I’ve written fourteen novels about family, friendship, food, and love; stories that I hope transport people so completely and utterly, that they almost forget they are reading and instead find themselves walking in the shoes of the characters. That’s what I’m aiming for anyway. As a reader it’s what I want also – to laugh and cry, and feel the characters are people that I know and feel sorry to leave them behind when I turn the last page.
Often while I was reading, it felt like I was right there, in the Australian town of Ballarat, a part of a small community as everyone’s lives are being reshaped by a war raging across the world.
Connie Starr is a watchful misfit of a child who lives in a dream world. But this is as much a story about the people who surround Connie – parents and siblings, neighbours and friends – and the way their lives intertwine. We rarely witness any violent acts of war in this novel.
Instead, it is focused mostly on the people left behind at home, on their heartbreak and loneliness, the friendships that sustain them, and the determination that gets them through the toughest times.
A stunning evocation of Australian life through the war to the 1950s, this novel is intimate and sweeping, immediate and dreamlike - a magical rendering of darkness and joy, and the beauty inherent in difference. For readers of Sarah Winman's Still Life, Trent Dalton's All Our Shimmering Skies and Rosalie Ham's The Dressmaker.
Connie Starr was always a difficult child. Her mother knew as soon as Connie entered the world that day in Ballarat in 1934 and opened her lungs to scream, there was more chaos in the world than before and it wouldn't leave until Connie did. From the…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
Even though the title hints at the storyline, I still enjoyed the main character’s discovery as she navigates her preconceived ideas about stepmoms to reach the conclusion that maybe they aren’t so evil after all. I would love to give this book to a couple of friends who are stepmoms, but it would be great for any blended family. The art matches the warm tone of the story with just enough hints of possible wickedness.
From acclaimed author and three-time Emmy-nominated writer Samantha Berger and rising star illustrator Neha Rawat comes a hilarious and heartwarming story that follows a young girl as she learns that her new stepmother might not be as evil or wicked as she originally seems. Perfect for newly blended families and a celebration of stepmothers and stepchildren everywhere!
When I first met my stepmother, I was a little suspicious. All stepmothers are supposed to be wicked! Evil! Downright B-A-D BAD! Or at least, that's what the stories say. So I thought I knew just what to expect from mine.
