I read this for professional reasons, which is not to say that I didn’t get great pleasure from it. Frame is a fine writer, and this isn’t always true of those who are also great scholars. This is a collection of essays, some new but mostly older works, lightly edited in a couple of cases.
Much of Frame’s work deals with that nebulous concept of identity in its various forms. He has explored much of the medieval history of Ireland after the English (or Anglo-Norman) invasion began in 1169. He has done so from perspectives both close and detailed and more broadly comparative. He was one of the most important figures in encouraging us to consider Ireland alongside and as part of a wider collective that includes Wales, Scotland, England, and parts of France.
For a time, I was rather annoyed because it seemed like every good idea I had…
For two centuries after 1199, Ireland was ruled by Plantagenet kings, lineal descendants of Henry II. The island became closely tied to the English crown not just by English law and direct administration, but through other networks, above all the allegiance of a settler establishment led by aristocratic, ecclesiastical, and civic elites that benefited from being within the orbit of royal patronage and service. This book contains fifteen interlinked studies, several of which appear here for the first time. The opening chapters trace Ireland’s changing place within a wider Plantagenet realm that itself altered geographically and institutionally during the period.…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
An oldie but goodie! Any aspiring historian will benefit greatly from this four-book series written in the 1960s. This is a popular history and very easy to read. Although I discovered these books years before I started writing, I periodically revisit them purely for enjoyment. Costain covered a lot of information in a way that stayed with me for years. I would even go so far as to say he influenced me to continue my reading on the subject. This particular volume gives us a lot of insight into Richard II.
Copyright 1962 - Paperback A great storyteller's most dazzling bestseller Here is Thomas B. Costain's most magnificent performance, rivaling even THE BLACK ROSE for color and drama. Here are history's most spectacular Kings and Queens - and a brilliant new probing of the greatest mystery of all time, the death of the Princess in the Tower.
English medieval history has always fascinated me, and I can trace my own ancestry back to King Edward III and his ancestors so I loved this book, which focuses on the queens of Kings Edward I, II, and III, most of whom were my ancestors.
This is the third book in Weir’s series about medieval English queens, and I found it the most interesting of them all. I was particularly fascinated by information about Philippa of Hainault that I did not know, but I also loved how she depicted Queen Isabella, wife of Edward II, showing what a strong woman she was and justifying many of her actions in her rebellion against her husband who let his love for other men interfere with his ability to rule.
Packed with dramatic true stories from one of European history’s most romantic and turbulent eras, this epic narrative chronicles the five vividly rendered queens of the Plantagenet kings who ruled England between 1299 and 1409.
“A thorough and illuminating survey of the Plantagenet dynasty.”—Publishers Weekly
The Age of Chivalry describes a period of medieval history dominated by the social, religious, and moral code of knighthood that prized noble deeds, military greatness, and the game of courtly love between aristocratic men and women. It was also a period of high drama in English history, which included the toppling of two kings,…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
I seriously enjoy a good “between-a-rock-and-a-hard-place” romance, especially when the female heroine is able to navigate it while staying true to herself. In this one, King John weds his illegitimate but beloved daughter Joanna to his bitter enemy, Llewelyn, Prince of North Wales, in an effort to take Wales under his control. But Joanna loves both of them—father and husband—and is forced time and again to prove her loyalty to one side or the other, until neither faction supports her in return. While this definitely portrays the helplessness that many medieval women faced, often experiencing a forced marriage for some political purpose or other, Joanna’s courage, bravery, and sense of self in the face of so much conflict were inspiring and so addicting to read about.
An absorbing historical novel of power and betrayal, loyalty and political intrigue in thirteenth-century England, Wales and France, centring on King John of England, younger brother to the brilliant Richard Lionheart, Joanna, his illegitimate but recognised daughter and Llewellyn Ab Iowerth, Prince of Gwynedd, a bitter opponent of English ways, laws and encroachment into Wales who becomes Joanna's husband.
Everybody
knows the name of Richard III, the short-lived king of England whose defeat ushered
in the Tudor dynasty. But the story everyone
knows and argues about is his time as king and the fate of the “princes in the
tower.”
Michael Hicks tells the story of
Richard’s life before he became king, his loyal support for his brother Edward
IV, the political scheming that made him the ruler of the north of England, and
his reforming zeal, which might have transformed the country had he lived.
Nothing like Shakespeare’s caricature
(written to please the Tudors!), Richard emerges as a complex and fundamentally
decent man of his time, whose story deserved this telling.
An "excellent new biography" (Keith Thomas, New York Review of Books) of the wily and formidable prince who unexpectedly became monarch-the most infamous king in British history
"An intricately detailed account of Richard's every recorded move on his journey from younger son of the powerful Duke of York to the last of England's mediaeval monarchs."-Mark Jones, Albion Magazine
The reign of Richard III, the last Yorkist king and the final monarch of the Plantagenet dynasty, marked a turning point in British history. But despite his lasting legacy, Richard only ruled as king for the final two years of his life.…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Probably the first “modern” medieval adventure novel, a young Doyle published this in 1891, shortly after he had begun his more famous Sherlock Holmes stories. Also set in the Hundred Years War, it follows a band of mercenaries fighting for the Edward the Black Prince against the French.
It’s mild by today’s standards but a rousing adventure nonetheless, and I first read it at the age of 14. It has all the ingredients of old-fashioned epic adventure: precarious battles, friendship, valiant deeds, humor, and a bit of romance. Check it out and see what your grandfather would have read as a boy on a rainy afternoon.
"Now order the ranks, and fling wide the banners, for our souls are God's and our bodies the king's, and our swords for Saint George and for England!" With that rousing proclamation, twelve hundred knights ride into battle, accompanied by the stalwart archers known as the White Company. Fueled by their appetite for glory, this motley crew of freebooters stands united in their unswerving devotion to the company commander, Sir Nigel Loring. Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
I will start by admitting that I had ambivalent feelings about this book for some time simply because it takes a different view on certain historical events and people than I do. Still, I cannot notrecommend it, because it stunned me over and over with its vivid characters and the slowly unravelling mystery that is at the heart of the story. Above all, I was delighted to find that this novel centres around two young women who have been overshadowed by more prolific historical figures, bringing lesser-told stories to the forefront.
Two women separated by time but linked by twin destinies investigate the mysterious, tragic fate of the young princes in the tower in this engrossing novel, “a juicy mix of romance, drama, and Tudor history” (Ladies’ Home Journal).
“Alison Weir’s strong suit as a fiction writer is making her novels living history.”—The Courier-Journal
When her older sister, Lady Jane Grey, is executed in 1554 for unlawfully accepting the English crown, Lady Katherine Grey’s world falls apart. Barely recovered from this tragic loss she risks all for love, only to incur the wrath of her formidable cousin Queen Elizabeth I, who…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
The summer before starting my first year of university, I went in search of historical fiction that was accurate enough to help prepare me for the module I was going to take about medieval Britain. Meticulously researched and packed full of detail that brings historical scenery and relationships to life, Devil’s Brood was the perfect starting point. It is a book that I have read and enjoyed three or four times, and each time, I have discovered new passages that made me put the book down on my pillow and stare blankly at the wall for a few seconds, pondering what I just read. In addition, this thrilling account of the early Plantagenets is the first (albeit independent) part of a series, so if you get as hooked as I did, there’s more to be had!
A breathtaking and sweeping epic of a family at its breaking point, Devil’s Brood shows how Henry II and Eleanor of Aquitaine—two monumental figures once bound by all-consuming love—became the bitterest of adversaries...
A.D. 1172. Henry II’s three eldest sons conspire against him and align themselves with his greatest enemy, King Louis of France, but it’s Eleanor of Aquitaine’s involvement in the plot to overthrow her husband that proves to be the harshest betrayal. As a royal family collapses and a marriage ends in all but name, the clash between these two strong-willed and passionate souls will have far-reaching and…
Thirty years as a medieval reenactor gave me the background I needed to step into the past. I learned much about everyday activities and I gained familiarity with physical objects such as weapons and armor. My first four books (including The Last Great Saxon Earls trilogy) took place in the eleventh century, and by then I was ready to jump forward three hundred years to the Plantagenet era. In college, I saw Shakespeare's Richard II play, and I was so enthralled with it that I carried Richard around with me for forty years before tackling this book. It ended up being much more complicated than I could ever imagine!
The Peasants' Revolt was one of the most pivotal events of the fourteenth century, for it turned society upside-down and threatened the powers-that-be in a way they could never have imagined. Poor King Richard was only fourteen years old, and he discovered that he could rely on no one but himself to put a stop to the rampaging. Much of London went up in flames, and fatalities included the Archbishop of Canterbury! What caused this terrible uprising? This book gives us a thorough explanation as to what happened—and why. Dan Jones is at his usual best in making it interesting to the general reader. I was so taken with the whole scenario that it played a major part in the first third of my novel.
Revolt and upheaval in medieval Britain by a brilliant new narrative historian, 'Summer of Blood' breaks new ground in its portrayal of the personalities and politics of the bloody days of June 1381.
The Peasants' Revolt of 1381 is one of the most dramatic and bloody events in English history. Starting with village riots in the Essex countryside, chaos rapidly spread across much of the south-east of England, as tens of thousands of ordinary men and women marched in fury to London, torching houses, slaughtering their social superiors and terrifying the life out of those who got in their way.…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
If there is a single book that introduced me to historical fiction, this is it. I bought it at random for 50p at a flea market while on vacation in Scotland. And I read it. And I cried—a lot. It is possible that my young age at the time played a part in the enchantment, but the memory sticks with me. The protagonist Mary Howard was unknown to me before I read this novel, and I believe she has been largely forgotten in history, but that was one of my favourite aspects of the reading experience. Both as a reader and a writer, I believe that a main character who was relatively obscure but nevertheless close to pivotal historical events allows fact to be paired with the author’s creative liberties.
When young Mary Howard receives the news that she will be leaving her home for the grand court of King Henry VIII, to attend his mistress Anne Boleyn, she is ecstatic. Everything Anne touches seems to turn to gold, and Mary is certain Anne will one day become Queen. But Mary has also seen the King s fickle nature and how easily he discards those who were once close to him...
Discovering that she is a pawn in a carefully orchestrated plot devised by her father, the duke of Norfolk, Mary dare…