When I really need to recharge, I go to the sea, which is why I instantly gravitated to this book. As a busy amateur detective, Lady Swift seeks some downtime, too, but it doesn’t last. Not only does a body turn up almost as soon as she lets out a big exhale at the resort where she’s staying, but her husband whom she thought was dead six years ago, is the victim. Of all the people that had to “die” while she was on vacation, it had to be him, and that’s just where this storyteller’s mastery begins. Add humor, Englishness, and the interwar years—things I often gravitate toward in my beach reads—and I had a great whodunnit on my hands.

This collection of essays and letters, put together by F. Scott Fitzgerald’s editor Edmund Wilson after Fitzgerald’s death, touches on the author's fall from grace, losing his popularity, his sobriety, and sometimes the respect of some fellow auteurs.

It’s almost embarrassing in its frankness, but it provides a great insight into what went wrong with this artist’s life so that he was not able to enjoy the success of his literary works in later years. In many ways, it’s an allegory for the times—from the raucous Roaring Twenties to the somber years of the Great Depression.

I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.

I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.

I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.

This book made me fall in love with Puglia, the hot, dusty “heel of the boot” with its lemons, olives, and cactus, its boxy farmhouses. Not that the story, bouncing from Paris to New York to a long-gone Rome, doesn’t deliver—the narrator, Alina, talks about a family secret passed from woman to woman, disintegrating memories, a past she must understand before the movers arrive and the house with its mural of a naked woman painted on a patio wall is no longer theirs. Present and past, the known and the unknown combine, and all of it is tied to alluring, sensual Puglia. As a storyteller, Marciano demands your attention, painting the life story of a family whose Italy is unlike the one you think you know.

This book was originally published in 1929 anonymously, because it was a scandal. The fact that a writer would write about a woman who has multiple affairs and is clearly promiscuous was unheard of, so the writer was protected with an anonymous publication.

I could not stop reading this incredible and seminal book for the main reason that the language is so fresh. It was unlike any other vintage or antique novel that I’ve read, and I’ve read a few, as I collect antique books. 

The main protagonist in the book is a woman, a woman writer who has recently been divorced by her husband, also a writer. The issues she writes about, as a woman, are utterly timeless. The scene where she admits she’s been unfaithful to her husband (they are both young and in their 20s) and he acts as if he doesn’t care, saying: “And I thought… show more.

Another 1925 gem, Gentlemen Prefer Blondes, was written, Anita Loos said, because she couldn’t get H.L. Mencken’s attention on a cross-country train trip because he was besotted by a blonde starlet-to-be.

One of the savviest, most pointed, and cosmopolitan takes on sex and gender from the period or from any period, really. It is, like the movie adaptation with Marilyn Monroe, pure fun and games at one level and trenchant commentary at another, but the book is that much smarter and more trenchant and therefore, much funnier.

Loos was one of the most successful screenwriters of her day, and she brings those skills to bear, but she has superb dexterity as a prose stylist and an almost uncanny knack for comic timing.

This book stands out from other historical mysteries near the sea because it is about a mystery on the high seas. On a steamship, to be exact, on its way to New York harbor. My mom was once a young Italian woman on a steamship sailing to Halifax, and while she was nothing like Fen Churche, the heroine in this story, I’ve always imagined my mom having lots of wild adventures on that Atlantic crossing. The way the author has woven this twisty, tricky tale, I could almost believe mom had an alter ego.

This fictionalized story is about one of Hollywood’s biggest silent film stars (Colleen Moore), on whom the three movies entitled A Star is Born are based.

Yes, it’s rags to riches for Doreen O’Dare, a determined teenager who follows her dream and makes it to the top, but who also sees the writing on the wall with the transition to talkies. She’s been sharp about her money, and changes course to follow another dream--making it to the top again, this time her way. 

In the process, Rooney reveals fascinating details about the making of silent films-- how actors and directors grew up with the industry, learning as they went, not always knowing what they were doing, little fish often surpassing big fish. And of her sad love story with a publicity genius who makes her a star but can’t keep up with her.

The parallel narrative is how her love… show more.

Many readers knowledgeable about the Jazz Age know about F. Scott Fitzgerald’s many novels, as well as his life.

This fictionalized account gives keen insight into his wife, Zelda. Read to discover the difficulties faced by a creative woman married to a celebrated man. In many ways, Zelda was a woman of her times, yet like so many women overshadowed by her husband.

Read about their scandalous lives—hers in some ways even more so than his.

Probably the biggest tragedy of F. Scott Fitzgerald’s life was his wife Zelda’s descent into mental illness.

This magnificent biography chronicles their tumultuous relationship as well as Zelda’s upbringing, and how she became the perfect flapper, independent and even a little wild. While the story is drenched in sadness as we all know its ending, this book reveals the struggles of creative women to be respected and seen as individuals, not just appendages to their famous husbands.

It also illuminates Scott’s enduring love for Zelda. Even as he had an affair at the end of his life, he never abandoned his wife to public institutions, insisting she have the best care, no matter the expense, at private ones.