All authors regretfully leave some things out of their books. If I had written a seventh chapter to mine, it would have focused on Indian feminists like Sarojini Naidu and Herabai and Mithan Tata who conducted a full-throttled campaign for the British Parliament to endorse women’s political rights in the 1919 Government of India Act. Fortunately, Mukherjee’s book tells this story in compelling detail. Based on research into previously ignored sources, this book follows Indian feminists’ battles as they pressed for women’s suffrage, initially within the constraints of the British empire and later, as anticolonial battles intensified, side-by-side with Gandhi and other nationalists fighting for Indian self-determination.

I have ancestors who were involved in the early Women’s Rights Movement as part of the Seneca Falls Convention of 1848, so I know that history. But I did not know that others, such as Elizabeth Cady Stanton, saw her as a competitor.

Stone has been largely forgotten—except by women who do not take their husband’s last name. She was an early voice crying out against male oppression. 

This book is so good that other authors and academics often reference it. It provided us with great background and insight into Alice Paul and how/why she was able to accomplish what she did.

It does a great job of fleshing out the person behind the movement, which helped us humanize Alice in our musical.  

Purple, white, and green are the colours of the WSPU regalia. Suffragette ephemera fascinates me, especially their merchandising (soap, chocolate, board games, chinaware - all sorts of things). I first heard of it at a presentation by Diane Atkinson. This book is the catalogue of an exhibition she put together when she was a curator at the Museum of London. An excellent resource, it's full of images with pointers for where to find more. Ephemera is great for giving a sense of period, so I asked the artists on the graphic novel to cram in all they could.

The three main Pankhurst players in the Suffragette movement – Emmeline and two of her children, Christabel and Sylvia – all wrote accounts of the era. But Sylvia’s is arguably the most comprehensive and objective. The book starts out as a memoir of the Pankhurst family’s early life – their humble beginnings, their journey to political activism – and Pankhurst does not shy away from the gory details of militant suffragette activity. But she is also not afraid to chronicle divisions in the movement, both among the different factions of the WSPU, and between the WSPU and the Labour party, who eventually chose to support working men’s rights above those of women. Sylvia Pankhurst has emerged from the period as the most egalitarian of its heroines, after leaving the main WSPU branch to focus on the cause of working-class women. It’s a tome, but a worthy read.  

Parade’s End has been described by Mary Gordon as “the best fictional treatment of war in the history of the novel.” 

What made me truly connect with the story is its protagonist, Christopher Tietjens, who serves in the British Army during the “Great War.”

A member of a prominent, landowning family, Tietjens is driven by a strong sense of duty and commitment to marriage and country—whatever the cost to himself. Although he is in love with Valentine, he remains married to his promiscuous wife, Sylvia, and accepts as his son a child who may not be his.

But Tietjens’ experiences in the trenches on the Western Front eventually teach him that truth and happiness are more important than societal duties.

Goldsmith vividly recreates the life and times of Woodhull, a shrewd manipulator who traded on her physical beauty and her intellect to run a successful brokerage firm after the Civil War. Woodhull, along with her sister Tennessee Claflin, used some of her profits to publish a women’s rights newspaper that supported suffrage and other women’s rights causes. Stanton and Anthony, initially intrigued by her keen business sense and her suffrage commitment, soon shunned her for her radical views on sexuality. Woodhull pushed all sorts of boundaries designed to contain women, even political ones--she ran for president in 1872.

Set at the end of the Georgian period in England (1790s), ‘Bet’ or Elizabeth is a reluctant rebel. Although she is fifty years before the suffragette movement, she resists the norms of her day, even disguising herself as a man to avoid an unwanted marriage. Although she is an anachronism, I found her character believable, a mixture of practicality and altruism. Her devoted friend, William, shows an understanding that many men of our day would do well to have. And it is no wonder they grow in affection for each other as she faces one hurdle after another in a “Man’s” world. This is a feel-good read. 

I love books that make me feel like I’m living in another time period—and this book, set in Winnipeg in 1913—does that in spades. In fact, speaking of “spades,” Sam Spade, the protagonist of Dashiell Hammet’s The Maltese Falcon, is surely one of the inspirations for this mystery novel’s protagonist, Sam Klein, a hard-nosed detective.

The novel’s author, Allan Levine, is a historian, and the vivid details he pulls into the plot target all of our senses (including smell—Winnipeg’s streets weren’t paved in 1913, and horses were still more common than cars!). Levine also draws upon the prejudices of the era—Sam Klein isn’t accepted by the city’s elite because he’s Jewish—and he paints a compelling portrait of the city’s gritty neighborhoods and corrupt city politics. 

This book tells the tale of the 1913 National Union of Women’s Suffrage Society (NUWSS) pilgrimage. I’ve always been irked by how the suffragettes and their arson campaign captured the headlines.

So here’s the other story. Suffragist pilgrims walked from all corners to London: down from Carlisle, up from Land’s End. This book takes you with them, mile by mile—all for Votes for Women! Would you have taken part in 1913?