Why do utopias fail? Why does the world of human dignity and equality they aspire to so often ossify into a mechanism of repression that strangles the very people revolutionaries attempted to liberate? 

Victor Serge is, for me, one of the essential writers of the 20th and now 21st centuries. A rebel since adolescence, he watched the revolution he had become part of in Russia begin to devour itself through internal terror, while at the same time fighting against the White terror of its opponents.

This novel gives an insider view of St. Petersburg, once the Czarist capital of Russia under the Bolsheviks in 1919-1920. What is remarkable in all of Serge’s writing, both fiction and non-fiction, is that in spite of being nearly killed by the revolution he worked for, he never turned away from his ideals and belief that a new form of society was possible.

Yuri Zhivago, a physician and a poet—strives to adhere to his ideals of integrity throughout his tragic life—though not always successfully. His medical skills allow him to heal others, and his poetry lets him explore truth in the volatile world of the Bolshevik Revolution and the Russian Civil War. 

Although he is in love with Lara, a married woman with whom he has a passionate affair, his sense of duty and honor allow him to remain devoted to his wife, Tonya.

His belief that humans should be true to themselves and maintain independent thoughts ultimately makes him a target for the Bolsheviks. 

As a writer who believes in the importance of truth—and as a flawed human being who makes mistakes and regrets them—I relate to Yuri.

The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.

At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.

Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.

Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.

Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.

This is my favorite comfort read, the perfect book for days when life has too many sharp corners. I must have read this one at least twenty times. It has all the virtues of a classic fairytale: a pure-hearted, brave heroine; an honorable, steadfast hero; and a happy ending earned through suffering and effort and against all the odds. It tells the story of Countess Anna Grazinsky, a young refugee from the Russian Revolution, who finds work as a maid at a stately home in the English countryside, where she falls in love with the gallant war hero who owns the house. But the Earl of Westholme is promised to another woman. Heartwarming, triumphantly romantic, wise, and funny, A Countess Below Stairs is one of those rare books that makes the world seem a better place.