I was drawn into this book from the first page and couldn’t put it down. What I particularly loved about it was the way the author took three strong characters and intertwined their lives. All of them were “other” in some way, people who felt they didn’t fit in, and I loved this as you don’t often get characters like that as protagonists.
Hazel, one of the main characters, is anxious, probably on the spectrum, and very uncomfortable with life. Virginia has rebuilt her life after trauma but is reeling from a terrible accusation that threatens her future. Harry, a teenage boy living in an abusive and dangerous situation, is expertly drawn. The three of them shouldn’t be friends, but they are. Brilliantly written, authentic situations and wonderful characterization. I couldn’t put it down.
Hazel has never felt normal. Struggling with OCD and anxiety, she isolates herself from others and sticks to rigid routines in order to cope with everyday life. But when she forms an unlikely friendship with Virginia, a church minister, Hazel begins to venture outside her comfort zone.
Having rebuilt her own life after a traumatic loss, Virginia has become the backbone of her community, caring for those in need and mentoring disadvantaged young people. Yet a shock accusation threatens to unravel everything she has worked for.
Told with warmth, compassion and gentle humour, 'Braver' is an uplifting story about the…
Meaningful communications with people through life, books, and films have always given me a certain kind of mental nirvana of being transported to a place of delight. I see fine writing as an informative and entertaining conversation with a stranger I just met on a plane who has interesting things to say about the world. Books of narrative merit in mathematics and science are my strangers eager to be met. For me, the best narratives are those that bring me to places I have never been, to tell me things I have not known, and to keep me reading with the feeling of being alive in a human experience.
For me, this book was an adventure. I felt as if I was on an expedition to Virginia with Harriot teaching me astronomy and navigation. There I was, infatuated with rainbows and imagining myself scrutinizing scientific wonders of elliptical planetary motion, atomic theory of matter, and how cannonballs could be stacked to fill space. I found myself with Harriot back in 1591 searching for a sphere-packing formula, an old problem questioning the most stable way to stack cannonballs on ships. Thomas Harriot is a fast-moving biography packed with the world- and mind-changing curiosities.
Thomas Harriot (1560-1621) was a pioneer in both the figurative and literal sense. Navigational adviser and loyal friend to Sir Walter Ralegh, Harriot took part in the first expedition to colonize Virginia. Not only was he responsible for getting Ralegh's ships safely to harbor in the New World, once there he became the first European to acquire a working knowledge of an indigenous language (he also began a lifelong love of tobacco, which may have been his undoing). Harriot's abilities were seemingly unlimited and nearly awe-inspiring. He was the first to use a telescope to map the moon's craters, and,…
I dip into my well-thumbed edition of this inspiring book every so often, but in 2003, I was reading from it daily as it led me by the hand through the ups and downs of my own creations as I tackled a new novel.
I matched the months and seasons in which I was writing with hers and found it exhilarating to discover what she was thinking on the same day as me, even if removed by years. Virginia is like a wise aunt who has seen it all and knows it all and imparts honest and perceptive insights into the world of literature and creativity. It is a book I could not be without.
An invaluable guide to the art and mind of Virginia Woolf, drawn from the personal record she kept over a period of twenty-seven years.
Included are entries that refer to her own writing, and those that are relevant to the raw material of her work, and, finally, comments on the books she was reading. The first entry included here is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world—the anguish, the triumph, the creative vision—of one of the great writers of the twentieth century.
When Light Bringer (a renamed starship) engages its plot, there is no slowing down in the sixth installment of Pierce Brown's terrifyingly addictive saga that places the four cycles of civilization at its center — rebellion, ascension, decadence, and decline. But unlike the cultures we study in history, Brown's story occurs among the stars.
Although leaving readers with what feels like a bigger cliffhanger than previous outings, Light Bringer spares no expense in presenting a theatrical empire eerily similar to the Roman Empire had it become space born. Brown skillfully uses this foundation, with deceits and conceits, in his favor. Readers know what is coming, and yet the sweeping reversals of fortune always manage to ultimately surprise everyone.
Light Bringer does a great job shining a light on new heroes and villains, which is a good thing. He always needs replacements at the pace Pierce Brown likes to bury them.…
Darrow returns as Pierce Brown’s New York Times bestselling Red Rising series continues in the thrilling sequel to Dark Age.
The Reaper is a legend, more myth than man: the savior of worlds, the leader of the Rising, the breaker of chains.
But the Reaper is also Darrow, born of the red soil of Mars: a husband, a father, a friend.
Marooned far from home after a devastating defeat on the battlefields of Mercury, Darrow longs to return to his wife and sovereign, Virginia, to defend Mars from its bloodthirsty would-be conqueror Lysander.
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
I’ve read it twice, and I can only stand back in wonder at how a person could create such a magnificent work of art (his first novel) at age 26. For richness of character development, philosophical weight, and power of language, this is one for the ages. Though the subject matter is heavy, it’s not a difficult read. Yet there are passages where you’ll want to slow down and take in the music of the words.
In this novel, the South looms dark and ominous in the background with its Biblical rhetoric, its conflict between a tradition of religious fundamentalism and modern scepticism, racial contrasts and the industrialisation of a rural society. But more than a novel of time and place, it is the story of a tormented family submerged in infidelity and driven by a vengeful love that is blocked, hurt and perverted. Peyton Loftis, who frantically needs a husband precisely because she loves her father; the decadent Milton, whose infidelity has made his marriage no more than a stage drama; and Helen, his wife,…
I grew up all around history—my childhood home was across the street from where one of the signers of the Declaration of Independence used to live—and have long been fascinated by the connections between American and other countries’ histories, especially in the old ports and harbors where sailing ships connected America to the world. I’ve lived and taught for the past two decades in Hong Kong, one of the world’s great ports and a place to think about the American Revolution not as “our” history but as part of how to explain Americans to the world.
What were the economic motives behind the Revolution? This question has been a subject of historical debate for over a century, often with the spurious assumption (in my view) that if the Revolution had economic motives, then it could not also have ideological meanings. And yet, even ideologues need money.
Economic explanations of the revolution have often suffered from being too general. The economies of Massachusetts and Virginia were so different that it is difficult to craft an economic explanation that encompasses both. Holton solves this problem by focusing on Virginia, making a strong argument for the relationship between ideological concerns (especially ideas of race) and economic ones (around debt and the ownership of land, slaves, and commodities).
Holton’s work has been some of the most influential and intellectually productive work of the last generation, making a strong argument about the economics of the Revolution in Virginia (one of the…
In this provocative reinterpretation of one of the best-known events in American history, Woody Holton shows that when Thomas Jefferson, George Washington, and other elite Virginians joined their peers from other colonies in declaring independence from Britain, they acted partly in response to grassroots rebellions against their own rule. The Virginia gentry's efforts to shape London's imperial policy were thwarted by British merchants and by a coalition of Indian nations. In 1774, elite Virginians suspended trade with Britain in order to pressure Parliament and, at the same time, to save restive Virginia debtors from a terrible recession. The boycott and…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
This is a foul-mouthed, sexist, scatological, absolutely hilarious novel about a boy’s last year in his hometown.
It is a traditional American young-man-coming-of-age novel, set during the Korean War. The real star is the tall tale version of a real town in Southern West Virginia called Crum. It is a great American novel from Appalachia in its quintessential form of coming of age and breaking away.
It is about friendship, sexual initiation, and growing up. Much of the novel sits just this side of the line separating humor from ugly stereotypes, and Maynard often pushes very close to the line, but always somehow brings us through safely to understanding and affection.
In Crum, a gritty coal town on the West Virginia-Kentucky border, the boys fight, swear, chase and sometimes catch girls. The adults are cramped in and clueless, hemmed in by the mountains. The weight of wonder, dejection, and even possibility loom over this tiny, suffocating town. This story is the tale of Jesse Stone, who doesn't know where he's going, but knows he is leaving, and whose rebellion against the people and the place of his childhood allows him to reject the comfort and familiarity of his home in search of his place in a larger world.
Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience.
Nikki Baker is the first African-American writer of lesbian mysteries and her character Virginia Kelly—who works as a financial analyst in Chicago—is the first African-American lesbian sleuth. This makes it important, but what makes the book outstanding is the writing, especially the voice of the protagonist. The plots are slick and entertaining, but it is Virginia’s internal musings and interpersonal relationships that make this—and the other 3 books in the series—a clear 5-star winner.
When businesswoman Virginia Kelly meets her old college chum Bev Johnson for drinks late one night, Bev confides that her lover, Kelsey, is seeing another woman. Ginny had picked up that gossip months ago, but she is shocked when the next morning's papers report that Kelsey was found murdered behind the very bar where Ginny and Bev had met. Worried that her friend could be implicated, Ginny decides to track down Kelsey's killer and contacts a lawyer, Susan Coogan. Susan takes an immediate, intense liking to Ginny, complicating Ginny's relationship with her live-in lover. Meanwhile Ginny's inquiries heat up when…
I often find trauma novels hard to stomach. Reading THE KNOWN WORLD, which is a heartbreaking plunge into life during slavery in one Virginia county, I was amazed by how Edward P. Jones gave me the full experience of pointless suffering, outright maliciousness, slow despair, and intergenerational trauma while also caring for my tender heart. How did he manage it? I have five theories.
First, every character in this book, from those who kill others for fun to the Black slave owners to the punitive Black overseers to the good white sheriff to the supposedly insane older woman--every person is so complex and so much a victim of the institution of slavery, I began to feel my compassion accumulating as the story got violent. How remarkable!
Second, the only clear source of evil in this book is the social institution of slavery. Without the ability to point fingers at anyone,…
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Richard Walser, in his book North Carolina Legends, covers forty-eight of the state’s legends in this easy-to-read and enjoyable book. From the mountains to the coast, Walser describes how Joe Baldwin lost his head while trying to save two trains from crashing into one another at Maco Station and why a particular spot in Chatham County is thought to be the devil’s tramping ground. Walser’s short tales are the perfect read at a sleepover or during a night around the campfire. They are without a doubt tales that will be enjoyed time and time again.
North Carolina is a place where history has been enriched by legends and folklore. The 48 colorful Tar Heel tales in this volume include such well-known stories as "Virginia Dare and the White Doe" and "Old Dan Tucker" and such lesser known yarns as "The Portrait of Theodosia Burr" and "Bladenboro's Vamire Beast." Striking drawings by Bill Ballard, one for each tale, bring North Carolina's mythical past to life.
