My research permitted amazing conversations with some of McNamara’s former colleagues and their children, including Daniel Ellsberg. Ellsberg informed the direction of my research and shared my excitement about the sources I was looking for, especially the secret diaries of his former (and beloved) boss, John McNaughton. He is both a window into and a foil to McNamara. On substance, they were in basic agreement on most issues (from Vietnam to nuclear issues), but they chose very different paths to address their moral qualms. I think the questions they asked–including on the moral responsibility of public officials–are as urgent today as they were in the 1960s.
A collection of essays that show that Ellsberg’s decision to reveal the Pentagon Papers was not an emotional impulse but a rational culminating point.
He went to Vietnam on several occasions, including as an advisor on pacification programs, and devoured official documents: he was the first–possibly only–person to read the full set of the Pentagon Papers at least once. It was on the basis of this new evidence that he revised his thinking, concluding that the war was “first… a problem; then… a stalemate; then… a crime.” Also, he trained as an economist, and there’s a kind of game theory logic that plays out in these essays. As his reading of the war incrementally changes, he understands that “optimal” outcomes require a different response from him.
In his second public contribution to ending the American intervention in Vietnam, Daniel Ellsberg brings together and revises his papers that best explain US policy and strategies during the war.
Drawing upon his virtually unique range of experience as a participant, field observer, analyst, and critic, Papers on the War shares a selection of Daniel Ellsberg's writings as he critiques the presence of US policies in Vietnam.
With the major contribution of a greatly expanded and redefined version of his crucial study "The Quagmire Myth and the Stalemate Machine," Ellsberg reveals consistent patterns of decision-making with respect to Indo-china that…
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
The Crystal Messenger is a delicate melancholy tale about a girl who observes from her window the comings and goings of her family and the community around her.
Her sister is the local beauty who is wooed by many but cannot find the poet that she truly loves and she is courted by a dwarf who is a member of the communist party. The prose of this novella is like candy floss, it can melt on your tongue and I aspire to use language this way.
This award winning book has been described as the 'renaissance of Vietnamese literature'. Written by a young woman in her twenties at the end of an era when Vietnam closed itself off from the world, it is widely regarded as one of the most important works of fiction ever to come out of that country. Ostensibly, The Crystal Messenger is a magical and moving story of two sisters' journeys to emotional and sexual maturity. But it is also a powerful allegory about the fate of North and South Vietnam, the struggle with reunification after the war, and the effect of…
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
McMaster’s book confirms the corruption, lies, and hubris of national leaders, including the military during the Vietnam era. As a high-ranking officer in the army, I found his in-depth analysis of deception at the top levels very troubling. This is a must-read for every person interested in our history—especially to understand the mistakes of the Vietnam War—the quagmire that pulled us in.
"The war in Vietnam was not lost in the field, nor was it lost on the front pages of the New York Times or the college campuses. It was lost in Washington, D.C." -H. R. McMaster (from the Conclusion) Dereliction Of Duty is a stunning analysis of how and why the United States became involved in an all-out and disastrous war in Southeast Asia. Fully and convincingly researched, based on transcripts and personal accounts of crucial meetings, confrontations and decisions, it is the only book that fully re-creates what happened and why. McMaster pinpoints the policies and decisions that got…
I am a Research Professor in history at UNSW Canberra at the Australian Defence Force Academy. I now mostly write on the military history of British India history but for 27 years I worked at the Australian War Memorial, Australia’s national military museum, where I became Principal Historian. Much of my career was devoted to Australian military history and more than half of my 40 or so books are in that field. That puts me in a good position to comment upon what I think are the five best books in the field of Australian military history (my own excepted, of course).
The study of battles, and often individual actions by small groups of men, has been an important part of Australian military history, and the Australian military historical tradition has produced many fine practitioners of operational military history. One author who produced a fine example of the genre is Gerard Windsor, the author of fiction and memoir who, though without any previous experience of writing military history, produced All Day Long the Noise of Battle, a study of the attack made by one company of Australian infantry upon a Viet Cong bunker system in Phuoc Tuy province, South Vietnam, in 1968. Sparked by a chance encounter with a schoolmate, Windsor began investigating a hitherto unnamed battle, one of the most fierce the Australians fought in their ten-year war in Vietnam, and a superb example of how to write about men in battle.
"In 1968 an Australian infantry company assaulted a Vietnamese bunker complex in a three-day battle. Yet it passed unacknowledged in Australia, and the men were insulted by command's failure to recognise their courage. Gerard Windsor's All Day Long the Noise of Battle looks at the men's strengths and weaknesses, their alliances and tensions, their morale, their reactions to combat, their stand-out characters and their leaders. And throughout, the book becomes an essay on the nature of men's memory of battle. Windsor brings a fiction writer's eye to this tragic episode. Full of memorable personalities Windsor's book is seminal and moving."
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
As a child, I lived in abject poverty on a little farm in northern Minnesota. By ten years old I was trapping raccoons and shooting squirrels to help put food on our table. When I was in Vietnam, I felt a deep empathy for the Vietnamese fishermen and farmers who lived in poverty complicated by the vicious war. Years later when I began reading Dang Thuy Tram’s diary, I couldn’t put it down. The loss and waste and love for her comrades struck close to home and made me feel guilty for my participation in the war. In her writing, Dang brings to life so many of her Vietnamese comrades who were killed—making one stop to consider the cost of war. In a way the book reminds me of All Quiet on the Western Front written by a German soldier—the loss and waste.
Last Night I Dreamed of Peace is the moving diary kept by a 27-year-old Vietnamese doctor who was killed by the Americans during the Vietnam War, while trying to defend her patients. Not only is it an important slice of history, from the opposite side of Dispatches and Apocalypse Now, but it shows the diarist - Dang Thuy Tram - as a vibrant human being, full of youthful idealism, a poetic longing for love, trying hard to be worthy of the Communist Party and doing her best to look after her patients under appalling conditions.
In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect.
Before I picked up this book, I would have told you that West Point cadets were the last kind of people I'd care to read about, which just goes to show how shallow stereotypes can be.
Atkinson's deep research and vivid storytelling are enthralling. I finished the book with an emotional comprehension of the war in Vietnam that I had never had before.
The New York Times bestseller about West Point's Class of 1966, by Pulitzer Prize-winning journalist and author Rick Atkinson.
"A story of epic proportions [and] an awesome feat of biographical reconstruction."―The Boston Globe
A classic of its kind, The Long Gray Line is the twenty-five-year saga of the West Point class of 1966. With a novelist's eye for detail, Rick Atkinson (author of the Liberation Trilogy) illuminates this powerful story through the lives of three classmates and the women they loved―from the boisterous cadet years, to the fires of Vietnam, to the hard peace and internal struggles that followed the…
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
I love reading fiction that teaches while it entertains, and I have to say, I was completely unaware of this ancient regional conflict and the legendary sisters Trưng Trắc and Trưng Nhi before picking up Bronze Drum.
The sisters are depicted as opposites—one disciplined and wise, the other impulsive and emotional. They each seek to honor Vietnamese cultural traditions, which was under the oppressive rule of the Han Chinese at the time (circa 40 CE). When the sisters become leaders in a revolution against the Chinese empire, their sisterly dynamic shifts in ways that impact the future of their whole nation.
A “gripping historical adventure” of ancient Vietnam based on the true story of two warrior sisters who raised an army of women to overthrow the Han Chinese and rule as kings over a united people, for readers of Circe and The Night Tiger (Booklist).
Gather around, children of Chu Dien, and be brave. For even to listen to the story of the Trung Sisters is, in these troubled times, a dangerous act.
In 40 CE, in the Au Lac region of ancient Vietnam, two daughters of a Vietnamese Lord fill their days training, studying, and trying to stay true to…
An unusual thing about me when it comes to historical fiction is that I write it but rarely read it. So, why should anyone care about my recommendations for historical fiction books? Perhaps because of what I do read, which is mainly non-fiction. On my bedside table right now, insistently beckoning me away from my laptop, is With The Old Breed, a harrowing memoir about the veteran Marines the author, E.B. Sledge, got to know while fighting the battles of Peleliu and Okinawa during World War II. My bookcase is filled with histories, memoirs, war diaries, and biographies. Only a few novels are present, and what sets them apart is their historical accuracy and realism.
You cannot make a list of realistic World War II novels without including The Thin Red Line. While it’s not popular to admit that Americans commit atrocities in war, James Jones goes there. Imagine that you are a Japanese soldier who has just been eviscerated by flying shrapnel. You see flies buzzing around your entrails now looped obscenely in the dirt but are too weak to shoo them away. A shadow falls across your face, and you look up to see a U.S. Marine holding a combat knife. He uses it to pry open your mouth, then clinches pliers around one of your teeth and yanks. Mercifully darkness closes in, and you see no more.
Yes, American’s collected gold teeth from dead and dying Japanese. Why? Well, seeing what the Japanese did to captured Americans – they left the mutilated bodies to be found by advancing GIs – created a…
It is 1942. An American rifle company is sent to the island of Guadalcanal as the Japanese mount a desperate offensive aimed at establishing their superiority in the South-West Pacific. James Jones's story of C-for-Charlie Company is told with graphic and unsparing realism. Every man fights his own war.
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrimtells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.
I was always fascinated by the Vietnam War since my older sister’s friends went off to fight in it. After getting my PhD and writing about World War I and World War II, I returned to Vietnam by getting involved with veterans groups and taking veterans and students to Vietnam. Since then I have written widely on the topic, teach about the Vietnam War, and have been involved in several major Vietnam War documentaries for outlets including the History Channel and National Geographic Channel. From those early days I have read everything I can get my hands on about the war, about my generation’s war.
This was the first collection of oral histories that I ever read from the Vietnam War. Reading history done this way, with the men speaking for themselves, opened a new world for me. It allowed me to understand that it is only by talking to and with our veterans that the true depth of the combat experience can be delved. Terror, camaraderie, death, honor, humor, compassion, and boredom – the full human story of Vietnam and war is on display in Bloods. And it was this book that taught me to be an oral historian.
On top of that, Bloods also, of course, makes clear the uniqueness of the Black experience in Vietnam – fighting a war for America while the country wrestled with its eternal question of race. This book is good and important for so many reasons.
A NEW YORK TIMES NOTABLE BOOK • The national bestseller that tells the truth about the Vietnam War from the black soldiers’ perspective.
An oral history unlike any other, Bloods features twenty black men who tell the story of how members of their race were sent off to Vietnam in disproportionate numbers, and of the special test of patriotism they faced. Told in voices no reader will soon forget, Bloods is a must-read for anyone who wants to put the Vietnam experience in historical, cultural, and political perspective.
