My father, a huge Ella Fitzgerald fan, had a bunch of her records, and took us to hear her live once. So I knew mid-century jazz, but I had yet to discover its early origins. From the first, I knew my trilogy was set in the 1920s and one of the main characters had to be a jazz musician. I began collecting dozens of recordings by early jazz and blues artists, reading books about them, and I developed an enthusiasm for these early musicians. I found that the original “jazz maniacs” had the same passion for their music that I felt about rock and roll in the early 1960s.
I have so many reasons why this is one of my all-time favorite books. Berton’s descriptions of music, specifically jazz or music in general, are superb. Ralph Berton describes himself as a precocious 13-year-old (an understatement!), when in 1924 he meets Bix Beiderbecke, seven years his senior, and idolizes him. This relationship is a great part of the book’s charm. The Berton family—with its vaudeville background, two famous musical brothers (besides the child genius Ralph), and a Jewish mother—is another part of the appeal. But the heart of the book is his affectionate, penetrating portrait of Bix, derived from personal experience. He examines the myths and legends, sometimes debunking and sometimes reinforcing them. A magical, bittersweet book that often brought me to tears. Exceptional writing.
As Nat Hentoff says, "Hearing Bix for the first time was like waking up to the first day of spring." Bix has always inspired such acclaim, for he was an unmatched master of the cornet. Ralph Berton was privileged enough to have been a fan,and younger brother of Bix's drummer,just as Beiderbecke's genius was flowering, before he died in 1931 at age twenty-eight. Listening from behind the piano, tagging along to honky-tonks and jam sessions, Berton heard some of the most extraordinary music of the century, and he brings Bix and his era alive with a remarkable combination of the…
I am fascinated by all that was happening in the world before WWII. Amidst a silent, looming economic collapse, many social norms were turned on their head, women broke out of their molds, and art, literature, technology, and music all flourished. And a heady mix of cultures blended not altogether seamlessly to influence the Roaring Twenties like no other decade before it. The juxtaposition of this exciting yet challenging tumult lures me into reading books and writing immigrant-forward stories about this period—and as an author with deep roots in the boot—I particularly enjoy doing so through an Italian lens.
When I really need to recharge, I go to the sea, which is why I instantly gravitated to this book. As a busy amateur detective, Lady Swift seeks some downtime, too, but it doesn’t last. Not only does a body turn up almost as soon as she lets out a big exhale at the resort where she’s staying, but her husband whom she thought was dead six years ago, is the victim. Of all the people that had to “die” while she was on vacation, it had to be him, and that’s just where this storyteller’s mastery begins. Add humor, Englishness, and the interwar years—things I often gravitate toward in my beach reads—and I had a great whodunnit on my hands.
‘OMG! What an incredible read! Where to start?… I read this entire book in a few sittings… I was so enraptured that I couldn’t put it down!’ Celebrating Authors ⭐️⭐️⭐️⭐️⭐️
A magnificent seaside hotel, striped deckchairs, strawberry ice cream… and a rather familiar dead body? Lady Swift is on the case!
Spring, 1921. Lady Eleanor Swift, explorer extraordinaire and accidental sleuth, hasn’t had a vacation since she arrived in England a year ago. Being an amateur detective can be a rather tiring business and she is determined to escape any more murder and mysteries. So she books into the Grand…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is a terrific coffee table-sized book with wonderful photographs of the sundry characters and vivid reproductions of paintings and other images. Here you’ll find a young, muscular Pablo Picasso with hair—on the beach in his bathing suit in front of Gerald & Sara Murphy’s villa on the Côte d’Azur. This privileged couple—he a fine avant-garde artist in his own right, and she, who became Picasso’s muse, a refined and elegant hostess—were patrons of the arts who surrounded themselves at their home with the young luminaries of the Jazz Age. Chapter headings in this stunning volume tell the tale.
At 174 large pages, this is a beautifully rendered and specific encapsulation of les années folles, from start to finish.
A panorama of the arts scene in Jazz Age France draws on letters, diaries, journals, photo albums, and private archives, in a visual exploration that includes unpublished paintings by Picasso and Leger, previously unknown works by e. e. cummings and John Dos Passos, and more. 15,000 first printing.
I am fascinated by all that was happening in the world before WWII. Amidst a silent, looming economic collapse, many social norms were turned on their head, women broke out of their molds, and art, literature, technology, and music all flourished. And a heady mix of cultures blended not altogether seamlessly to influence the Roaring Twenties like no other decade before it. The juxtaposition of this exciting yet challenging tumult lures me into reading books and writing immigrant-forward stories about this period—and as an author with deep roots in the boot—I particularly enjoy doing so through an Italian lens.
Even if there’s just a hint of something Italian in a story by the sea, I’m smiling. When you first meet Miss Posie Parker in this story, she’s wearing a scent reminiscent of Parma Violet, first distilled by the second wife of Napoleon I. For the next 300 pages, I couldn’t stop thinking about how wonderful Posie smells and how she must leave behind a whiff of her violet-scented perfume everywhere she goes a-sleuthing. Such a telling detail about a character and one that stayed with me as I tried in vain to solve the mystery.
Posie Parker has been called to her most baffling case yet.
Amyas Lyle, London’s top young lawyer, has been found with his head in a box of poisoned saltwater.
It’s the perfect murder. But who hated him enough to do such a thing?
Following a trail of strange notes, all of which speak of the sea, and saltwater, Posie travels from London to the seaside resort of Whitley Bay, looking for answers. But nothing can prepare her for what she finds there.
Can Posie find Amyas Lyle’s cold-blooded killer before further deaths…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
This book was originally published in 1929 anonymously, because it was a scandal. The fact that a writer would write about a woman who has multiple affairs and is clearly promiscuous was unheard of, so the writer was protected with an anonymous publication.
I could not stop reading this incredible and seminal book for the main reason that the language is so fresh. It was unlike any other vintage or antique novel that I’ve read, and I’ve read a few, as I collect antique books.
The main protagonist in the book is a woman, a woman writer who has recently been divorced by her husband, also a writer. The issues she writes about, as a woman, are utterly timeless. The scene where she admits she’s been unfaithful to her husband (they are both young and in their 20s) and he acts as if he doesn’t care, saying: “And I thought…
An instant bestseller when it was published anonymously in 1929, Ex-Wife is the story of a divorce and its aftermath that scandalized the Jazz Age—and still resonates today.
It's 1924, and Peter and Patricia have what looks to be a very modern marriage. Both drink. Both smoke. Both work, Patricia as a head copywriter at a major department store. When it comes to sex with other people, both believe in “the honesty policy.” Until they don‘t. Or, at least, until Peter doesn‘t—and a shell-shocked, lovesick Patricia finds herself starting out all over again, but this time around as a different…
I am fascinated by all that was happening in the world before WWII. Amidst a silent, looming economic collapse, many social norms were turned on their head, women broke out of their molds, and art, literature, technology, and music all flourished. And a heady mix of cultures blended not altogether seamlessly to influence the Roaring Twenties like no other decade before it. The juxtaposition of this exciting yet challenging tumult lures me into reading books and writing immigrant-forward stories about this period—and as an author with deep roots in the boot—I particularly enjoy doing so through an Italian lens.
This book stands out from other historical mysteries near the sea because it is about a mystery onthe high seas. On a steamship, to be exact, on its way to New York harbor. My mom was once a young Italian woman on a steamship sailing to Halifax, and while she was nothing like Fen Churche, the heroine in this story, I’ve always imagined my mom having lots of wild adventures on that Atlantic crossing. The way the author has woven this twisty, tricky tale, I could almost believe mom had an alter ego.
When a journey to New York is interrupted by missing diamonds and a body in the lifeboat, there is only one woman who can help: Fen Churche!
1945. Fen Churche follows her dreams and sails for New York. She books passage on a steam ship from France to America, excited to dance the night away in the glamorous ballroom and play games on deck. Nothing will stand in the way of her trip, not even when an eccentric heiress’s diamond tiara goes missing…
Looking forward to relaxing with her favourite crossword puzzles, Fen’s quiet passage is horribly disrupted by another…
This fictionalized story is about one of Hollywood’s
biggest silent film stars (Colleen Moore), on whom the three movies entitled A
Star is Born are based.
Yes,
it’s rags to riches for Doreen O’Dare, a determined teenager who follows her
dream and makes it to the top, but who also sees the writing on the wall with
the transition to talkies. She’s been sharp
about her money, and changes course to follow another dream--making it to the
top again, this time her way.
In
the process, Rooney reveals fascinating details about the making of silent
films-- how actors and directors grew up with the industry, learning as they
went, not always knowing what they were doing, little fish often surpassing big
fish. And of her sad love story with a
publicity genius who makes her a star but can’t keep up with her.
From the bestselling author of Lillian Boxfish Takes a Walk comes a novel about Hollywood, the cost of stardom, and selfless second acts, inspired by an extraordinary true story.
Chicago, 1916. Doreen O'Dare is fourteen years old when she hops a Hollywood-bound train with her beloved Irish grandmother. Within a decade, her trademark bob and insouciant charm make her the preeminent movie flapper of the Jazz Age. But her success story masks one of relentless ambition, tragedy, and the secrets of a dangerous marriage.
Her professional life in flux, Doreen trades one dream for another. She pours her wealth and…
From a very early age, I was interested in both magical stories (untrue) and life writing (true). As a writer, I love combining the two. In both fairy tales and memoirs, somebody goes into the woods and comes out wiser. At both Harvard and Oxford, I teach writing courses on Mythic Memoir. I tell my two children as many fairy tales as I know, and then I make up more. In 2022 I published my first collection of personal essays, Awake with Asashoryu, eleven short memoirs from my life, each with a myth or fairy tale at the heart.
Technically a novel, but rooted so specifically in the details of Zelda’s life that her family members all recognized themselves and their town in her writing. A surrealist and poetic coming-of-age story written by the wife of Jazz Age writer F. Scott Fitzgerald during an eight-week period when she was living in a mental hospital. An imperfect and fascinating way to narrate a life.
