Twenty-five years ago, I began to study Nahuatl, the language once spoken by the Aztecs—and still spoken today by more than a million Indigenous people in Mexico. This has opened up to me a world of great excitement. After the Spanish conquest, many Aztecs learned the Roman alphabet. During the day, they used it to study the texts presented to them by the Franciscan friars. But in the evenings, they used it to transcribe old histories recited for them by their parents and grandparents. Today we are beginning to use those writings to learn more about the Aztecs than we ever could before we studied their language.
Many people don’t realize that there were Indigenous people who chose to side with the Spaniards.
If they had reasons of their own to support the powerful outsiders, they sometimes did so. One such man had a great-great-grandson who became a writer in colonial Mexico. He took the family stories and did some research of his own, and then wrote this compelling account of the decisions his ancestor made and the actions he took.
I love his pride! (Warning: you have to like battle scenes to like this one.)
For many years, scholars of the conquest worked to shift focus away from the Spanish perspective and bring attention to the often-ignored voices and viewpoints of the Indians. But recent work that highlights the "Indian conquistadors" has forced scholars to reexamine the simple categories of conqueror and subject and to acknowledge the seemingly contradictory roles assumed by native peoples who chose to fight alongside the Spaniards against other native groups. The Native Conquistador-a translation of the "Thirteenth Relation," written by don Fernando de Alva Ixtlilxochitl in the early seventeenth century-narrates the conquest of Mexico from Hernando Cortes's arrival in 1519…
I fell in love with historical novels as a kid somewhere between reading Johnny Tremain and Ben and Me (from the point of view of a mouse living in Ben Franklin’s hat) in elementary school and Mika Waltari’s The Roman and The Egyptian and Lew Wallace’s Ben-Hur in junior high. And that love led me to write After the Lost War, a historical novel in verse based on the life of the poet Sidney Lanier, who served in the confederate army in the civil war, survived to start a family and died from tuberculous he contracted as a prisoner of war.
Mixtli, an elderly Aztec lord captured by the Spanish, is reluctantly questioned by a Catholic bishop charged with reporting to the king of Spain about the customs and mores of his new unwilling subjects. The bishop is repulsed and appalled by the violent history and, to his mind, sexual looseness of the Aztecs while blind to the violent depredations of the conquistadors who protect him. But the story that outrages the bishop is for the reader a spectacular tragic saga of the end of the Aztec empire from the point of view of the conquered and a telling of what was lost.
Gary Jennings's Aztec is the extraordinary story of the last and greatest native civilization of North America.
Told in the words of one of the most robust and memorable characters in modern fiction, Mixtli-Dark Cloud, Aztec reveals the very depths of Aztec civilization from the peak and feather-banner splendor of the Aztec Capital of Tenochtitlan to the arrival of Hernán Cortás and his conquistadores, and their destruction of the Aztec empire. The story of Mixtli is the story of the Aztecs themselves---a compelling, epic tale of heroic dignity and a colossal civilization's rise and fall.
"Enrigue’s genius lies in his ability to bring readers close to its tangled knot of priests, mercenaries, warriors and princesses while adding a pinch of biting humor." --Silvia Moreno-Garcia, Los Angeles Times
“Riotously entertaining... A triumph of solemnity-busting erudition and mischievous invention that will delight and titillate.” --Financial Times
From the visionary author of Sudden Death, a hallucinatory, revelatory colonial revenge story.
One morning in 1519, conquistador Hernán Cortés enters the city of Tenochtitlan – today's Mexico City. Later that day, he will meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures.…
I was born in Santa Fe to families with long histories in the southern region of the state. It was my grandfather, Louis Whitlock, a state senator, who headed the legislation that landed Carlsbad this monument of folly.
My childhood was shaped by the reality and beauty of the state. The books I’ve chosen are dear to me because they reflect familial lore. It is a state I love, a state I hope every American visits at least once. Yet much of its reality is obscured by pottery and rugs, Lucchese boots and impressive architecture. These books, I hope, offer a counterbalance, so that anybody touring the state can appreciate its complex culture and history.
In the United States, New Mexico is a habitual contender for both poorest and most violent/dangerous.
Stan Hoig’s comprehensive examination of the conquistador expeditions into the region leads one to believe the place never had a chance. Men like Nuno Beltrán de Guzmán and Coronado worked under the guise of spreading the word of God to the New World.
The reality is much different: the kingdom of Castile had bankrupted itself with their defeat of the Moors on the Iberian Peninsula. What Spain really needed was gold, and the kingdom was willing to do anything to stay solvent. From its inception, what we now know as New Mexico had little time for justice: justice takes time.
For anybody planning a visit to New Mexico—and its natural beauty is, to my mind, second-to-none—Came Men on Horses provides a pivotal, historical context to its continued milieu.
Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors--Francisco Vazquez de Coronado and Don Juan de Onate--on their journey across the southwest.
Driven by their search for gold and silver, both Coronado and Onate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
I love Oxford’s Very Short Introductions series (I have co-authored two books in the series, on The Conquistadors and on The Maya), and this is one of my favorite volumes in the series. It is a book I often use in the classroom and as a reference. Carrasco writes with clarity and wit, managing both to introduce readers to the Aztecs as well as to take us more deeply into various aspects of their history and culture. He has written a great deal on the Aztecs, particularly on their religion, and his depth of knowledge shows—but is not showy. His interpretation of Aztec culture is different from Townsend’s (and, to some extent, mine), but not confusingly so; in other words, you could read both this book and her Fifth Sun, get a sense of how scholars grapple with the tricky evidence that has survived, with both authors helping…
This Very Short Introduction employs the disciplines of history, religious studies, and anthropology as it illuminates the complexities of Aztec life. Readers meet a people highly skilled in sculpture, astronomy, city planning, poetry, and philosophy, who were also profoundly committed to cosmic regeneration through the thrust of the ceremonial knife and through warfare. David Carrasco looks beyond Spanish accounts that have colored much of the Western narrative to let Aztec voices speak about their origin stories, the cosmic significance of their capital city, their methods of child rearing, and the contributions women made to daily life and the empire. Carrasco…
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
To complement the perspectives of historians and art historians, Carballo’s book offers the viewpoint and skills of an archaeologist. But Collision of Worlds is far from being a field report from a dig. Instead, Carballo combines the sources and methods of historians and archaeologists to present a thorough and deep-rooted account of the two civilizations that met in Mexico five hundred years ago, giving the reader a more extensive background on the Iberian and Mesoamerican past than the other books I have selected. Like the other books I have chosen, this is recent work, and thus together these books all represent slightly different takes on the topic.
Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cortes joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec Empire. It served as a template for the forging of much of Latin America and initiated the globalized world we inhabit today. The violent clash that culminated in the Aztec-Spanish war of 1519-21 and the new colonial order it created were millennia in the making, entwining the previously independent cultural developments of both sides of the Atlantic.
Keith Foskett has hiked around 15,000 miles on classic hiking trails including the Pacific Crest Trail, El Camino de Santiago, and the Appalachian Trail. He has written four books, and contributes to various outdoor publications. Having once been described as an anomaly (it was apparently a compliment), he now divides his time between walking, cycling, and delving into the merits of woollen underwear.
The first line of the description roused my curiosity with this one: "Richard Grant has never spent more than twenty-two consecutive nights under the same roof." Curious about his own wanderlust, and theorising that America is full of wanderers, he went out to prove it. Delving into the whys of nomads and travellers, I now understand my own nomadic tendencies.
Richard Grant has never spent more than 22 consecutive nights under the same roof. Motivated partly by his own wanderlust and partly by his realisation that America is a land populated by wanderers, he set out to test his theory and this book is the result. Grant follows the trails of the first European to wander across the American West (a failed conquistador); joins a group of rodeo-competing cowboys (and gets thrown by a mechanical bull); tells the story of the vanishing nomadic Indians and links up with 300,000 "gerito gypsies" - old people who live and travel in their…
I’m an archaeologist at Boston University with a transatlantic family that spans Spain and Latin America. My research has primarily focused on Mesoamerica, and prehispanic central Mexico more specifically, but the deep roots of these transatlantic entanglements have always fascinated me personally and as a historically minded scholar.
A vivid account of life in the Aztec world and the tragic Aztec-Spanish War told by Indigenous scribes writing in Nahuatl during the decades following these events and the transformation to colonial New Spain. Mexican authors began publishing translations of Native-author sources in the late eighteenth century; yet, together with his former advisor, Ángel María Garibay, León-Portilla did more than any other twentieth-century scholar to elevate the voices and perspectives of Nahua peoples, the descendants of the prehispanic Aztecs. The Broken Spears was first published in Spanish in 1959 and translated to English in 1962. It has been translated into many other languages and revised versions since. Its key sixteenth-century texts include portions of Book 12 of the Florentine Codex, compiled by the Franciscan friar Bernardino de Sahagún, and sections of the Annals of Tlatelolco. Within these composite sources, readers can sense the multivalence of the Native authors…
For hundreds of years, the history of the conquest of Mexico and the defeat of the Aztecs has been told in the words of the Spanish victors. Miguel León-Portilla has long been at the forefront of expanding that history to include the voices of indigenous peoples. In this new and updated edition of his classic The Broken Spears, León-Portilla has included accounts from native Aztec descendants across the centuries. These texts bear witness to the extraordinary vitality of an oral tradition that preserves the viewpoints of the vanquished instead of the victors. León-Portilla's new Postscript reflects upon the critical importance…
I’m a social and cultural historian of North America and Latin America, specializing in the history of alcohol, food, and identity. When I’m not researching, writing, or teaching about food history, I’m generally cooking, eating or thinking about food, perusing recipe books, or watching cookery programs on TV. I have been especially fascinated by all things Mexico since I read Bernal Díaz’s A True History of the Conquest of New Spainas a teenager, and I think Mexican cuisine is the best in the world.
Chocolate is one of hundreds of foods that originated in the Americas and became globally important following the onset of European colonization in the sixteenth century. One of the best things about this book is that it devotes as much space to the story of chocolate’s importance in Maya, Aztec, and other Indigenous societies before colonization as to the global transformations that happened subsequently. As an avid cook, I loved the vivid reconstruction of varied historical recipes for preparing beverage chocolate. Plus, the story of how the book was written – I won’t spoil that – that you’ll find in the preface, is a beautiful testament to scholarly labors of love, and to love itself.
Chocolate - 'the food of the Gods' - has had a long and eventful history. Its story is expertly told here by the doyen of Maya studies, Michael Coe, and his late wife, Sophie. The book begins 3,000 years ago in the Mexican jungles and goes on to draw on aspects of archaeology, botany and socio-economics. Used as currency and traded by the Aztecs, chocolate arrived in Europe via the conquistadors, and was soon a favourite drink with aristocrats. By the 19th century and industrialization, chocolate became a food for the masses - until its revival in our own time…
I became fascinated by westerns when my parents took me on vacation to Deadwood, South Dakota and I came home with a brace of toy six-shooters and a book called The Gunfighters by Lea F McCarty, which featured bios of various notorious westerners, from Billy The Kid to Calamity Jane. I eventually left Clayton Moore and The Cisco Kid behind for Sergio Leone. I had a strong interest in ghost stories, and it was Robert E. Howard that gave me the bug for the weird western genre. I wrote two straight-up western novels, Buff Tea and Coyote’s Trail, but I didn’t find an audience until I started injecting my stories with ghoulies.
Best known for creating Conan The Barbarian, Howard fathered the weird western genre with his seminal 1932 short story "The Horror From The Mound," collected here along with "The Thunder-Rider" and "Old Garfield’s Heart." Reading these early genre mashup stories of conquistador vampires, reincarnation, and Native American magic in high school was like tasting peanut butter and chocolate for the first time. They made new notions bloom like a field in my mind. You could take the gritty frontier of Lonesome Dove and introduce an element of the magical fantastic, and if you respected both genres, come up with something entirely new. I especially appreciated the culture clash of the frontier.
It’s something I explore a lot in my own work; that disparate peoples meet, mix, and come away changed by the encounter. This is an idea that Howard, who adored research and folklore, represents pretty well in "Old Garfield’s…
Robert E. Howard is celebrated as the founding father of sword-and-sorcery, the creator of Conan of Cimmeria and Kull of Atlantis. The Black Stranger and Other American Tales demonstrates that in some of his most powerful heroic fantasy and horror stories, he also explored a New World older and more haunted than that which we've seen in textbooks or museum exhibits. In Howard's Gothic America, dominion goes hand in hand with damnation and the present never ceases to writhe in the grip of the past. "The Black Stranger" spearheads the collection. Located at the extreme edge of Hyborian geography and…
