I was weaned on Cuban stories by my Havana-born mother and first visited the island in 1998. Since then, I earned a PhD in history from the Graduate Center, City University of New York–where I studied twentieth-century Cuban politics. While conducting research in Havana and Miami, I confirmed that legends were imbibed with the same fervor as café cubano.All histories are marked by tall tales, but Cubans are governed by theirs, inside and out, more than most.
Fulgencio Batista is an all-purpose villain in post-1959 Cuba. On the island, he is portrayed as a corrupt and bloody despot who ignored prostitution in towns, desperation in the countryside, and gave free reign to U.S. companies, American tourists, and the mafia. Cuban exiles, many of whom prospered during his rule, see things differently. Cuba counted a large middle class, access to American cars and radios, and one of the highest literacy rates in Latin America. Argote-Freyre’s biography adds much-needed complexity. Batista was a self-made man, born in poverty, and racially mixed. He rose to a position of power via smarts, cunning, and ruthlessness but also preserved legal gains for workers, and used the military to provide educational and medical services for poor Cubans.
Pawn of the U.S. government. Right-hand man to the mob. Iron-fisted dictator. For decades, public understanding of the pre-Revolutionary Cuban dictator ""Fulgencio Batista"" has been limited to these stereotypes. While on some level they all contain an element of truth, these superficial characterizations barely scratch the surface of the complex and compelling career of this important political figure. Second only to Fidel Castro, Batista is the most controversial leader in modern Cuban history. And yet, until now, there has been no objective biography written about him. Existing biographical literature is predominantly polemical and either borders on hero worship or launches…
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
The Machado Era (1924-1933) and the build-up of U.S. tourism are key to Cuba’s later history, but I have always found that period hard to teach. Schwartz does an admirable job of documenting the close connections between business circles in both countries, and the process by which Cuba became a playground for wealthy Americans in the ‘Teens and Twenties, fueling both deep corruption and a powerful anti-imperialism.
Pleasure Island explores the tourism industry in Cuba between 1920 and 1960, as international travel ceased to be primarily a privilege of the wealthy, incorporating the world's growing middle class. Rosalie Schwartz examines tourists' changing ideas of leisure and recreation, as well as the response of a colonial-era Spanish city turned fleshpot and endless cabaret. The tourism industry mushroomed in and around Havana after 1920, as hundreds of thousands of North Americans transformed the city in collaboration with a local business and political elite. The Depression, exacerbated by a bloody revolution in 1933, plunged the tourism industry into a downward…
