I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
I love this book because it reminds us of the many ways that technology can affect justice.
It is tempting to think sophisticated tactics such as “predictive policing” can solve all problems relating to human bias. However, Brayne shows that data and algorithms do not eliminate bias and discretion. Instead, high-tech police tools simply make bias less overt and visible, which erodes the public’s ability to hold the police accountable.
I especially enjoyed how the book flips the script, considering diverse ways to use these tools to help the public. For example, how can municipalities use technology to analyze the underlying factors that contribute to policing problems in the first place?
The scope of criminal justice surveillance, from the police to the prisons, has expanded rapidly in recent decades. At the same time, the use of big data has spread across a range of fields, including finance, politics, health, and marketing. While law enforcement's use of big data is hotly contested, very little is known about how the police actually use it in daily operations and with what consequences.
In Predict and Surveil, Sarah Brayne offers an unprecedented, inside look at how police use big data and new surveillance technologies, leveraging on-the-ground fieldwork with one of the most technologically advanced law…
I am a writer and an internationally recognized communications expert who grew up poor, homeless, and oppressed by fear and violence. I am a woman who crashed through the glass ceiling and had an exciting career with the US Nuclear Regulatory Commission and the International Atomic Energy Agency where I became a leader on the international stage. During my troubled times growing up, I fantasized about being an elite operative who got the bad guys and traveled the world. That’s why I wrote about one. I know how hard it is to be a strong woman. That’s why I celebrate them.
The intriguing plot and the smart strength of the main character, Rowan Smith, kept me reading page after page, which isn’t easy with my short attention span. Rowan is a former FBI agent who wrote a bestselling novel that is being made into a movie. She is stalked by a mysterious killer who is copycatting the murders that she wrote about in her book. This story has all my favorite elements—a strong woman main character, a traumatic past that made her tough, and a story that is non-stop suspense.
First, she imagined it. Then a killer made it real.
“Taut, fast-paced suspense . . . a killer debut.”—Mariah Stewart
Rowan Smith is living in a borrowed Malibu beach house while her bestselling novel is made into a Hollywood movie. A former FBI agent with a haunted past, Rowan thinks she has outrun her demons. But fiction and reality collide when a dismembered body is found in Colorado: the real-life victim had the same name, occupation, and looks as a character in Rowan’s novel. By the time the FBI, the LAPD, and her own private bodyguard gather around her, another…
The latest Michael Connelly is always a fixture on my Christmas wishlist, and is often the first one I read in the new year. The Lincoln Lawyer series continues to raise the bar for legal thrillers. Add in Mickey's brother, Harry Bosch, and I am in heaven! Leaving aside the fantastic plots and well-developed characters, what drags me in each time is the world that Connelly has built. I feel as though I know Los Angeles, despite never having set foot on the US West Coast. I can't wait for the next one!
Defense attorney Mickey Haller is back, taking the long shot cases, where the chances of winning are one in a million. He agrees to represent a woman in prison for killing her husband, a sheriff’s deputy. Despite her conviction four years earlier, she still maintains her innocence. Haller enlists his half brother, retired LAPD Detective Harry Bosch, as investigator. Reviewing the case, Bosch sees something that doesn’t add up, and a sheriff’s department intent on bringing a quick search for justice in the killing of one of its own.
The path to justice for both the lawyer and his investigator…
I
invented a category called Best Offbeat Memoirs because I’d written one.
Fearless about showing her flaws, Patchett was saved from illiteracy by a
determined nun. If not for her dazzling self-discipline she might have remained
a crackerjack waitress. When nobody showed up at a book signing, she looked
around to observe what makes an independent bookstore tick.
When book banners
certain that first-year students at Clemson University would be turned into sex fiends,
homosexuals, and drug addicts if they read her assigned book (sound familiar?)
she gave the “kick-ass” speech printed here. Her three proud fathers adored
her. Patchett’s no-nonsense but caring nature and sense of humor are the
narrative thread that holds these diverse pieces together, making this a book
to treasure.
'So compellingly personal you feel you're looking over her shoulder as she sits down to write' New York Times
'Electrically entertaining ... Funny, generous, spirited and kind' The Times
This Is the Story of a Happy Marriage is an irresistible blend of literature and memoir revealing the big experiences and little moments that shaped Ann Patchett as a daughter, wife, friend and writer.
Here, Ann Patchett shares entertaining and moving stories about her tumultuous childhood, her painful early divorce, the excitement of selling her first book, driving a Winnebago from Montana to Yellowstone Park, her joyous discovery of opera, scaling…
As a romance, romantic comedy, and cozy mystery writer, I not only have a passion for the swoon-worthy moments when I’m creating them but crave them as a reader. There are so many great books out there but chemistry, particularly between a main character and her love interest, is what really makes me want more of a series. It’s not always easy to create that sigh-worthy-make-you-smile element of romance and love in a book that is geared toward solving a murder so I really appreciate when it’s done well. It’s not only enjoyable for me as a reader but a great example for me as a writer.
This book is adorable and hilarious. My favorite cozies have a heavy punch of romance and sparks in them and this one definitely fits the bill. Maddie lands herself in all the wrong places, at all the wrong times, with all the wrong people. Watching her back, and the rest of her, is an LAPD detective who doesn’t want to fall for her charms but, like readers, absolutely can’t help himself.
#1 Amazon, New York Times & USA Today Bestselling series! High Crime meets High Fashion when shoe designer turned amateur sleuth Maddie Springer is on the case...with laugh-out-loud results!
Struggling LA shoe designer, Maddie Springer, lives her life by three rules: Fashion. Fashion. Fashion. But when her boyfriend suddenly disappears--along with $20 million in embezzled funds--her life takes an unexpected turn from Manolos to murder. Now her every move is under scrutiny by the LAPD's sexiest cop, dead bodies are dropping around her faster than last season's trends, and the deeper she digs the more she realizes maybe she didn't…
My interest in photography began as a student at Pratt Institute, a preeminent art school, and I have worked in the field my entire adult life, not as a photographer but as a picture editor and photography critic. I was the Page One Picture Editor of The New York Times and wrote regularly about photography for the paper. I have published two biographies: one on Richard Avedon, among the more significant artists of the 20th century, and another on Sam Wagstaff, one of the earliest collectors who established the art market for photography; a book of collected reviews and essays called Photography After Frank; and essays on individual photographers for museum catalogues and artist’s monographs. I produced the 2011 documentary, Bill Cunningham New York.
Evidence, published in 1977, is a book of black-and-white pictures culled by these two artists from the archives of government agencies, public utilities, university laboratories, and private corporations. The anonymous photographs were made to document actual fires, land sites, crime scenes, product testing, and scientific experimentation. In Evidence, the pictures are removed from their context of origin and printed, one to a page, without caption information. Individually, the pictures take on surrealist properties subject to endless narrative interpretation; collectively, the sequencing creates a running narrative with no coherent story. Since the pictures so closely resemble the black-and-white documentary images that came to define art photography in the 1970s, Evidence was among the early postmodern works to contest the growing acceptance of photography as art, photographer as artist-author, photographic documentation as fact, and the truth-telling capability of the medium as unwavering.
A visual conundrum of incalculable mystery. ―Martin Parr, The Photobook: A History
In 1977, photographers Larry Sultan (1946–2009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canon―a book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred…
I have always been fascinated by the idea of memory. What sticks in your mind, what is lost, what can be manipulated, how you see things in different ways to others, and how sometimes you can’t trust even your own memories. I studied psychology at A-level and that sparked an interest in me, especially in terms of repression and learned behaviours. I studied creative writing to MA level at university, where I wrote my first thriller, which also focuses on memory. I’m always searching for reads that make me look at human nature differently, or break me out of routine and can offer a surprise. Surprises keep things interesting!
This is a sci-fi thriller with amazing concepts and a page-turning story! Meet Hap Thompson – his job is to take on other people’s memories. He carries bad memories for a few hours and gets paid for the privilege. When he gets landed with a bad memory by someone who won’t take it back, he finds himself on the run. Then, people start disappearing… This is a fab read – refreshing different with some sci-fi elements, but still a thriller by nature. Michael Marshall Smith’s writing is both dark, humorous, and inventive. I wouldn’t say it’s a perfect novel but for the ideas about memory and forgetting, it delivers a lot.
A mesmerising SF thriller from a master of the genre. Hap Thompson is a REMtemp, working the night hours, having people's anxiety dreams for them. For the first time in his life, Hap's making big money - and that should have been enough...
Hap Thompson has finally found something he can do better than anyone else. And it's legal. Almost. Hap's a REMtemp, working the night hours, having people's anxiety dreams for them. For the first time in his life, Hap's making big money - and that should have been enough.
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
This is the first Alex Delaware book that I read, and I became immediately hooked. Delaware is a psychologist-detective based in Los Angeles, who works very closely with his good friend, Milo Sturgis, a detective with the Los Angeles Police Department. This story has them both looking back in time to a murder that Milo failed to solve. Between them they scour the “City of the Angels” and get to grips with this old case that never quite went away.
Twisting, brutal and terrifying but ultimately redemptive, THE MURDER BOOK by New York Times No. 1 bestselling author Jonathan Kellerman, author of KILLER and BREAKDOWN, is recommended for fans of David Baldacci and Harland Coben. 'Optimism is a feature of The Murder Book although the premise is macabre . . . Kellerman ameliorates the horror with a surprising number of generous characters' (Telegraph)
Alex Delaware's relationship with his long-term partner is on the rocks. He is floored when Robin announces she's heading off on a three-month music tour.
But he soon has other things to think about. He is sent…
I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.
The Harry Bosch series has been long and often predictable.
Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.
What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.
It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.
LAPD detective Harry Bosch is down on his luck - his house is condemned in the aftermath of the earthquake, his girlfriend has left him and he has been suspended for attacking his superior officer.
To occupy time, he examines the old case files covering a murder which took place on October 28, 1961. The victim was Marjorie Phillips Lowe - his mother . . .
The case forces Bosch to confront the demons of the past, and as he digs deeper into the case, he discovers a trail of cover-ups that lead to the high-ups in the Hollywood Hills…
My illiterate grandparents taught me to love learning. A librarian who shared books and food with a ragged, hungry kid cemented my love of books. My fifth-grade teacher in a ghetto school took unpaid time to encourage my writing. My mother taught me to never give up my dreams. Dogs taught me the meaning of unconditional affection and loyalty. And nowadays, when I lose faith in myself, it is my wife’s love and belief in me that keeps me going. Love, in its many forms, has shaped my life.
I liked the protagonist, Kate Delafield, immediately for her straightforward manner. Within very few pages, Katherine painted a picture of the neighborhood and the bar where a murder occurred in its back parking lot, yet she never caused the story to drag. Katherine pulled me in with her succinct description of the murder scene. It was as if I stood beside Kate Delafield.
As the detectives entered the bar, I felt lesbian history reverberating down through the years. As a lesbian, I identified with Kate Delafield and with the milieu within which she had to live and do her job as a police detective. I also understood the hostility of the bar patrons—all lesbians—toward the police. Without preaching, Katherine described the larger conflict inherent in the situation.
This book was so well-written that I “felt” the emotions of the characters; the sadness that a young life had been destroyed way…
Dory Quillin, nineteen-years old, her white-blonde hair ruffled by the gentle breezes of a June evening, lies dead in the parking lot of a lesbian bar. Her bewildered silver-blue eyes stare beseechingly into the mind and soul of the woman who kneels beside her: LAPD homicide detective Kate Delafield.
The investigation is far from a simple matter. Kate uncovers shocking facts about the brief life of the murdered young lesbian. She finds her road to the killer obstructed by Dory’s uncooperative, judgmental parents, the waning interest of her own partner, and most frustrating of all, the open hostility of women…
