in these pages, too!

I grew up living above our family funeral home. My parents were exceptionally compassionate people. I learned through their kind upbringing that heaven was and is, here and now. Death was not only an inevitable part of life but a daily part. As an adult, I became a Yoga Teacher. Yoga means union. It's an exploration into the intimate balance between body and mind. One particular yoga pose essential to every single class – Savasana or Corpse Pose. A coincidence a young girl raised in a funeral home would end up teaching daily classes of corpse pose? I think not. And through it all bloomed Floretta. The story of life and death coming together into a magnificent circular experience. Bilingual yet parallel worlds amidst beautiful chakra colors.

I have published over 50 books, including award-winning and bestselling titles. I am also a publishing executive and editor with 20+ years of professional experience. My latest The Twins of Auschwitz: The Inspiring True Story of  Young Girl Surviving Mengele’s Hell, with Eva Kor, got a stellar review by Archbishop Desmond Tutu and is an international bestseller. As well as spearheading four publishing startups, I have run my own business, Editorial Services of L.A. I was Editorial/Publishing Director for Golden Books, Price Stern Sloan, Intervisual Books, Hooked on Phonics, and more. I am also the Publisher & Editor in Chief of NY Journal Of Books, the premier online-only book review site.

I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.

Lisa Bournelis is a transformation leader in healthcare, a new author, and TEDx speaker. Prior to this, she worked for the United Nations and NGOs in the Balkans, Afghanistan, and Africa. Dealing with the unknown makes her passionate about promoting books that empower children to overcome anxiety. As a mom to a child with a mental health diagnosis, she wanted to help children by writing an uplifting novella based on her son’s experiences with OCD during the pandemic. Her aim is for anxious and neurodiverse kids to see themselves as heroes of their own stories. A portion of the royalties from her book will be donated to pediatric OCD research.

Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films. 

My passion for story began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college, I studied comparative literature, focusing on 19th and 20th-century novels in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.