What's not to love about Jane Austen? She amuses, informs, instructs, and surprises us in her work. I've read her books more than once, and each reading is more delightful and meaningful.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
Despite the Shakespearian name, Much Ado About
Nada is a Persuasion retelling set in the Muslim-Canadian community
of Toronto. Nada, a sometimes prickly character, navigates family, friendship, and lost love, while trying to take back control of a wildly successful app she
created that was stolen from her.J
alaluddin is as good writing at those early, heady
days of young courtship as she is at the sharp pining of a couple finding their
way back to each other.
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Clement explores the working class environment that produced what we think of as “normal” relations between young men and women.
The commonly used term at the time, “treating,” has disappeared. But in the early 20th century this practice, which shared some features with prostitution, turned a search for fun, gendered scripts, and wage discrepancies between men and women into the general model of what would become the classic practice of dating.
The intense urbanization and industrialization of America's largest city from the turn of the twentieth century to World War II was accompanied by profound shifts in sexual morality, sexual practices, and gender roles. Comparing prostitution and courtship with a new working-class practice of heterosexual barter called ""treating"", Elizabeth Alice Clement examines changes in sexual morality and sexual and economic practices. Women ""treated"" when they exchanged sexual favors for dinner and an evening's entertainment or, more tangibly, for stockings, shoes, and other material goods. These ""charity girls"" created for themselves a moral space between prostitution and courtship that preserved both sexual…
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
This is a brilliant book that you will want to read in print—not digitally—because, for every single page of Jane Austen’s classic novel, there is an accompanying page of annotations. This is a great book if you want to dive deeper into Pride and Prejudice. The annotations include pictures of carriages and locations in the novel; historical details that helped me understand property laws, relationships, and societal expectations; definitions and connotations of how words were used in Austen’s time, and much more. It’s written in a very readable style, and you can either read it from start to finish or skip around to your favorite passages.
Product Description This first-ever fully annotated edition of one of the most beloved novels in the world is a sheer delight for Jane Austen fans. Here is the complete text of Pride and Prejudice with more than 2,300 annotations on facing pages, including: Explanations of historical context Rules of etiquette, class differences, the position of women, legal and economic realities, leisure activities, and more. Citations from Austen’s life, letters, and other writings Parallels between the novel and Austen’s experience are revealed, along with writings that illuminate her beliefs and opinions. Definitions and clarifications Archaic words, words still in use whose…
I identify as a member of the GLBTQ+ community. My husband and I had a church wedding. I have written several stories that have GLBTQ+ representation and are love stories. I have also read and familiarized myself with many GLBTQ+ children’s books.
I personally like this book because there are very few picture books representing two women falling in love and getting married. This book celebrates two women, a courageous maiden who attends a royal party, and while there, she ends up finding love with the princess.
This fairytale is written with themes of acceptance and love.
In this modern fairy tale, a strong, brave maiden is invited to attend the prince's royal ball, but at the dance, she ends up finding true love in a most surprising place.
"The prince is smart and strong,"
she confided in her mother.
"But if I'm being honest,
I see him as a brother."
Her mother said, "Just go!
And have a bit of fun.
The prince might not be right,
but you could meet the one."
Once in a faraway kingdom, a strong, brave maiden is invited to attend the prince's royal ball, but she's not as excited to…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
While we can hardly think about couples today without the idea of dating, the practice was new and very edgy in the early 20th century.
Beth Bailey shows how the classic “dating and rating” complex emerged and became not just accepted but expected among middle-class couples. She also takes us through the transition to the “going steady” complex later in the century.
"Whether or not we've come a long way since then, this engaging study of courtship shows that at least half the fun is in reading about getting there."--'St. Louis Post-Dispatch.'
I identify as a member of the GLBTQ+ community. My husband and I had a church wedding. I have written several stories that have GLBTQ+ representation and are love stories. I have also read and familiarized myself with many GLBTQ+ children’s books.
I would highly recommend this book because it is written and illustrated as an animated fairy tale. It is a sweet and charming love story between a prince and a knight.
A prince looks for a partner, but after a dragon approaches the kingdom, the prince prepares to battle the dragon and protect his kingdom. A knight comes along who not only helps capture the dragon but saves the prince’s life. The two fall in love, return to the palace, get married, and live happily ever after.
"Victorious... the premier queer-friendly fairy tale for this age set." KIRKUS REVIEWS
"An illuminating fairy tale for young readers... a great addition to any library or classroom." THE SCHOOL LIBRARY JOURNAL
Once upon a time there lived a charming prince. His parents knew he couldn't rule the kingdom alone, so the three of them set out on a long journey across the land, to find him a suitable bride. But it soon became clear that the Prince was looking for something very special, and none of the princesses were right for him.
Then, when a terrible dragon threatens the kingdom,…
I love stories that offer a journey of self-discovery within a magical world, and Gaiman’s Stardust does just that. It follows the tale of a young man who crosses into a realm of magic to find a fallen star for his beloved, only to uncover truths about himself and the nature of love. Gaiman’s language is rich and poetic, immersing you in this magical land without losing a dark, whimsical tone. It’s paced like a fairy tale, yet there’s a maturity to it that’s deeply resonant for adult readers.
I’m drawn to Gaiman’s ability to weave myth and reality seamlessly, a balance I strive for in my own work. This book is ideal for anyone who loves a story that combines adventure with introspection, or fairy tales with a more adult perspective.
Now a major motion picture—this charming fairy tale by the #1 New York Times bestselling author, weaves a magical story set long ago in the tiny English village of Wall, a place where things are not quite what they seem.
Go and catch a falling star . . .
Tristran Thorn promises to bring back a fallen star for his beloved, the hauntingly beautiful Victoria Forester—and crosses the wall that divides his English country town from another, more dangerous world of lords and witches, all of them in search of the star. Rich with adventure and magic, Stardust is one…
I took a chance on a new (to me) author this year. It wasn’t a completely random pick as I’ve enjoyed other books from the same publisher. This was easy to select as one of my recent favorites. Her hero is channeling Mr. Darcy with his poor first impression and subsequent attempts to forge a relationship with the endearingly sympathetic heroine. I’ve already read a second book by Megan Walker and plan to seek out more.
Brighton, England 1820 Amelia Moore wants only one thing--to secure the future happiness of her younger sister, Clara. With their stepfather's looming death, the two sisters will soon be on their own--without family, a home, or a penny to their names. When an invitation arrives to join a house party at Lakeshire Park, Amelia grasps at the chance. If she can encourage a match between Clara and their host, Sir Ronald, then at least her sister will be taken care of. Little does she know that another guest, the arrogant and overconfident Mr. Peter Wood, is after the same goal…
Hi! I'm Maxine Kaplan and I'm a writer who is also a genre magpie. My favorite thing to do as a writer is to take a background character, or non-playable characters in gamer-speak, and make them real. What’s an archetype? It’s a type. A character described by their occupation—the princess; the femme fatale; the tavern wench (ahem)—basically the tropey background players that nobody feels the need to unpack as idiosyncratic individuals, with vibrant inner lives. This list is full of books that do this sooooo well.
This book combines a lot of potentially tired gothic signifiers into one slim package. You’ve got the tortured ghost of the young mother. The scarred young shut-in nearing spinsterhood. The domineering aunt tasked with marrying her off. The cold and distant father just as eager to unload her. However, none of these tropes go where you expect them to go. Iseult Wince, the titular unsuitable young woman, has an inner life and motivations that are deeply weird—borderline horrifying, but most importantly, weird, and all her own. Spinsterhood is the least of her problems.
Molly Pohlig's The Unsuitable is a fierce blend of Gothic ghost story and Victorian novel of manners that’s also pitch perfect for our current cultural moment.
Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck.
Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take…
