I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
Giles Blunt's books show that Scandinavia does not have a monopoly on Nordic Noir. In 2017 we were on vacation in Canada and quite by chance I saw an episode of Cardinal on TV. Only one episode from the first season, but enough to keep me captivated by the story set in the snowy landscapes of Algonquin Bay in Canada. I knew it was based on a book series. When I got home, I immediately found the author and started reading. I chose this book because of some amazing passages that capture the essence of Nordic Noir, among others a frozen body in the ruins of an abandoned hotel in the woods. The book presents a clever plot where seemingly unrelated threads are ingeniously weaved together.
It's not unusual for John Cardinal to be hauled out of a warm bed on a cold night in Algonquin Bay to investigate a murder. And at first this dead body, sprawled in the parking lot of Motel 17, looks pretty run of the mill: the corpse has a big bootprint on his neck, and the likely suspect is his lover's outraged husband. But the lover has gone missing. And then Delorme, following a hunch, locates another missing woman, a senator's wife from Ottawa, frozen in the ruins of an abandoned hotel way back in the woods. Spookily, she was…
I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites.
At a home for troubled girls, a young girl has been brutally murdered. One of the other girls has gone missing and the murder weapon is discovered in her bed. But is it really that easy? Detective Inspector Joona Linna pieces the evidence together.
Lars Kepler is the pseudonym of husband and wife team Alexandra Coelho Ahndoril and Alexander Ahndoril. The Joona Linna series follows Linna, Detective Superintendent at the police's National Operations Department, and Saga Bauer, an Operational Superintendent at the Swedish Security Service. The diverse viewpoints and short chapters give an exciting and varied read.
A terrifying new thriller in the the internationally bestselling Killer Instinct series: Detective Joona Linna finds himself on a collision course with a terrifying killer whose past is more troubling than anyone could imagine.
“One of those rare books that is truly difficult to put down.” —New York Journal of Books
A brutal killing spree at a home for wayward teens. One girl is dead, another is missing. Joona Linna scrambles to track her down before the death toll mounts.
Why
isn’t there a question mark in the title? The bright cover caught my eye.
Vigdis Hjorth is a leading novelist in Norway. She creates three vivid
characters: Mother, Sister, Daughter, and this is a stalker story of familial
retribution.
The abused and abandoned daughter is our compelling narrator: she
seeks recognition and revenge. Hjorth
uses the metaphors from Scandi-Noir crime fiction: the cabin buried in the
forest, bitter cold turning to snow, a lone elk moving through the darkness.
The tension in this sinister emotional tale is almost unbearable, as the
daughter stalks her prey: spying on her mother’s movements, visiting the
father’s grave, hiding behind dustbins, plotting access to the flat. I felt
completely involved in this terrifying drama and wolfed down every page.
'To mother is to murder, or close enough', thinks Johanna, as she looks at the spelling of the two words in Norwegian. She's recently widowed and back in Oslo after a long absence as she prepares for a retrospective of her art. The subject of her work is motherhood and some of her more controversial paintings have brought about a dramatic rift between parent and child. This new proximity, after decades of acrimonious absence, set both women on edge, and before too long Johanna finds her mother stalking her thoughts, and Johanna starts stalking her mother's house.
In my career, first as a screenwriter for film and TV and now as a crime writer, I learned early on that you must never bore your audience. I want to entertain my readers, so my stories should always keep them glued to the pages. However, the reader should also be left with new reflections after finishing the book. Crime fiction is often perceived as nothing but plot, action, and blood, without any depth or character development at all. I beg to differ. My list presents five books proving that crime fiction can be both intriguing, nerve-wracking, and mind-blowing while simultaneously serving as the perfect mirror of the world we're living in today.
The first book I read by the Swedish master of suspense.
There's nothing like being caught by a good book: Just one more chapter, even though it's the middle of the night and work starts in three hours.
Almost like getting kidnapped with a small but significant difference: you don't want to be released.
Without Mankell, there would be no Millennium series, and this book is one of the reasons I started to write in the same genre. It's a long but, at the same time, quick read.
The characters are portrayed as real human beings with multiple flaws and shortcomings. I don't want to reveal the plot here, but I promise you: this murder case is like nothing else.
It is Midsummer's Eve. Three young friends meet in a wood to act out an elaborate masque. But, unknown to them, they are being watched. Each is killed by a single bullet.
Soon afterwards, one of Inspector Wallander's colleagues is found murdered. Is it the same killer, and what could the connection be? In this investigation Wallander is always, tantalisingly, one step behind.
I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
It may be a cliche but my first experience with nordic noir was The Killing (Forbrydelsen). This Danish TV series in which inspector Sarah Lund goes in search of the murderer of a young girl fascinated me enormously. Not only because of the oppressive atmosphere that grabs you by the throat at times, but also because of the fantastic character development. The series was created by Søren Sveistrup, the author of the equally magisterial The Chestnut Man. The book begins when a young woman is found horribly mutilated in a playground on a chilly October morning. Next to her is a doll made of chestnuts and sticks. When a chestnut man is also found at the scene of a subsequent murder, it is clear that a serial killer is at work.
Antti Tuomainen is a total original, a combination of Scandi noir and almost slapstick comedy, a genius of incongruity rendered, somehow, credible and even inevitable by the sheer skill of the author.
The Moose Paradox is the book that, in a difficult year, made me laugh loudest and jump highest from my seat and convinced me that anything at all can be overcome with courage, humor, and a substantial dose of luck.
It’s filled with wit, subtle and otherwise, unforeseen and yet entirely believable twists and, well, just ‘wow’ moments (I say this as a reader and as a – somewhat envious - fellow writer). It’s also, in its idiosyncratic way, rather sexy.
Insurance mathematician Henri has his life under control, when a man from the past appears and a shady trio take over the adventure park's equipment supply company ... Things are messier than ever in the absurdly funny, heart-stoppingly tense second instalment in Antti Tuomainen's bestselling series...
'In these uncertain times, what better hero than an actuary?' Chris Brookmyre
'One of those rare writers who manages to deftly balance intrigue, noir and a deliciously ironic sense of humour ... a delight' Vaseem Khan
'What a book! Antti has managed to put the fun into funerals and take it out of fun…
I’ve been a fan of amateur sleuths since my first foray into our local library. Reading opened a whole world to me, and I devoured each new story with relish, imagining myself in the role of the hero and how I might deal with the perils that befell them. I raced through each book series in a matter of weeks, from The Famous Five and The Hardy Boysto Alfred Hitchcock’s The Three Investigators. I remember the thrill of moving to the library's adult section and discovering even more books where humble heroes were dragged into murder mysteries, unexpected adventures, and thrilling chases across dangerous landscapes. Woo-Hoo!
What I love about this book is that the central character is an ordinary guy who is thrown into a horrifying situation. Discovering someone has poisoned him, Jaakko’s only chance of surviving is to find the culprit.
I loved the peculiarity of his business and his reaction to the threat from a rival company. I like the way the mystery unfolds, with some truly unexpected scenes–particularly those involving a sauna and a Samurai sword.
The author’s black humor and his use of language (even in translation) are delightful, and I found myself thoroughly entertained all the way through.
When Finnish mushroom entrepreneur Jaakko discovers that he has been slowly poisoned, he sets out to find his would-be murderer ... with dark and hilarious results. The critically acclaimed standalone thriller from the King of Helsinki Noir...
***Shortlisted for the Petrona Award for Best Scandinavian Crime Novel of the Year*** ***Shortlisted for the CrimeFest Last Laugh Award***
'Right up there with the best' Times Literary Supplement
'Deftly plotted, poignant and perceptive in its wry reflections on mortality and very funny' Irish Times
'Told in a darkly funny, deadpan style ... The result is a rollercoaster read in which the farce…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
I am a fan of Nordic noir, and whenever I am in the middle of a Norwegian, Danish, or Finnish series, I always want to know more about the local aspects that I am missing.
As one of the earliest books covering European crime dramas in English, the individual chapters helped me understand the genre’s appeal over other genres, what motivated the different cultural depictions of local and national tensions, and how this, in turn, impacted global distribution and reception of crime series.
On top of this, the intriguing case studies gave me new crime dramas to add to my ever-growing watchlist. A win-win.
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Henning Mankell (RIP) was the master of the ‘troubled detective’ Kurt Wallander, who is trying to find a murderer while his own life is in tatters. This hunt for a serial killer who scalps his victims, is a rich tapestry of character development, police procedure, and a deeply disturbed killer. This is one of the finest stories of the dark Scandinavian crime thriller genre, and spawned a major TV series starring Kenneth Branagh.
Midsummer approaches, and Inspector Kurt Wallander prepares for a holiday with the new woman in his life, hopeful that his wayward daughter and his ageing father will cope without him.
But his restful summer plans are thrown into disarray when a teenage girl commits suicide before his eyes, and a former minister of justice is butchered in the first of a series of apparently motiveless murders. Wallander's desperate hunt for the girl's identity and his furious pursuit of a killer who scalps his victims will throw him and those he loves most into mortal danger.
I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites.
Emilie Jansson, a newly made partner at a law firm in Stockholm, is asked to collaborate with Teddy, the firm’s investigator. Teddy is an ex-con trying to stay out of trouble. A body is discovered after what looks like an attempted robbery. An injured man found at the scene becomes the prime suspect. Emilie takes on the role of his defence lawyer. But then the trail leads back to Teddy...
Jens Lapidus used to work as a criminal defence lawyer at a law firm representing some of the most infamous criminals in Sweden. His background gives him unusual insight and his books feel very exciting and fresh.
Stockholm Delete is a superbly gritty thriller which gets right to the heart of the Stockholm criminal world.
Emilie Jansson has just been made partner at a prestigious law firm when she is asked to work with an unusual partner. Teddy is an ex-con trying to stay on the right side of the law while working as the firm's fixer and Special Investigator.
Meanwhile, a body is discovered in a remote house in the country after what looks like an attempted robbery - and a severely wounded man found near the scene is soon in the frame for murder. Emilie…
