I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
I became a mother while a graduate student. Bombarded by societal expectations and advice on pregnancy, childbirth, and motherhood, I quickly combined this life experience with my scholarly interests and wrote a dissertation on Christian women and childbirth. I later began to explore expressions of religion and spirituality outside of traditional religion – a topic that found expression in my book Sacred Pregnancy. I am a professor of American Studies and Religion at Goucher College in Baltimore, MD and have a Ph.D. in Religious Studies from the University of Virginia. I hope you enjoy these books as much as I have!
Blessed Events started me on my journey to study birth and religious and spiritual meaning making.
In this book, Klassen uses an ethnographic approach to interview a wide spectrum of women who have chosen home birth and understand the act in religious terms. Placing these intimate portraits of women from a variety of religious and spiritual perspectives in the context of religious and medical theory and history, Klassen makes a strong case for birth as a site for religious and spiritual experience.
Blessed Events explores how women who give birth at home use religion to make sense of their births and in turn draw on their birthing experiences to bring meaning to their lives and families. Pamela Klassen introduces a surprisingly diverse group of women, in their own words, while also setting their birth stories within wider social, political, and economic contexts. In doing so, she emerges with a study that disrupts conventional views of both childbirth and religion by blurring assumed divisions between conservative and feminist women and by taking childbirth seriously as a religious act. Most American women who have…
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Engels provides the canonical theoretical framework for understanding how capitalism uniquely impacts women’s lives and how a more collectivized economy lays the foundation for women’s full emancipation. While many subsequent feminist and socialist scholars have disagreed with this book, The Origin of the Family is a classic that has inspired countless generations of theorists and activists.
The Origin of the Family, Private Property, and the State: in the Light of the Researches of Lewis H. Morgan (German: Der Ursprung der Familie, des Privateigenthums und des Staats) is an 1884 historical materialist treatise by Friedrich Engels. It is partially based on notes by Karl Marx to Lewis H. Morgan's book Ancient Society (1877). The book is an early anthropological work and is regarded as one of the first major works on family economics.
Following the death of his friend and co-thinker Karl Marx in 1883, Friedrich Engels served as his literary executor, actively organizing and preparing for…
bell hooks is an original thinker and approaches complex topics with pragmatism and love. I adore her straight forward writing style and her brilliant insights into our violently distorted image of masculinity and maleness.
Everyone needs to love and be loved-even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving.
In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are-whatever their age, marital status, ethnicity, or sexual orientation. But toxic masculinity punishes those fundamental emotions, and it's so deeply ingrained in our society that it's hard for men to not comply-but…
When my sister was suddenly arrested in 2017, I was thrust into an upside-down world where I had to quickly understand the severe domestic violence that she had been hiding, while also understanding the criminal legal system that was prosecuting her for killing her abuser. In order to do so, I immersed myself in experts and literature, eventually writing a memoir about the experience. These five books personally helped me understand the full scope of violence against women, whether perpetrated by an abusive person or an abusive system.
The more I learned about the social structures and constructs that perpetuate violence against women, the more I saw how deeply rooted the ideas are in the stories that we tell—the stories that we’ve been telling for centuries. Why aren’t women believed? Where do the misogynistic tropes come from?
This book shows how our culture’s origin stories have been shaped by men, and as Lesser writes, “embedded in the stories are the values and priorities we live by, and what we believe about women and men, power and war, sex and love.” What I love about this book is that it reimagines if women had been the storytellers, and empowers readers to redefine women and power.
What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?
Elizabeth Lesser believes that if women's voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories-stories that value caretaking, champion compassion, and elevate communication over vengeance and violence.
Cassandra Speaks is about the stories we tell and how those stories become the culture. It's…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
I love to read. A life-changing event in 1997, started my journey into writing and eventually into my conversion to Judaism. Many years later, I’ve come to realize that there are grains of truth in every faith tradition and I search for those truths in my own life. Currently, I have four books in print, writing under the pen names of Brenda Ray (The Hebrew Midwives Trilogy) and B. K. Ricotta (Two of a Kind and A Love So Sweet). Two other novels (Book 1 and 2 of the Econfina Creek Series) are in the works.
This book was part of my women’s studies in nurse-midwifery school at the University of Florida. It affirmed what I already knew on a soul level about how women’s senses hold unique sub-strata. We “know” but have been unable to define the “why” over the centuries. As an empath, this book resonated with me and helped me understand how my gift brought to the bedside when caring for women at the most primal moments of their lives, was innate. It taught me how to trust my instincts.
Despite the progress of the women's movement, many women still feel silenced in their families and schools. This moving and insightful bestseller, based on in-depth interviews with 135 women, explains why they feel this way. Updated with a new preface exploring how the authors' collaboration and research developed, this tenth anniversary edition addresses many of the questions that the authors have been asked repeatedly in the years since Women's Ways of Knowing was originally published.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
I started my path as a professional witch about eight years ago. As a millennial babe who loves instagram, I found my community in the aesthetic feed of stylized ritual and came out of the broom closet in 2016. I’ve forged many personal relationships over my time in that space, and have connected with some incredible witchcraft and astrology experts who helped me when I was just starting out. These books are from some of these trusted experts, and the information inside them is deliciously woo while able to be applied practically. I hope you add them to your growing grimoire library!
Feeling empowered is my mission, and Kristen Sollee gives an entire breakdown of why this is. From persecution to misogyny, witches (and women) have been demonized by the patriarchy, and it gets my engine revving! I love the history, but more than that, the actionable change we can start doing today!
Witch, Slut, Feminist: these contested identities are informing millennial women as they counter a tortuous history of misogyny with empowerment. This innovative primer highlights sexual liberation as it traces the lineage of "witch feminism" through art, film, music, fashion, literature, technology, religion, pop culture, and politics. Juxtaposing scholarly research on the demonization of women and female sexuality that has continued since the witch hunts of the early modern era with pop occulture analyses and interviews with activists, artists, scholars, and practitioners of witchcraft, this book addresses and illuminates contemporary conversations about reproductive rights, sexual pleasure, queer identity, pornography, sex work,…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
To say I had high expectations of this book would be an understatement and it certainly delivered!
Although quite niche, this book gives us a detailed look into professional women and women scientists, among other roles, in 1950s Science Fiction B movies.
Although we often believe that more recent films are more progressive, Noonan shows how even gender limitations in the 1950s still provided room for qualified women to shine in different scientific fields, both in traditional and pioneering roles. She also studies how women could have important roles at the periphery of science like computer operators or darkroom technicians.
This book proposes that the social ideology of the 1950s, which was partly concerned with gender issues, saturated the ""B"" science fiction films of that era and inspired a new appreciation for the role of women in scientific advancements and other social achievements. Drawing on feminist literary and cultural theory, the author offers detailed, historically situated readings of 10 films and compares cinematic representations with real female professionals of the time.
