I’m an author of Young Adult Fantasy fiction. When my oldest was six, I started reading Harry Potter to him. It was such a bonding experience that we both cherish. We still talk about the stories, even though he's all grown up and lives away from me most of the time. The thing about fantasy is that stories set in worlds or with people that don’t actually exist make it easier for us to swallow deep meanings, storylines with which we can identify, and that crawl deep down into our souls and nest there. It’s not just about escaping into a fantasy world, but about finding human experience in otherworldly situations and characters.
Have you ever met someone for the first time, and felt like you’d known them forever? I have. On multiple occasions. Not just love interests, but friends, mentors, and others who have come and gone from my life at times when they were most needed. This particular story struck me hard as something I can identify with in this way, as it explores that phenomenon, and takes it one step farther toward the possibility of reincarnation, and the idea that we all have a single soulmate who we are meant to meet in every lifetime. I loved this idea, and it was well done enough to—again—still stick in my memory years later.
Haven Moore can't control her visions of a past with a boy called Ethan and a life in New York that ended in fiery tragedy. In our present, she designs beautiful dresses for her classmates with her best friend Beau. Dressmaking keeps her sane, since she lives with her widowed and heartbroken mother in her tyrannical grandmother's house in Snope City, a tiny town in Tennessee. Then an impossible group of coincidences conspire to force her to flee to New York, to discover who she is, and who she was.
In New York, Haven meets Iain Morrow and is swept…
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
I think Dior has been my favourite designer since I studied fashion journalism at the London College of Fashion and discovered his iconic 1947 New Look.
I remember going to the Golden Age of Couture exhibition at the V&A in 2007 and being mesmerised by his designs - I now have one of the installations hanging on my dressing room wall.
This book captures the highlights of the museum’s 2019 exhibition Christian Dior: Designer of Dreams, which celebrated the House of Dior from its foundation in 1947 to the present day.
I went home determined to - one day - own a piece of Dior.
Capturing the highlights of the major Victoria and Albert Museum exhibition, Christian Dior: Designer of Dreams, this stunning souvenir celebrates the House of Dior from its foundation in 1947 to the present day. Haute-couture gowns by Christian Dior and the illustrious creative directors who followed him -Yves Saint Laurent, Marc Bohan, Gianfranco Ferre, John Galliano, Bill Gaytten, Raf Simons and Maria Grazia Chiuri-are showcased here, each described by Oriole Cullen and atmospherically photographed by Laziz Hamani.
As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.
A landmark in fashion history, this riveting book captures the way that generations of young women shaped campus style at elite women’s colleges, the significance of clothes among women collegians, and the impact that women college students had on style in general. Photos and text suggest the semiotics of saddle shoes and Shetland sweaters, of blazers and Bermuda shorts. Clothes on campus, the book reveals, embody status and aspiration. Cool and savvy, college women steadily affected trends in the fashion industry.
Elite and prestigious, the Seven Sisters Style is synonymous with a collective sheen of exclusivity, intelligence, and a way of dressing that would become a marker of national pride and status all over the world. From jeans and baggy shirts, bermuda shorts to blazers, soft Shetland sweaters to saddle shoes, not to mention sleek suiting, pearls, elegant suitcases and kidskin gloves for weekend trips to neighboring Ivies and crinolines, kitten heels and cashmere for parties and dances, the women of the Seven Sisters perfected a flair that spoke to a splendidly aspirational lifestyle, filled with travel and excitement. Recently, it…
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
After the death of Lee Alexander McQueen in 2010, I was fortunate to meet his sister Janet and do an interview with her for the Mail on Sunday.
I was later invited to the launch of the V&A’s exhibition Savage Beauty alongside Lee’s brothers and sisters. This book reminds me of Lee’s extraordinary talent and a very special evening.
Celebrating the astounding creativity and originality of designer Alexander McQueen, who relentlessly questioned and confronted the requisites of fashion
"An authoritative and moving insight into the legacy of the British designer."-Carola Long, Financial Times
"McQueen's brilliance is celebrated in this sumptuous tome."-Harper's Bazaar
"Excellent."-Huffington Post
Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer's career, from the start of his fledgling label to the triumphs of his own…
My fascination with Audrey Hepburn formed at an early age. My mother used to regale me with stories about taking trips to her local theater to watch My Fair Lady or seeing models at mall fashion shows sporting Audrey’s mod-inspired hairstyle from How to Steal a Million. Hearing these memories made Audrey feel familiar, like a distant relative and not an untouchable Hollywood movie star. As a child, I watched her movies, and over time, I began collecting books, vintage magazines, and photographs. In 2010, I created my website, Rare Audrey Hepburn, with the intention of sharing my discoveries with fellow Audrey fans.
The names Audrey Hepburn and Hubert de Givenchy are inextricably linked. Their union transformed the bond between two industries: fashion and film. This book wasn’t just a reference source for me; it has been a point of inspiration since it first arrived in my library many years ago.
I am a longstanding admirer of Givenchy and his timeless creations. His legacy is a testament to his dedication to quality construction, clean lines, and unique details. This book is an intimate look into Hubert’s life narrated in his own words and told through stunning photos showcasing his beautiful clothes and his ornately decorated homes. Each page makes it more evident why Audrey and Hubert weren’t just friends but fashion soulmates.
The private life of this famous Parisian stylist is presented through newly published photos of Givenchy's homes, along with a review of his painting, art, and furniture collections, and examines how his private life has influenced his fashion design.
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
Przybryszewski,
a history professor at Notre Dame, had me from the start where she says she’s
probably the only person to have spoken to the Supreme court wearing a ’suit
that won a blue ribbon at a country fair.” Taking American fashion back to the
Home Economics taught at Land Grant Universities and subsequently, at high schools, Przybryszewski argues that knowing how to sew was not just a
practical skill, but also made us better consumers.
Making our own clothes
might have seemed like drudgery, but it was empowering and now that most of us
don’t have those skills, we’re literally slaves to fashion… we can’t tell
high-quality from low quality, we can’t put in pockets when we need them… and
nothing, nothing is ever our exact size. This is a book that will make you want
to learn to make your own clothes… or at least cast a far…
As a glance down any street in America quickly reveals, American women have forgotten how to dress. We chase fads, choose inappropriate materials and unattractive cuts, and waste energy tottering in heels when we could be moving gracefully. Quite simply, we lack the fashion know-how we need to dress professionally and flatteringly.As historian and expert dressmaker Linda Przybyszewski reveals in The Lost Art of Dress , it wasn't always like this. In the first half of the twentieth century, a remarkable group of women,the so-called Dress Doctors,taught American women how to stretch each yard of fabric and dress well on…
My passion is writing. I started writing when I was 10 years old and my passion was reignited by my 11-year-old son. Writing runs in my blood as my late father was a journalist and the first black editor of the Zambia Daily Mail and my late brother was a poet. To date, I have published 17 children's books. I love writing children’s books with a positive message and also to make them laugh and entertained.
This is a lovely book with beautiful illustrations. Kids will learn that nothing is impossible as long as their parents are there to encourage them. It really hit home as I am a father and have 3 kids, my son has a dream of becoming a professional soccer player, my firstborn daughter has a dream of becoming a renowned fashion designer and my 2nd born daughter wants to be a world-famous make-up artist. I encourage them all the way and this book just drives that point further.
Royal, A Divine Design…Dream your Dreams and Push Through is about a boy who experiences challenges in the form of criticism, rejection, and physical limitations that should’ve caused him to quit on life. Instead, he determines in his heart that he will embrace his uniqueness and dream to inspire others. Through his journey, he understands that he is special and that all things are possible if you believe. His determination, courage, and hope will inspire you to not only embrace your own uniqueness, but the uniqueness of others. So, no matter what challenges you face, you can Dream your Dreams…
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
I’ve long felt more powerful, confident, and chic wearing a well-cut suit. But why? Sex and Suits expressed and explained my own vague intuitions about the power of significance of clothing. Hollander explains that the suit is perhaps the most ubiquitous symbol of modernity. Discussing the evolution of fashion—particularly men’s fashion—she shows how the suit is both a practical, streamlined, and unassuming garment and the ultimate status symbol.
Since the dawn of western fashion in the Middle Ages, women's dress has never stopped evolving, yet menswear has seen far fewer style revolutions. At the centre of the male wardrobe is the suit: relatively unchanged since the 17th century, its cut and cloth suggest athleticism, seriousness, sexuality and strength - qualities which contrasted with the perceived superficiality and frivolity of female dress, and eventually led to the adoption of the suit into the female wardrobe where it remains to this day.
In Sex and Suits brilliant essayist and art critic Anne Hollander charts the development of men's and women's…
As a humorous cozy mystery author, apparitions as characters are critically important members of my cast. I have introduced two ghosts—the dead wife and young daughter of one of the men in my protagonist’s life as continuing characters in my Holly Swimsuit Mystery Series. They serve as an important yet hysterically funny bridge that connects the main character’s past to her present life and creates an extra layer of conflict in her relationship with the widower and where she wants it to go.
Maybe it was fond memories of my own dearly-departed wise Nana that made me fall in love with Meemaw, Texas fashion designer Harlow Jane Cassidy’s ghostly granny as she worked from the Great Beyond to help her granddaughter solve a murder and clear her as the number one suspect. Give me a gal who inherits magical power and has to think on her feet when a crisis comes calling, and she has to use it.
Part paranormal, part mystery, part second chance at life and love, this is a woo-woo-infused fun trip to Never-neverland.
When her great-grandmother passes away, Harlow Jane Cassidy leaves her job as a Manhattan fashion designer and moves back to Bliss, Texas. But when she opens a dressmaking boutique in the turn-of-the-century farmhouse she inherited, Harlow senses an inexplicable "presence". Is Meemaw really gone, or she now Harlow's ghostly roommate?
Her old friend Josie orders a gown for her upcoming wedding, but when Josie's boss turns up dead, Harlow has to find the killer-with a little help from beyond.
There are days when it seems like all I do is imagine what the future holds. I love reading “wonder tales,” as I’ve heard Margaret Atwood call them – novels that imagine how our world might change or fantasize about completely different realms. At the same time, they reflect on conditions in our world today. That’s what I do with my own creative writing. I was trained to think about the future as a journalist, talking with media executives about how their content and technology are evolving. My stories have appeared in Asimov's; they’ve been selected by the Writers Lab for Women; and my novel The Juice was published in February.
This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.
THE THIRD NOVEL IN THE BLUE ANT TRILIOGY - READ PATTERN RECOGNITION AND SPOOK COUNTRY FOR MORE
Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants to uncover the maker of an obscurely fashionable denim that is taking subculture by storm. Ex-musician Henry Hollis knows nothing about fashion, but Bigend decides she is the woman for the job anyway.
Soon, though, it becomes clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get what they want, are showing their hand. And Hollis is…
