I'm sure you’ve heard of method acting. A technique by which an actor embodies the character they're portraying 24/7. I'm a method writer. I embody the world of the novels that I write. However, when the time came to write a novel inspired by graffiti, I faced a particular frustration. Graffiti is illegal. I felt a strong desire to grab a spray paint can to decorate public spaces. And yet the fear of a jail cell prevented me from acting on the impulse. I had to find a different outlet for that desire. I poured over every book and movie on the subject. I believe I became a bit of an expert.
My interest in graffiti started during a visit to Ramallah, Palestine. Since there is no functioning government that can remove graffiti, the city walls are covered in layers upon layers of graffiti. Anything reachable by human hand is decorated in paint. From the profound to the vulgar. Political to benign. It suddenly occurred to me that in the city of Ramallah no one needs to wonder: “What are people thinking? What is on their mind?” The writing is on the wall. Simply open your eyes and absorb the order within the chaos. Against the Wall reminds me of that moment of inspiration that later informed my novel.
Featuring the work of acclaimed artists such as Banksy, Ron English, and Blu, as well as Palestinian artists and activists, the photographs in this collection express outrage, compassion, and touching humor while illustrating the lives and livelihoods of the tens of thousands of people affected by Israel's wall. This stunning book of photographs details the graffiti and art that have transformed Israel's Wall of Separation into a canvas of symbolic resistance and solidarity. The compelling images are interspersed with vignettes of the people whose lives are affected by the wall and who suffer due to a lack of work, education,…
Not only am I an avid reader of the urban love/romance/erotica genre, but I'm an award-winning, bestselling author in the genre, having written under multiple pen names. I've worked with enough traditional editors and freelance editors to know a well-crafted, entertaining, engaging read of this nature when I not only write one—ha!—but read one. As an author, I rarely offer book reviews—you'll only find one review from me on Amazon—but that's because I'm brutally honest and hard to win over, and I respect my relationship with my fellow literary artists too much to risk it on a not-so-favorable review. So, you know when I say it’s good, it’s good.
If Nikki Turner's Hustler's Wife had a little sister, it would be this book. Oh, to be young, dumb, and in love again... or never again. The author puts it in the reader's hand to determine if love truly conquers all, or if all conquers love. Guess it depends on how strong that love truly is.
When her brother is killed, Trouble, who has everything she could ever want because of her brother and his “complex occupation”, embarks on a mission of revenge that involves seducing the enemy and then killing him.
I have been a Professor of Middle Eastern Studies and Linguistics at Dartmouth College since 1997. Previously: Professor of Hebrew at London University. BA Oxford, Ph.D. London. Author/co-author of seven books, including The Story of Hebrew (Princeton, 2017) – one of CHOICE Magazine’s 'Outstanding Academic Titles for 2017', a Princeton University Press nomination for the Pulitzer Prize for nonfiction – and (co-author Jon Schommer)A Screenful of Sugar? Prescription Drug Websites Investigated. Over 80 papers on language and its social and political impact, in particular in pharmaceutical and financial literacy.
Many language stories have sad endings. I don’t like to over-personalize a language; it’s primarily the users that put the spice into a language or let it ‘die’. Or in the case of Yiddish, murdered in their millions.
Dovid Katz’s title evokes the extraordinary vitality of Yiddish – for centuries the language of Europe’s Jews and one of the major literary languages of the 20th century, until Nazism and Stalinism consumed all. Many survivors reached Israel, where Hebrew has taken its place. But Yiddish lives on. To me that matters.
For tens of thousands (and thriving) survivors’ descendants in the US and Europe, Yiddish is still a first language, preserving a traditional religious lifestyle Many more, whose grandparents (like mine) migrated and raised children in other tongues, still cherish Yiddish for its songs and jokes. As do I. Mel Brooks, Woody Allen, Larry David – scratch the surface and…
From one of the world's foremost scholars of Yiddish, a sweeping history of the language, its culture, and its literature-with a provocative argument about its future as a living language. Words on Fire offers a rich, engaging account of the history and evolution of the Yiddish language. Drawing on almost thirty years of scholarship, prominent Yiddish scholar Dovid Katz traces the origins of Yiddish back to the Europe of a thousand years ago, and shows how those origins are themselves an uninterrupted continuation of the previous three millennia of Jewish history and culture in the Near East. Words on Fire…
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
My Promised Land is beautifully written, a story deeply informed by the author’s family history and the body of knowledge he built as an influential Israeli journalist.
Shavit loves the place of his birth but doesn’t retreat from hard questions. He tells a powerful, poignant story of a state-created out of tragedy and the brutal reality of what Jewish statehood has wrought for yet another disinherited group.
There are no easy answers, and Shavit offers none. But he presents the complexities and frustrations with intellectual rigor and literary grace.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE ECONOMIST
Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award
An authoritative and deeply personal narrative history of the State of Israel, by one of the most influential journalists writing about the Middle East today
Not since Thomas L. Friedman’s groundbreaking From Beirut to Jerusalem has a book captured the essence and the beating heart of the Middle East as keenly and dynamically as My Promised Land. Facing unprecedented internal…
I love a story filled with interesting characters and a plot that reels me in. I know how challenging it is to construct a plotline and create breadcrumbs (not too many, so the solution isn’t obvious)–all driven by intriguing characters. I am also a sucker for the “good guys” winning but with no guarantees. The characters must have depth, and I want to learn something new about a situation I am unfamiliar with or how a great story is told.
I admit that I am intrigued by the ingenuity and the training of the Israeli Defense Forces. This is a thriller of a different kind.
I read this book to research and understand how the Israelis evolved their “we have no choice but to be the best” ethic. This is not a book about politics or moral judgments. It is an objective overview of how the army came into being and how, to this day, they discard conventional military thinking in defending their country—whether through battlefield strategy, innovation in defense technology, or intelligence services.
I found the book fascinating, especially the Israelis’ lateral thinking, encouragement, and application of ideas.
A world-leading military strategist and an IDF insider explain the improbable success of the Israeli armed forces.
When the Israel Defense Forces was established in May 1948, it was small, poorly equipped, and already at war. Lacking sufficient weaponry or the domestic industrial base to produce it, the newborn military was forced to make do with whatever it could get its hands on. That spirit of improvisation carried the IDF to a decisive victory in the First Arab-Israeli War.
Today the same spirit has made the IDF the most powerful military in the Middle East and among the most capable…
When I dropped out of college to live and work in a socialist commune in Israel, it was mostly to escape a broken heart back home. My memorable experiences as a volunteer on Kibbutz Shamir profoundly shaped how I think about the value of community and inspired me to become a writer. It took me another 20 years to unite these passions by returning to Israel to learn about the past, present, and future of the legendary kibbutz movement—and share my journey of discovery with readers in Chasing Utopia.
Full confession: I only picked up this novel in my attempt to read every book with “kibbutz” in the title. Lucky me!
I became a fan of Michael Ohayon, the moody outsider who stars in Batya Gur’s series of Hebrew whodunnits, all set in various closed societies and institutions. Ohayon is like an Israeli Inspector Rebus, and no amount of duplicity by the members at an indebted kibbutz can keep him from cracking the case.
The novel doesn’t paint a pretty picture of communal life, but I recognized many of the fatal flaws of the real kibbutz movement magnified to deadly dimensions in this slow burn of a murder mystery.
From award-winning and internationally acclaimed author, Batya Gur, comes another twisty mystery featuring charming Israeli investigator Michael Ohayon.
Michael Ohayon must once again solve a murder that has taken place within a complex, closed society: the kibbutz. As he investigates, he uncovers more and more of the kibbutz’s secrets, exposing all the contradictions of this idealized way of life.
Murder on a Kibbutz showcases once again Batya Gur’s storytelling talents in a thrilling mystery that readers will not soon forget.
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?
The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."
There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal…
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
In this extraordinary memoir, Yousef Bashir describes growing up in Gaza during the Second Intifada of the early 2000s. At age 15, an Israeli soldier shot him in the back. Paralyzed, Yousef was sent to an Israeli hospital, where he gradually recovered, making Israeli friends in the process. That experience of “love and pain” helped transform him into a peace activist. Yousef is one of the Palestinians who wrote a response to my book, Letters to My Palestinian Neighbor. (His letter appears in the epilogue.) I know of no better window into the Palestinian experience than this beautiful, wrenching book.
A Palestinian-American activist recalls his adolescence in Gaza during the Second Intifada, and how he made a strong commitment to peace in the face of devastating brutality in this moving, candid, and transformative memoir that reminds us of the importance of looking beyond prejudice, anger, and fear.
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
If I could take one book to a desert island, it might well be this one. I’m hesitant to even describe it, in the same way, I’d hesitate to dole out unsolicited advice to any millennial—or human being, for that matter—who is staring down the kaleidoscope of their identity, asking, “Which one? Which one do I choose?”
Heti’s answer to that question—and to anyone asking her to pigeonhole her writing into one genre—is the same experience I’ve had in the many, many times I’ve read this glimmering text. Whatever you want, darling. Whatever you need.
Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times
"Funny...odd, original, and nearly unclassifiable...unlike any novel I can think of."—David Haglund, The New York Times Book Review
"Brutally honest and stylistically inventive, cerebral, and sexy."—San Francisco Chronicle
Named a Book of the Year by The New York Times Book Review, The New Yorker, San Francisco Chronicle, Salon, Flavorpill, The New Republic, The New York Observer, The Huffington Post
A raw, startling, genre-defying novel of friendship, sex, and love…
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
William (Bill) Dever is a well-known archaeologist who influenced the field of biblical archaeology through his fieldwork, scholarly publications, and public presentations. He has become known to the lay public through his many popular publications one of which relates to the question of whether the Israelite God had a wife. This is an intriguing question since there is archaeological evidence to suggest it. This book is good for readers interested in daily life, gender questions, and religion in biblical times.
Following up on his two recent, widely acclaimed studies of ancient Israelite history and society, William Dever here reconstructs the practice of religion in ancient Israel from the bottom up. Archaeological excavations reveal numerous local and family shrines where sacrifices and other rituals were carried out. Intrigued by this "folk religion" in all its variety and vitality, Dever writes about ordinary people in ancient Israel and their everyday religious lives.
Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of Israel's official "Book religion."…
