Mark Rennella has given students and professionals helpful advice about writing throughout his career, most recently as a writing coach for MBA candidates at Harvard Business School. Mark earned a PhD in American history from Brandeis University and has taught literature and American history at Harvard University, the University of Miami, and the University of Tours (France). Mark's books, articles, business case studies, and collaborative writing endeavors have garnered him critical praise from historians, academicians, and business leaders alike. His concept of the “one-idea rule” was included among HBR.org’s ten favorite management tips for 2022 and was featured more recently in Forbes. He currently works as an editor for Harvard Business Publishing.
While writing a paper about Douglass in graduate school in the 1990s, I learned that he had to overcome two obstacles to establishing an authentic voice in his own book.
First, abolitionists argued against slavery by claiming it dehumanized the slave. While that could be true, this theory could not account for charismatic Black writers like Douglass who were anything but dehumanized. Second, slave narratives in the antebellum era often followed a certain formula that limited the narrator’s originality.
In one striking passage in the Narrative, Douglass overcomes both restrictions by evoking an image of his body that offers visual testimony to creatively push back on these limiting conventions: “My feet have been so cracked with the frost [felt during cold nights during enslavement], that the pen with which I am writing might be laid in the gashes.”
Packaged in handsome and affordable trade editions, Clydesdale Classics is a new series of essential literary works. From the musings of literary geniuses like Mark Twain in The Adventures of Huckleberry Finn to the striking personal narrative of Harriet Jacobs in Incidents in the Life of a Slave Girl, this new series is a comprehensive collection of our literary history through the words of the exceptional few.
The Narrative of the Life of Frederick Douglass is perhaps the most widely read and well-known slave narrative. Originally published in 1845, the work was an instant success, selling more than 11,000 copies…
As a hardcore introvert, I often find it difficult to open up to others, especially new people. But somehow, it’s easier to do so when traveling or at least out of my normal routine. So it’s no surprise that I gravitate to stories that feature characters traveling and forming bonds of friendship and romance while on the road. Add some magic to the mix, and I’m almost definitely hooked!
Although this book does feature some heavy themes (CW for mentions of rape), it’s a powerful story about dealing with trauma – and moving on from it, to the life one wants to live. Draven’s characters simply breathe. They feel fleshed-out and real, with all the contradictions of real people. Although the book is part of a series, the story feels complete on its own; the worldbuilding is lush and interesting. I love books that feature travel because being on the road is a great way for characters to connect with each other, as they must rely on one another for safety and survival. Phoenix Unbound features two very different characters who come together in a way that feels real – and beautiful.
In this USA Today bestselling novel, a woman with power over fire and illusion and the enslaved son of a chieftain battle a corrupt empire in this powerful and deeply emotional romantic fantasy.
Every year, each village is required to send a young woman to the Empire's capital--her fate to be burned alive for the entertainment of the masses. For the last five years, one small village's tithe has been the same woman. Gilene's sacrifice protects all the other young women of her village, and her secret to staying alive lies with the magic only she possesses.
I’m a writer of Jane Austen-inspired fiction who fell down a research rabbit hole and perhaps I’ll never climb out. Dr. Johnson said, “The greatest part of a writer's time is spent in reading… a man will turn over half a library to make one book.” The five books I’m recommending offer a window into the long 18th century, the era of the Enlightenment, and the dawn of the industrial revolution. In these books I’ve met philosophers, romantics, and reformers who brought literacy to the underclass and emancipation to the enslaved. These books have helped me place the characters of my novels within a fascinating, consequential period of history.
While doing research on the British campaign to end the slave trade, I read many books, but no book transported me to the decks of the slave ships and to the rugged coast of Africa likeSweet Water and Bitter. The Trans-Atlantic slave trade is placed in its historical, military, and economic context, but Siân Rees also shows the human side of the story. On every page, there is another amazing/shocking/heartbreaking/inspiring vignette. You meet the sailors and missionaries who fought to smother the slave trade, often at the cost of their lives. The hopes and hardships of life in Africa are expressed by emancipated slaves, naval officers, and ordinary seamen. Rees' prose is clear and even-handed. My paperback copy is bristling with little post-it notes.
Sweet Water and Bitter is the extraordinary sequel to Britain's abolition of the slave trade in 1807. The last legal British slave ship left Africa that year, but other countries and illegal slavers continued to trade. When the Napoleonic Wars ended in 1815, British diplomats negotiated anti-slave-trade treaties and a 'Preventive Squadron' was formed to cruise the West African coast. In six decades, this small fleet liberated 150,000 Africans and lost 17,000 of its own men doing so. This is the tale of their exciting and arduous campaign.
It is a story of unforeseen consequences and a swashbuckling naval adventure,…
I long ago decided that I could contribute to the struggle for the freedom and equality of all people by becoming a historian. My fascination with the history of race has led me on a quest to illuminate the extraordinary efforts of enslaved people and their allies to challenge White supremacy and destroy the institution of slavery. My newest book, Symbols of Freedom: Slavery and Resistance Before the Civil War, examines the role that revolutionary nationalism played in inspiring slave and antislavery resistance.
It is hard to think of any book of comparable size that packs a more powerful punch. In less than 150 pages, Camp reveals how in the antebellum South enslaved women resisted their oppression in ways that were both visible and invisible. By challenging slave owners’ control and conception of space, they carved out a “rival geography” where they, along with their friends and families, enjoyed a modicum of freedom despite longstanding and widespread oppression. Camp’s description of late-night plantation frolics, stolen dresses, and the interior walls of slave cabins redefines slave resistance in a way that highlights the efforts of enslaved women to improve the lives of themselves and their loved ones in the face of almost insurmountable odds.
Recent scholarship on slavery has explored the lives of enslaved people beyond the watchful eye of their masters. Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition. Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits…
Before I became an author of ten historical fiction novels (thus far), I was a reader of historical fiction. The challenges of history are best navigated by strong characters. Throughout history, women have played an integral role but have been overlooked too often. Historical fiction with strong women brings these characters to life, giving them a voice and agency. Whatever role the woman has, from nurse to investigator to planter to maid to scientist to artist and more… interesting characters are necessary to activate an engaging plot, and that is something I look for both as a reader and as an author.
Sometimes strength, particularly for women in history, has been quieter. The colonial early American setting of The Indigo Girl echoed part of the painting’s story from my book as well. In The Indigo Girl, Eliza is willing to speak up, to do what is right, even when it’s the furthest thing from anyone’s mind. As a huge art history fan, and as a hobbyist painter, I am always interested in learning more about where pigments and colors come from. This story told about that, but it also explored forbidden friendship and love and touched the heart, leaving a stain of remembrance, deeper than the indigo itself.
In this incredible story of ambition, betrayal, and sacrifice, an extraordinary sixteen-year-old girl in Colonial South Carolina defies all expectations to achieve her dream.
An incredible story of dangerous and hidden friendships, ambition, betrayal, and sacrifice.
The year is 1739. Eliza Lucas is sixteen years old when her father leaves her in charge of their family's three plantations in rural South Carolina and then proceeds to bleed the estates dry in pursuit of his military ambitions. Tensions with the British, and with the Spanish in Florida, just a short way down the coast, are rising, and slaves are starting to…
Lori Benton is an award-winning, multi-published author of historical novels set during 18th century North America. Her literary passion is bringing little-known historical events to life through the eyes of those who lived it, either set along the Appalachian frontier, where European and Native American cultures collided, or amidst the conflict-laden setting of the southern plantation. Her novel, Mountain Laurel, begins an epic family saga that immerses readers in 1790s North Carolina plantation life and the moral dilemmas created by the evils of slavery.
Though it was wealthy white planters who built plantations, the enslaved people who worked them imbued these landscapes with their own meanings. With over 200 photographs and drawings of Antebellum plantations, Vlach leads readers on a tour of plantation outbuildings, providing examples of how slaves used these spaces despite—and in defiance of—their masters’ intentions. Testimonies of former slaves (drawn from the Federal Writers’ Project collection) give the reader a sense of what it was like to live and work in these settings.
Behind the ""Big Houses"" of the antebellum South existed a different world, socially and architecturally, where slaves lived and worked. John Michael Vlach explores the structures and spaces that formed the slaves' environment. Through photographs and the words of former slaves, he portrays the plantation landscape from the slaves' own point of view. The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings. Their subtle acts of appropriation constituted one of the more effective strategies of slave resistance and one that provided a locus for the formation of…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
I often find trauma novels hard to stomach. Reading THE KNOWN WORLD, which is a heartbreaking plunge into life during slavery in one Virginia county, I was amazed by how Edward P. Jones gave me the full experience of pointless suffering, outright maliciousness, slow despair, and intergenerational trauma while also caring for my tender heart. How did he manage it? I have five theories.
First, every character in this book, from those who kill others for fun to the Black slave owners to the punitive Black overseers to the good white sheriff to the supposedly insane older woman--every person is so complex and so much a victim of the institution of slavery, I began to feel my compassion accumulating as the story got violent. How remarkable!
Second, the only clear source of evil in this book is the social institution of slavery. Without the ability to point fingers at anyone,…
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Before I read this book, I had no idea just how much slavery’s economic benefits to the North allowed so many individuals to look the other way. This was the first book that underlined for me why all Americans, Northerners, and Southerners, need to own and understand our history.
The chapter “Plunder for Pianos” on the ivory trade and piano keys forever changed my sense of how the Triangle Trade operated.
A startling and superbly researched book demythologizing the North’s role in American slavery
“The hardest question is what to do when human rights give way to profits. . . . Complicity is a story of the skeletons that remain in this nation’s closet.”—San Francisco Chronicle
The North’s profit from—indeed, dependence on—slavery has mostly been a shameful and well-kept secret . . . until now. Complicity reveals the cruel truth about the lucrative Triangle Trade of molasses, rum, and slaves that linked the North to the West Indies and Africa. It also discloses the reality of Northern empires built on tainted…
