I’m a Scottish journalist. In the 1980s, I studied German at Karl-Marx University in Leipzig, East Germany. It was a fascinating experience that changed my perceptions of the world. I didn’t become a communist, but I did begin to see that where you stand depends on where you sit and that principles are easy to maintain when it costs you nothing to do so. There was a bleak glamour to East Germany that I loved, and so I decided to set my first novel in the shadowy world of intense personal connections, underground artists, and unofficial informers that I’d found in Leipzig.
Set in 1955-56, The Architects by German-Jewish author Stefan Heym is a rare find. It delivers a stark portrait of East Germany in the period around Khrushchev’s “secret speech” denouncing Stalin, which Heym lived through. The author uses the politics of architecture to expose hypocrisy and personal jealousy in the new “anti-Fascist” German state. At the heart of the book is a devastating personal betrayal that gives the lie to communist claims of moral superiority. Written in the 1960s’, The Architects is a searing critique of the New Germany by a convinced socialist. This helps explain why Heym wrote it in English and did not publish it until 2000, a year before his death, in his own German translation.
Written between 1963 and 1966, when its publication would have proved to be political dynamite - and its author's undoing - this novel of political intrigue and personal betrayal takes readers into the German Democratic Republic in the late 1950s, shortly after Khruschev's ""secret speech"" denouncing Stalin and his methods brought about a ""thaw"" in the Soviet bloc and, with it, the release of many victims of Stalinist brutality. Among these is Daniel, a Communist exile from Hitler who has been accused of treachery while in Moscow and who now returns to Germany after years of imprisonment. A brilliant architect,…
I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.
This is the best book I know (even better than a complex spy thriller!) about what the Berlin Wall meant to individual East Germans.
I first read this novel about divided lovers in a West German edition back in the 1980s, when the “other” Germany still existed. I have often used the book in classes since then because I like it so much, enjoying it more and more as I peeled back the layers, admiring how cleverly Christa Wolf interweaves the personal and political.
She talks about “this strange stuff called life,” and that is one of the things I most love about the book: how it makes things that are apparently obvious and familiar seem strange.
First published in 1963, in East Germany, They Divided the Sky tells the story of a young couple, living in the new, socialist, East Germany, whose relationship is tested to the extreme not only because of the political positions they gradually develop but, very concretely, by the Berlin Wall, which went up on August 13, 1961. The story is set in 1960 and 1961, a moment of high political cold war tension between the East Bloc and the West, a time when many thousands of people were leaving the young German Democratic Republic (the GDR) every day in order to…
I love the way Franzen develops characters—they get introduced, you form impressions of them, and then you find out that those impressions are wrong, or at least just superficial looks into much deeper and messier lives.
The Sunday Times bestseller from the author of Freedom and The Corrections
Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.
Enter the Germans. A glancing encounter with a German peace activist leads…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
A young Australian, Anna Funder, places an advertisement in the newspaper to find resistors and enforcers of the brutal East German regime, the Stasi. This naïve, but bold act leads her on a path to discover tales that reverberate through time.
Similarly, I felt ill equipped to face vestiges of censored war crimes, historical documents, and fragments of memory, but, inspired by Funder’s curiosity and dedication, I pressed on.
“Stasiland demonstrates that great, original reporting is still possible. . . . A heartbreaking, beautifully written book. A classic.” — Claire Tomalin, Guardian “Books of the Year”
Winner of the Samuel Johnson Prize for Non-Fiction: a powerfully moving account of people who heroically resisted the communist dictatorship of East Germany, and of people who worked for its secret police, the Stasi.
Anna Funder delivers a prize-winning and powerfully rendered account of the resistance against East Germany’s communist dictatorship in these harrowing, personal tales of life behind the Iron Curtain—and, especially, of life under the iron fist of the Stasi, East…
I’m a Scottish journalist. In the 1980s, I studied German at Karl-Marx University in Leipzig, East Germany. It was a fascinating experience that changed my perceptions of the world. I didn’t become a communist, but I did begin to see that where you stand depends on where you sit and that principles are easy to maintain when it costs you nothing to do so. There was a bleak glamour to East Germany that I loved, and so I decided to set my first novel in the shadowy world of intense personal connections, underground artists, and unofficial informers that I’d found in Leipzig.
In Times of Fading Light is a masterful five-decade family saga that melds the personal and the political to create a fascinating portrait of East Germany before and after the fall of the Berlin Wall. Intelligent, fearless, and full of dark humor, it is both an ingeniously structured page-turner, moving back and forward in time, and a literary tour de force. Eugen Ruge was a 35-year-old playwright when the Wall fell, and In Times of Fading Light, published in 2011, was his first novel. It provides a rich understanding of how people lived and loved in East Germany that scotches both nostalgia for the old East and Western clichés. Shining a bright light into the darker corners of family dynamics, it is also a tale with universal resonance.
I’m a Scottish journalist. In the 1980s, I studied German at Karl-Marx University in Leipzig, East Germany. It was a fascinating experience that changed my perceptions of the world. I didn’t become a communist, but I did begin to see that where you stand depends on where you sit and that principles are easy to maintain when it costs you nothing to do so. There was a bleak glamour to East Germany that I loved, and so I decided to set my first novel in the shadowy world of intense personal connections, underground artists, and unofficial informers that I’d found in Leipzig.
Kairos is the story of an affair between a late-middle-aged man and a young woman set in the dying days of the German Democratic Republic. The disappearing nation is almost incidental to the main plot, which charts the peaks and troughs of an unequal and sometimes abusive relationship. For me, this light touch says everything about what it was like to live in East Germany. People were mainly just getting on with their lives, as they do everywhere. The book’s closing chapters explore emotions that were too often overlooked in the rush towards reunification: the dismay and disorientation that afflicted many East Germans, especially older ones, as their institutions were dismantled and they became foreigners in their own land.
Eine ganz und gar epische Erzhlerin eine der kraftvollsten Stimmen der deutschsprachigen Gegenwartsliteratur. NZZ am Sonntag ber Jenny ErpenbeckDie neunzehnjhrige Katharina und Hans, ein verheirateter Mann Mitte fnfzig, begegnen sich Ende der achtziger Jahre in Ostberlin, zufllig, und kommen fr die nchsten Jahre nicht voneinander los. Vor dem Hintergrund der untergehenden DDR und des Umbruchs nach 1989 erzhlt Jenny Erpenbeck in ihrer unverwechselbaren Sprache von den Abgrnden des Glcks vom Weg zweier Liebender im Grenzgebiet zwischen Wahrheit und Lge, von Obsession und Gewalt, Hass und Hoffnung. Alles in ihrem Leben verwandelt sich noch in derselben Sekunde, in der es geschieht,…
