I have worked as a funeral director for more than 35 years and write regularly about funeral service. Since I wrote my first book, Grave Undertakings, in 2003, there’s been a proliferation of books about funeral service. Funeral directors have many stories to tell, and some of the best are by those who have worked in the trenches and gleaned profound insight into the work that we do. I’m less enamored about the books that are written for sensationalism and excessively hyped. That said, I’m always on the lookout for a good book by a colleague who writes about the work that we do with sincerity and compassion.
This book was given to me as a gift by a funeral director friend from Iowa. He told me he wanted to share the story of another pioneering/inspiring female in funeral service. And, indeed, that was what Mrs. Florence Steffy was. After the death of her husband, a beloved small-town funeral director, Steffy assured her community that the funeral home would continue to serve. And, along with help from her four children, serve she did for forty years. The book is a paean to Steffy, by her daughter, Doris, initially the only one of Steffy’s children reluctant to become part of the family business. She illuminates the challenges her mother faced at a time when women were seldom seen in funeral service, and how she faced them with strength and resilience.
When Florence Steffy's husband died in 1937 she was left with four children, almost no professional skills, and no license to continue the family's funeral business. In an era when people believed that a woman's place was in the home, she decided to go to embalming school and carry on the work her husband had begun. Doris Steffy lovingly chronicles her mother's journey from homemaker to funeral director in this moving memoir.
"It is my wish that this book will give renewed hope to those who have lost a loved one, a better understanding to those who have not suffered…
It is a great (true) story about how ancient understandings were brought back into the world through the struggles and determination of medieval scholars.
In particular, it tells the story of “the book hunter”, Poggio Bracciolini, as he scoured European monasteries, seeking old manuscripts which had been copied, and recopied from ancient Latin texts.
In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius' ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years.
It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to…
From Taylor Swift to Lauryn Hill, from Joan Baez to Beyonce, I find that the lyrics, performances, and melodies of women making music inspire my own creativity every day. I am not a musician; I am a writer, editor, and novelist! But I find music to be so accessible, so deeply meaningful, in a way that other art forms, even my own, are not. So naturally, I adore novels about music!
I return to this book in my mind again and again, and quote it all the time! It’s a slim, sexy, romantic, philosophical novel set against the backdrop of a British woman’s eye (and heart)-opening trip to Italy.
At first, young Lucy Honeychurch plays the piano with unbridled passion and lives somewhat timidly. But with a little bit of love, and some beauty, can that change?
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
Lucy Honeychurch travels to Florence, Italy, with her cousin and they were assured they would receive a room with a view of the River Arno, but instead are given a room overlooking a dull courtyard. A one Mr. Emerson and his son George offer their room, which as the desirable view, to the two ladies. From this opening sequence, A Room with a View sets off following young Lucy as she navigates through…
I never start a series in the middle except by mistake – but fortunately, though I soon realised that I needed to go back and read the first book, it did not stop me devouring this to the end.
Sixteenth-century Florence is alive and kicking – usually kicking – and the range of characters is fascinating without being confusing. For me, the best characters were the nuns in the convent - it is good to see nuns treated as people!
The author used the of the convent enclosed space to make the horror and violence all the more startling. An excellent historical novel and an excellent murder mystery.
'Pretty much everything I want in an historical thriller - an absolutely terrific read' Philip Gwynne Jones
'A great insight into Renaissance Florence. What I love about these books is the seamless weaving of factual history with a great story' Abir Mukherjee
Florence. Spring, 1537.
When Cesare Aldo investigates a report of intruders at a convent in the Renaissance city's northern quarter, he enters a community divided by bitter rivalries and harbouring dark secrets.
His case becomes far more complicated when a man's body is found deep inside the convent, stabbed more than two dozen times. Unthinkable as it seems,…
Of all the books I have ever written, this one most allowed me to make it possible to see how the full story adds to the history we know – the vital importance of context. For example, that Cabot set sail just as Bristol was defending itself against the approaching rebel army led by Perkin Warbeck. Or that the Pope at the time, ruling over the church and the world, was the Borgia Pope Alexander VI. I loved researching it and I still feel part of it. My father lives in Spain, which helped enormously.
In 1507, the cartographer Martin Waldseemuller published a world map with a new continent on it which he called ‘America', after the explorer and navigator Amerigo Vespucci. The map was a huge success and when Mercator's 1538 world map extended the name to the northern hemisphere of the continent, the new name was secure, though Waldseemuller himself soon realised he had picked the wrong man. This is the story of how one side of the world came to be named not after its discoverer Christopher Columbus, but after his friend and rival. A fabulous historical detective story.
In Amerigo, the award-winning scholar Felipe Fernández-Armesto answers the question “What’s in a name?” by delivering a rousing flesh-and-blood narrative of the life and times of Amerigo Vespucci. Here we meet Amerigo as he really was: a rogue and raconteur who counted Christopher Columbus among his friends and rivals; an amateur sorcerer who attained fame and honor through a series of disastrous failures and equally grand self-reinventions. Filled with well-informed insights and amazing anecdotes, this magisterial and compulsively readable account sweeps readers from Medicean Florence to the Sevillian court of Ferdinand and Isabella, then across the Atlantic of Columbus to…
I’m an intuitive channel and spiritual guide, deeply passionate about personal transformation. Over the years, I’ve worked with countless individuals to help them break through limiting beliefs, tap into their true potential, and live more empowered lives. My own journey of self-discovery has led me to explore topics like spirituality, psychology, self-concept, and energy work—areas that are all interconnected in creating lasting change. As a coach, content creator, and author of Show Up As Her, I’ve gained valuable insights that continue to shape my growth. These books have each had a profound impact on my journey, and I’m excited to share them with you.
This book up-leveled my ability to create my reality in the most subtle way. I loved how it made reclaiming my life feel effortless, simply by shifting the words I used. Florence Scovel Shinn broke down how our words literally shape our lives, and it was such a simple yet powerful shift.
I remember feeling like I’d found a secret weapon: the way I was speaking to myself and about my life was directly affecting what was showing up. It was a game-changer for me!
2011 Reprint of 1941 Second Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. One secret of Shinn's success was that she was always herself . . . colloquial, informal, friendly, and humorous. She herself was very spiritual . . . and taught by familiar, practical, and everyday examples. --Emmet Fox By studying and practicing the principles laid down in this book, one may find prosperity, solve problems, have better health, achieve personal relations-in a word, win the game of life. --Norman Vincent Peale "The Game of Life and How to Play It", by Florence Scovel…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Thompson was a photographer from Kansas who went to Europe to cover the First World War and found himself in Russia as 1917 dawned. His book is drawn from letters he wrote home to his wife Dot, and his eyewitness reporting is better than his analysis. His account of the day police opened fire on protesters in Petrograd with machine guns is chilling. Thompson believed that the Germans were behind the revolution, which wasn’t the case, but his photos of soldiers and barricades and protesters amount to a great visual document of the moment. Read this in conjunction with Runaway Russia, by Florence MacLeod Harper, a magazine reporter with whom he teamed up to cover the revolution.
A few years before I had been husking corn in Kansas. For a few seconds I could not speak a word. The first thing that came into my mind was this King Albert, I said, I have never met a king before in my life. (it was hard enough for me to hold a pair of jacks in a poker game.) I do not know what to say except to tell you that I am here and what I want to do. I then ex plained that the world at large would believe the…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
Most art in the Renaissance was commissioned by specific patrons and this book superbly illustrates the complex interaction among patron, artist, and society by focusing on the greatest patron of art and architecture in fifteenth-century Florence. Cosimo de’ Medici was the most powerful figure in the city’s political and economic life, a fabulously wealthy banker, a devout Christian, but he had also an impeccable nose for great art. With the help of about 200 images, the book examines the religious, personal, and dynastic motivations behind Cosimo’s artistic patronage, both his direct commissions for the Medici palaces, villas, and chapels as well as his active involvement in the works officially commissioned by the republic. What you’ll get out of this book is a profound understanding of how art was commissioned, created, and viewed in Renaissance Florence.
Cosimo de' Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This remarkable book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron and of the patron's point of view. Recurrent themes in the commissions-from Fra Angelico's San Marco altarpiece to the Medici Palace-indicate the main interests to which Cosimo's…
As a family doctor working in aged care, I have always felt disappointed by the stereotypical portrayal of ageing in fiction. Older characters are rarely the protagonist of their own story and are more likely to be relegated to minor roles that reflect their marginalization and invisibility in society. And yet, despite their physical limitations, my older patients have taught me that it’s never too late to laugh, love, make new friends or create mischief. Bette Davis once said, “Old age ain’t no place for sissies.” Without sugarcoating ageing, I strive for authenticity and humor in my writing to offer a more uplifting and hopeful portrayal of what lies ahead.
The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.
The bestselling author of The Trouble with Goats and Sheep delivers a suspenseful and emotionally satisfying novel “infused with warmth and humor” (People) about a lifelong friendship, a devastating secret, and the small acts of kindness that bring people together.
There are three things you should know about Elsie. The first thing is that she’s my best friend. The second is that she always knows what to say to make me feel better. And the third thing…might take a bit more explaining.
Eighty-four-year-old Florence has fallen in her flat at Cherry Tree Home for the Elderly. As she waits to…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial…
