Vigée Le Brun’s patron and friend, Queen Marie-Antoinette, had a major influence on the painter’s career. Zweig’s concise, compelling story, largely based on correspondence between Marie-Antoinette and her mother, Austrian Empress Maria-Theresa, later with the love of her life, Swedish diplomat Count Axel von Fersen, clarifies the queen’s character development with grace and understanding. 

Beautifully told by one of pre-World War II Europe’s finest writers, Zweig’s account paints a well-rounded, nuanced picture of Marie-Antoinette, from her personal pleasures as a mother and lover to her suffering and courage during the Revolution, thereby helping us to better understand the queen and Vigée Le Brun’s unique relationship and how it affected the painter.

As a Francophone myself, I found that Fraser's biography offered a captivating study of the French monarchy. And through nuanced storytelling, it challenged conventional perceptions of Marie Antoinette. By fostering empathy for her incredible plight amid French society’s expectations, the book ultimately reshaped her historical portrayal. 

Fraser's portrayal of the characters' emotional states added depth to the Marie Antoinette’s story, making it vivid in my imagination. She also offered a sympathetic view of the queen, highlighting her tragic end. Balanced in her views, the author also challenged my misconceptions, revealing the queen’s humanity and providing insightful, little-known details of her short life.

I read the French edition of this book, and I found it most helpful as a reference for my own writing because Campan was close to Marie Antoinette as her servant and confidant. Moreover, Campan did not sugarcoat the queen’s life but rather offered an unbiased view of the queen's character.

Having read many current biographies of Marie Antoinette, I was thrilled to find Madam Campan’s because it was a unique and firsthand account of Marie Antoinette’s life at the court of Versailles. More importantly, Campan revealed why Marie Antoinette often behaved the way she did and debunked some of the scandals—some of which are still espoused today. In my opinion, Campan’s writing conveys sincerity and authenticity. On the other hand, some critics feel she is a bit biased.

Susan Nagel charted Marie-Thérèse's life during the turmoil of the French Revolution. The only survivor of the royal family locked in Temple Prison, despite the harrowing experience of her family’s demise and the French Revolution, Marie Antoinette’s daughter emerged as a remarkably strong figure in French history.

Marie-Thérèse journeyed from the horrors of the Temple prison and her family’s death to a dignified role at court when she married her cousin and the monarchy returned after the Revolution and Napoleon’s empire. I was amazed at how little I knew about Marie-Thérèse—she was even queen for 20 minutes when her husband reigned and abdicated!

When you read the incredible life of some people you don't really need to read fictional stories.

What a life Elisabeth Vigée - Le Brun had! It looks like a wonderful novel. She was a great French portrait painter (she painted 660 portraits!) during an age of revolution.

In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette. 

Elisabeth Vigée- Le Brun became one of the rare woman to be member of the prestigious French Royal Academy of paintings. After being exploited by an unfaithful husband she had to face the French Revolution.

She left France and traveled to Europe until the cold and far away Russia. 

How much talent and energy did Elisabeth Vigée - Le Brun have to develop to be one of the best portraits painter of her time?

If you like art, the refined 18th century and audacious women, you… show more.

Although Alexandre Dumas’ story of the famous missing diamond necklace is part of a series, it portrays the simmering unrest of the French people and their growing distaste for the monarchy and their queen, in particular. Unfortunately, the queen was falsely accused of the exorbitant purchase.

Preferring to read historical nonfiction, I still love this blend of history and fiction with fast-paced adventure at the court of Louis XVI and Marie Antoinette as the resentment for the queen grows due to the false rumor that she purchased an expensive diamond necklace, the French people are also suffering from hunger, crying for bread. Dumas uses the scandal to create an explosive political climate that foretells the coming of the Revolution.

Having read numerous books about the French Revolution, amongst my favourites is this fascinating biography of Lucie Dillon – who became Lucie du la Tour du Pin – by Caroline Morehead. I unhesitatingly recommend it, certain that, from Morehead’s striking presentation, most readers will experience a keen sense of what it was like to live during the twilight of the Ancien Régime, and thence on, into and through the nightmare that followed. As an Irish-French aristocrat, whose father commanded the regiment of the Irish Brigade of France that bore the family’s name, whilst her mother was a lady-in-waiting to Marie Antoinette, Lucie was in a singular position to observe and chronicle the tragic upheaval. 

Relying in part on Lucie’s own published memoir, as well as numerous primary sources, including family papers, which her meticulous research uncovered, Morehead tells a powerful story of loss and survival. 

This collection of articles offers an intriguing approach to the topic of women, power, and sex by focusing on the many uses of Marie Antoinette. The essays, by prominent historians, art historians, and literary scholars, examine Marie Antoinette as a “site of history” where political and cultural contests occurred. The authors analyze pamphlets, archival materials, portraits, French Revolutionary pornography, and modern films to consider the central questions Marie Antoinette raised about her identity as a foreign queen, woman, wife, mother, and political figure.

She embodied the contradictions in old regime politics, culture, and gender identity and has been used subsequently to address political and gender issues to the present. Each essay offers a distinct, intriguing perspective on the reciprocal influence of this queen and the history of France. The collection reveals the wealth of purposes this queen served and the rich variety of interpretations she provoked.

Now for something completely different. My own book is for middle-grade readers, so I wanted to include another younger title, and it was perfect timing that this rollicking adventure crossed my path when it did. Hilariously droll, Phelan’s illustrated fiction stars characters lauded for their pivotal role in early flight—the three barnyard aeronauts who made the very first ascent in a hot-air balloon. But their career didn’t end there: the sheep, the rooster, and the duck went on to battle injustice, defeat dastardly villains, and expose nefarious plots against society. Phelan’s extraordinary farm animals are more than fearless aeronauts: they’re covert superheroes in a world of sinister secret societies, Benjamin Franklin, and the world’s first heat-ray. High-flying fun!

I loved learning about the close ties that existed between Sweden and France in the late 18th century and the French Revolution figured in the plot of my novel. This fabulous non-fiction work explores the politics, intrigues, and plotting of the period through the intimate connection between Marie Antoinette, doomed Queen of France, and her purported lover, Axel von Fersen — a Swedish nobleman. The revolution was reaching a fevered pitch when King Gustav III of Sweden sent von Fersen to assist the French royal family in their escape from Paris — an epic failure told with passion by Mr. Loomis!