Edsel tells the very dramatic story of how Allied art experts, known as the Monuments, Fine Arts, and Archives (MFAA) or Monuments Men, raced through Italy to rescue art masterpieces and to secure endangered monuments during the Nazi retreat in 1944. A special focus on the cities of Naples, Rome, Florence, and Pisa’s treasures.

I was especially fascinated by the story of Frederick Hartt, who loved Florentine art and risked his life to reach the city then pursued the lost artworks in a race across Italy into Austria to return them. Many of the artworks the Monuments Men saved are the treasures we see in Italy’s museums today.

The key contribution of this book was the systemic understanding of cultural heritage. The collected articles and case studies represent a holistic and integrated concept of cultural heritage. Seeing cultural heritage as a social and political construct, as the authors describe it, opened the door for two new approaches:

First, the integration of different types of heritage that are usually treated separately, e.g., intangible heritage, tangible heritage, etc. And, second, starting to focus on the social parts of cultural heritage, basically the role of people. In my personal view all heritage is only relevant if it is relevant to people, and this book helped me to shape this conviction.

I truly admire how the author connects the different government levels and doesn't shy away from the obvious complexity this brings forward. This big-picture approach is a refreshing alternative to many case-focused articles and books and naturally speaks to my… show more.

Plunder combined three of my favorite things in one unputdownable story: art history, Italy, and the Napoleonic Era.

Veronese's enormous Wedding Feast at Cana, painted for the refectory wall at San Giorgio Maggiore in Venice, was seized with other masterpieces when Napoleon overcame the Austrians and wouldn't take Venice's neutrality as an answer. To this day it hangs in the Louvre, largely (pun intended) ignored because it’s opposite the Mona Lisa.

Salzman traces the common historic habit of swooping in like vultures during wartime to build one’s art collection, and for the first time I understood why Hitler thought himself justified in his own artistic pilfering!

The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.

It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.

I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.

This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.

Climate change and urban transformation are global phenomena. It is, therefore, always great to broaden your horizons and learn from other regions of the world.

This book from Simone Sandholz offers great insights into the situation in Asia and Latin America, both regions with a strong dynamic of urbanization and urban centers where high density with correlating high diversity of sometimes conflicting urban functions meet urban cultural heritage. She embraces a holistic understanding of this heritage and focuses on the integration of heritage in urban planning and development.

I highly recommend this book not only for scholars and students who are working on urban issues in Asia and Latin America but also for any urban planner, urban analyst, urban geographer, or heritage scientist who wants to learn from experiences in these parts of the world.

For me, this book opened my eyes to the challenges that urban centers in Asia… show more.

I wish I could say otherwise but I related to this book personally, in ways that were both painful and visceral. The author handles difficult and sensitive topics very well, such that reading this work became it's both cathartic and emotionally healing. She also captures an important aspect of "educated" Black culture.

Brookes is an expert on China, who has written 3 marvelous spy thrillers set therein.

Turning his attention to non-fiction, he tells the amazing tale of how a handful of brave men, led by Mai Heng, saved – during the 30s and 40s – the most priceless artifacts and artworks of Chinese civilization from the ravages of war. It is a tale of dedication, pluck, heroism, and later, tragedy. 

Brookes writes masterfully, and weaves a tale of Chinese history, culture, and politics into his larger narrative. He brings the drama, personalities, and context of his key characters to life, or more fairly, larger than life.  Brookes’ book is like a version of China meets The Monuments Men. A really masterful achievement!

I have to admit that it’s the title that drew me to this book in the first place. As a retired English teacher, the word Librarians intrigued me. A true story, The Bad-Ass Librarians opened up a whole new world of manuscripts over 500 years that I never knew existed! The courage of the preservers of these works surprised and humbled me. But, it is also a historical history of smugglers and the heroic actions of the dedicated people of Timbuktu to preserve their heritage even if it meant their death. You won’t be able to put this down.

This book has the best illustrations of the two main cities of antiquity that l have ever seen. Besides superb photographs (all in colour) of the ruins today, they include Peter Connolly’s brilliant reconstructions of buildings of all sorts: houses, palaces, baths, temples, forums, hippodromes, theatres, amphitheaters, insulae (blocks of flats), bars and aqueducts, plus styles in furniture, clothing, and hair. All are shown in colourful detail, many with cutaway illustrations that recreate city life of 2000 years ago with wonderful vividness. They are complemented by Dr. Hazel Dodge’s lucid, informative text. The first part covers Athens at its democratic peak under Pericles around 434BC, the second Rome at its imperial zenith some 500 years later, when it was the greatest city on earth.

This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.

The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.

It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.