I grew up reading The Brothers Grimm, Enid Blyton, and any number of stories that would come under the Fantasy umbrella. Later on, I fell in love with Garion and his friends inThe Belgariad and The Malloreon. Later, I delved into the literature and Science Fiction of Iain (M.) Banks, and latched onto Terry Pratchett’s Death to navigate the vast Discworld series. I find I always return to Fantasy, and seek to come away from a book feeling as though I’ve made friends within the pages. This, too, was my goal when I took up writing.
I read this before I read the preceding trilogy: Phèdre’s Trilogy, and was well drawn in without the background knowledge that may have come from reading the two series in order. I later did read Phèdre’s Trilogy and enjoyed it, but it was Imriel’s Trilogy that really captured me. I love that while most Fantasy series will focus on aggressive politics and war, these series are more about the arts and diplomacy and humans being very human in all their facets. Imriel was a captivating character who I was eager to follow along with as I discovered the world he lived in.
Imriel de la Courcel's birth parents are history's most reviled traitors, but his adoptive parents, the Comtesse Phedre and the warrior-priest Joscelin, are Terre d'Ange's greatest champions.
Stolen, tortured and enslaved as a young boy, Imriel is now a Prince of the Blood; third in line for the throne in a land that revels in art, beauty and desire. It is a court steeped in deeply laid conspiracies---and there are many who would see the young prince dead. Some despise him out of hatred for his mother, Melisande, who nearly destroyed the entire realm in her quest for power. Others…
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I walked away from reading this book with my imagination completely on fire. I can promise you’ll never look at wax quite the same after reading this book. It takes the pollution of a post-industrial world but filters the premise through magic and god wars. The politics are juicy and the characters come from all walks of life.
"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . .
The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir.
My first passion, as a youngster, was speculative fiction—stories and comics that set the imagination ablaze with visions of wondrous possibilities and impossibilities. Later, my experiences of being queer, transgender, and autistic led me to an academic career in which I helped create the field of Neurodiversity Studies and something called Neuroqueer Theory (which is what you get when you mix Queer Theory and neurodiversity together and shake vigorously). These days I’m back to writing fiction, including the urban fantasy webcomic Weird Luck, and I’m thrilled to find myself part of an emerging wave of neuroqueer speculative fiction. Here are some of the best so far...
The Outsideis a gripping sci-fi novel with a queer autistic protagonist, written by an autistic author who perfectly conveys the flavor of autistic thinking. This one’s set far in the future, in a galaxy-spanning theocracy ruled by powerful artificial intelligences that have set themselves up as gods. Scientist Yasira Shien has developed a brilliant new energy drive. The problem? Turns out the drive taps into an extradimensional reality called the Outside, which, true to its name, exists outside ordinary spacetime—and which is capable of spilling over catastrophically into the material world. Highly original world-building blended with classic space opera. Compelling characters and a plot that had me hooked all the way. Oh, and it’s the first book in a trilogy!
Autistic scientist Yasira Shien has developed a radical new energy drive on board The Pride of Jai that could change the future of humanity. But when she activates it, reality warps, destroying the space station and everyone left inside.
The Gods declare her work heretical, and Yasira is abducted by their agents. Instead of simply executing her, they offer mercy if she'll help them hunt down a bigger target: her mysterious, vanished mentor.
With her homeworld's fate in the balance, Yasira must choose who to trust: the Gods and their ruthless post-human angels, or the rebel scientist whose unorthodox mathematics…
Gemmel has such a distinct writing style where he has this fast pace and surprisingly detailed story. So much happens with few words and you don't feel like it could be so few words. Like a magic trick. He makes you like characters and root for them but isn't too worried about making them do awful things or even die.
Fierce and proud, the Rigante dwell deep in the green mountain lands, worshiping the gods of air and water, and the spirits of the earth. Among them lives a warrior who bears the mark of fate. Born of the storm that slew his father, he is Connavar, and tales of his courage spread like wildfire.
The Seidh--a magical race as old as time--take note of the young warrior and cast a malignant shadow across his life. For soon a merciless army will cross the water, destroying forever the timeless rhythms of life among the Rigante.
I have spent my 50-year career as a writer, illustrator, and comic book artist. My comics involve surrealistic situations and alternate realities. I am best known for my strip The Bus, which appeared monthly in Heavy Metal magazine, and Dope Rider, which appeared regularly in High Times magazine. Both series have been collected in books and published internationally. I read the graphic novels of other artists whose work centers on surrealism, alternate realities, and the psychedelic experience for enjoyment and to draw inspiration for my own work. Fans of graphic novels who like trippy stories and art should enjoy the books on my list.
My mind was blown when I encountered the work of Philippe Druillet in the mid-1970s. This French cartoonist is considered one of the greatest of them all, creating alien worlds of startling originality and stupefying grandeur. Fifty years later, his work is as startling and original as it appeared back then.
No one has surpassed his ability to depict scenes of such mind-boggling scale and otherworldliness, as if he had a unique glimpse of some higher realm. As a young cartoonist, I was strongly influenced by Druillet, who inspired me with his demonstration of what it was possible to achieve in the comic book form. His work is not drug-oriented but depicts the sort of visions those who take hallucinogens would hope to experience.
Born from chaos, Prince Yragael, is the last hope for Earth. Gods and demons stroll the land, attempting to enforce their authority on the Last Men once more. He falls prey to the queen of Spharain, and from their union comes a son, Urm - a grotesque fool with the potential to redeem mankind.
I’ve always had a wild imagination and have been creative and expressive through various art forms since I was young. After a series of crazy and vivid dreams, I decided to turn them into a story. One thing led to another, and before I knew it, I had over 20 projects, each with a different style but all with my voice. I grew up in Cheshire and studied digital media at the University of Bradford, but moved to my paternal home in Spain in 2009, where I now teach English and moonlight as a fantasy author.
Dianna and Liam, two immortals, struggle to free themselves from their past and the expectations of their future. But when they join forces, they realise their future might be the same.
This book was amazingly written with the perfect balance of a great story and complex, morally grey characters. I especially love how Dianna does bad things to protect the one she loves and has an excuse for everything.
One of Book Riot's 'Best and Swooniest Romantasy Books'
Don't miss this addictive BookTok sensation! A perfectly steamy, high-stakes, TRUE enemies-to-lovers, dark epic romantasy! _________________________
World Ender meets Ender of Worlds . . . A thousand years ago, Dianna gave up her life in the deserts of Erioa to save her dying sister. She called upon anyone who would listen, not expecting a monster far worse than any nightmare to answer. Now she must do what he asks, even if that means securing an ancient relic from the very creatures that hunt her.
In the summer of 1999, the second book in JK Rowling’s Harry Potter series (The Chamber of Secrets) was published. It seemed that everyone was reading it–kids, young adults and grownups. More than that though, kids were getting excited about reading, maybe for the first time. Parents were reading it with their kids. The excitement they shared was inspiring. I thought Rowling had achieved something remarkable–something worthwhile–for a writer of fiction. It compelled me to change the story I was working on–a rather violent, edgy tale–into a book for young adults.
I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.
This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.
The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.
A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.
As a physicist by education and therefore fundamentally interested in how things work, my early career was spent in secure communications before moving into finance, specifically payments. I helped to found one of the leading consultancies in the field and worked globally for organizations ranging from Visa and AMEX to various governments and multiple Central Banks. I wrote, it turned out, one of the key books in the field, Identity Is The New Money (2014), and subsequently, Before Babylon, Beyond Bitcoin (2017), about the history and future of money. The Currency Cold War (2020) was a prescient implication of digital currencies, particularly CBDC.
For my final choice, I recommend a work of fiction that made me think deeply about the future of money, markets, institutions, and society. I started reading Ari Juels’ book out of polite interest since I met him, and I can personally testify to his smartness and niceness.
Once I started reading it, however, I couldn’t put it down! It’s a very well-crafted story that draws the reader into the world of blockchains and digital assets with, I thought, very human and believable characters. I can tell you firsthand that trying to write a novel about the future of money is incredibly difficult—I’ve tried! I take my hat off to him for this excellent work, which I hope will cause more people to take the future of money and all it implies more seriously.
Fears of a weaponized blockchain become reality when a software developer races to deactivate the rogue smart contract targeting him for assassination.
Life is comfortable for a prominent, if schlubby, developer at a New York City blockchain company. That is, until FBI Special Agent Diane Dumnil seeks his help against a bewildering threat: The Delphians, worshippers of the god Apollo, have launched a rogue program on a blockchain. It's offering a crypto bounty to assassinate a European archaeology professor.
The developer brushes off the danger until he learns the next target: Himself.
Mythical antiquity collides with a near-future cyberworld as…
