I arrived in China in 1995 as one of the country’s first Peace Corps volunteers, and for over a decade lived in rural Sichuan, historic Beijing, and arcadian Jilin. These settings inform my trilogy of books about daily life in corners of the country overlooked by correspondents. I’ve won a Whiting Writers’ Award, a Guggenheim Fellowship, two Lowell Thomas Awards for travel writing, and I am currently a Fulbright Scholar in Taiwan. I’m a member of the National Committee on United States-China Relations‘ Public Intellectuals Program, a recipient of a 2017 National Endowment for the Humanities Public Scholar Fellowship, and a Professor of English at the University of Pittsburgh, where I teach nonfiction writing.
Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.
When the three novellas in The King of Trees were published separately in China in the 1980s, "Ah Cheng fever" spread across the country. Never before had a fiction writer dealt with the Cultural Revolution in such Daoist-Confucian terms, discarding Mao-speak, and mixing both traditional and vernacular elements with an aesthetic that emphasized not the hardships and miseries of those years, but the joys of close, meaningful friendships. In The King of Chess, a student's obsession with finding worthy chess opponents symbolizes his pursuit of the dao; in The King of Children-made into an award-winning film by Chen Kaige, the…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
It takes a certain kind of person to succeed in the sport of cycling, and The Rider is possibly the closest I’ll ever get to understanding that mindset. This book tops every list of recommendations of cycling novels that I’ve ever seen and with good reason.
Told in the first person, it’s completely immersive. We follow the narrator through a single day’s race, and we feel all of it as he does: the slog, the suffering, the drive to win. I might have wondered why he kept going, but the simple act of reading the book answers that question: you can’t stop. I barely drew breath.
At the start of the 137-kilometre Tour de Mont Aigoual, Tim Krabbe glances up from his bike to assess the crowd of spectators. 'Non-racers,' he writes. 'The emptiness of those lives shocks me.' Immediate and gripping from the first page, we race with the author as he struggles up the hills and clings on during descents in the unforgiving French mountains.
Originally published in 1978, The Rider is a modern-day classic that is recognised as one of the best books ever written about the sport. Brilliantly conceived and best read at a break-neck pace, it is a loving, imaginative and…
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
Along with vivid characters, this book gives great house–a gorgeous and notorious Italian villa, which was the site of an infamous murder in the 1970s.
One friend, now hyper-successful, invites her old buddy to join her in the villa. The invitee becomes obsessed with solving the long-unsolved murder, and is increasingly sketched out by her old friend’s motives for asking her to come.
The story jumps back and forth from the swinging ‘70s to the present day, with tensions building in both past and present. The ending jump-scared me.
As kids, Emily and Chess were inseparable. But by their 30s, their bond has been strained by the demands of their adult lives. So, when Chess suggests a girl's trip to Italy, Emily jumps at the chance to reconnect with her best friend.
Villa Aestas in Orvieto is a high-end holiday home now, but in 1974, it was known as Villa Rosato, and rented for the summer by a notorious rock star, Noel Gordon. In an attempt to reignite his creative spark, Noel invites up-and-coming musician, Pierce Sheldon to join him, as well as Pierce's girlfriend, Mari, and her stepsister,…
We stumble onto games very early on in life and yet one game alone stood apart for me and hundreds of millions of other people over the centuries: chess. Across 1500 years of the games existence, chess has attracted players numbering in the billions regardless of language, culture, or creed, they were all unified in a passion for the irresistible allure of this remarkable game. In 2016, I was hired by Simon and Schuster to cover the world chess championship featuring arguably the greatest player ever to wield chess pieces, Magnus Carlsen. Fully immersing myself into the game during the researching and writing of the book, I collided with powerful themes.
Stephen Moss’s book about the history of chess and his obsession with it is one of the most pleasurable reads about chess for chess laymen. It’s a kaleidoscopic portrait of the game and the characters and his own personal journey with the game is filled with color and humor. As Moss seeks fulfillment and gratification from the game he encounters a kind of mental torture again and again that resonated a great deal for me with so many of the people who devoted their lives to chess, willingly or unable to resist.
Chess was invented more than 1,500 years ago, and is played in every country in the world. Stephen Moss sets out to master its mysteries, and unlock the secret of its enduring appeal. What, he asks, is the essence of chess? And what will it reveal about his own character along the way?
In a witty, accessible style that will delight newcomers and irritate purists, Moss imagines the world as a board and marches across it, offering a mordant report on the world of chess in 64 chapters - 64 of course being the number of squares on the chessboard.…
As Series Editor for Unheard Voices, I believe in the importance of the public gaining access to the voice of lived experience as it relates to the intractable issue of homelessness in our cities. Having gone through a brief period of not having any permanent residence in my twenties, I always had or felt a degree of affinity for the homeless and dedicated at least part of my career as a psychiatrist and then as a social entrepreneur to their plight.
John Healey’s stinging 1988 memoir of 15 years as an alcoholic tramp in London remains the most shocking of all descriptions of the sheer brutality of life on the cold streets of the capital.
A former boxer, Healey was no stranger to violence, but the detached way in which he describes it amongst homeless men (and women) adds a chilling edge to what we don’t see when we walk past a beggar. It was prison that saved Healey – while incarcerated, he carried on writing and discovered he had a talent for chess. But the horror of the dog-eat-dog life of homeless people in the UK will haunt me for a good while to come.
John Healy's The Grass Arena describes with unflinching honesty his experiences of addiction, his escape through learning to play chess in prison, and his ongoing search for peace of mind. This Penguin Classics edition includes an afterword by Colin MacCabe.
In his searing autobiography Healy describes his fifteen years living rough in London without state aid, when begging carried an automatic three-year prison sentence and vagrant alcoholics prowled the parks and streets in search of drink or prey. When not united in their common aim of acquiring alcohol, winos sometimes murdered one another over prostitutes or a bottle, or the…
The life of a professional chess player is a lonely one, spent camouflaging fears and insecurities from competitors while fighting those same demons behind the chess board for hours on end.
Genna Sosonko paints a series of wonderful, empathetic portraits of (sometimes tortured) geniuses of chess, many of whom he knew intimately through long years of friendship.
It’s a book of deep humanity that moved me differently every time I read it. It’s the book to gift to a non-chess player to articulate why chess can fascinate you all your life and why life in chess is so much more than just the moves on the board!
Genna Sosonko is widely acclaimed as the most prominent chronicler of a unique era in chess history when the Soviet Union developed chess into an ideological weapon to demonstrate the power of socialism. Sosonko was born in Leningrad, where he lived for 29 years. After he emigrated to the Netherlands, he became a world-class chess grandmaster. This monumental book is a collection of the portraits and profiles Genna Sosonko wrote for New in Chess Magazine, including legends such as Mikhail Tal, Viktor Korchnoi and David Bronstein, and unforgettable personalities such as 'Chip' Chepukaitis and Sergey Nikolaev. The Foreword is by…
I love games; board games, card games, head games*; any kind of situation in which employing strategy is the only way forward. And yet, I’m not a big game player—aside from word games. I’m also endlessly fascinated by the mechanisms of power and how societies arrange themselves. The marriage between writing and understanding politics (in the traditional, not the partisan sense) is my true north. Writing a book in which a chess-like game provides the foundation felt inevitable for me, for what game better explores the dynamics of power and strategy? *I don’t play head games, but I do find manipulation fascinating fodder for writing.
Let me begin by saying that if you haven’t yet read the first two books in the City Spies series, please get on it. Packed with adventure, fantastic characters, and brilliant plots twists, the entire series is a complete treat. As with the two previous installments, the book follows a diverse group of international kids who’ve been brought together to keep the world safe from the nefarious Umbra, a secret organization bent on world domination. The plot of this adventure revolves around team member, Paris, when he’s sent undercover to an international chess tournament to keep tabs on the son of a North Korean nuclear physicist. Like a well-played game of chess, the story relies on clever tactics, keen insights into your opponent, and good old-fashioned strategy.
In this third “thrilling” (Kirkus Reviews) installment in the New York Times bestselling series from Edgar Award winner James Ponti, the young group of spies help a fellow agent in another international adventure perfect for fans of Spy School and Mrs. Smith’s Spy School for Girls.
After taking down a mole within their organization, the City Spies are ready for their next mission—once again using their unique skills and ability to infiltrate places adults can’t. The sinister Umbra has their sights set on recruiting a North Korean nuclear physicist by any means necessary, and the City Spies plan to keep…
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
For a true chess geek, it doesn’t get much better than this. The longest reigning world champion in modern times and some would say the greatest player ever, Gary Kasparov is also an important critic of the current Russian regime. In 5 volumes he dives deeply into the games and legacies of all world chess champions that came before him. His understanding is naturally off the charts, and he can write really well too! Reading this gave me a great window into how champions think, and the great games and personalities were fascinating. Warning though—the chess aspect is very advanced. You might want to read this with a worthy chess computer program to help with parts you don’t get—you might even want to first tackle my tactics manuals Forcing Chess Moves or Power Chess for Kids, for more grounding in the process of finding strong moves.
The battle for the World Chess Championship has witnessed numerous titanic struggles which have engaged the interest not only of chess enthusiasts but also of the public at large. The chessboard is the ultimate mental battleground and the world champions themselves are supreme intellectual gladiators. These magnificent compilations of chess form the basis of the first two parts of Garry Kasparov's definitive history of the World Chess Championship. Garry Kasparov, who is universally acclaimed as the greatest chessplayer ever, subjects the play of his predecessors to a rigorous analysis. Part one features the play of champions Wilhelm Steinitz (1886-1894), Emanuel…
As soon as I could read, my dad introduced me to the science fiction greats like Bradbury and Asimov. From there, I branched out to comics and fantasy. However, the tales that connected to me always had one thing in common: relatable characters. Whether it was the musing of Bradbury’s protagonists or the Hulk’s desire to be left alone, they all resonated with me personally. As a science fiction and fantasy author, it’s my job to make that same connection. Instead of escaping into imaginary realms, I have to figure out how to better observe the real world so I can tell better stories.
I bought this book from an Army PX in Germany four decades ago. I started it over lunch and ended up late for the night shift. The title would have you think it’s about swords, but it’s really about what happens when gods grow bored and play games with mortals as their chess pieces. This series, more than any other, reminded me of why I wanted to be a science fiction and fantasy writer.
It features one of my all-time favorite fantasy characters: Ben of Purkinje. Ben doesn’t want to be a hero. All he wants to do is become a minstrel and marry the girl of his dreams. Unfortunately, he can’t sing, and she doesn’t love him. It’s good that he’s also the most reliable guy you’ll ever meet.
The gods decide to devise a Game of great their colleague Vulcan forges 12 magic Swords, each with a different power, and scatters them across the world. Play begins in grand and gloriously violent fashion as Swords are gathered and used to control chance, enhance fortune, and change destiny. The holder of a Sword wields power undreamed... power to change the world and the holder.To add to the enjoyment, foolish mortals are invited to join, risking their puny lives. Demons and elementals need no invitation. But something had gone wrong in the forging, and the Game...
I have always loved literature, especially for its daring use of language. That’s how I became interested in the weird and strange styles of the nineteenth century. For many scholars, the Victorian novel is the most realistic form of writing ever produced and the closest that the novel comes to cinema—so if you notice an author’s style, then something’s gone wrong because it disrupts the illusion of reality. But it doesn’t take much to realise that even the most realistic novels have styles that are highly distinct and that the Victorian period is full of other writers whose styles are bizarre, extreme, or fascinatingly eccentric.
This book has become so familiar to us through cartoons and movies that we often forget how very weird it is as a piece of writing. The book begins when Alice, bored of her sister’s company, notices a white rabbit muttering to itself “Oh dear! Oh dear!”, and starts to become curious—not, mind you, because talking rabbits are impossible, but only because they are so very intriguing.
The rest of the book shares this bemused tone: Alice will be subjected to all sorts of indignities, including a near-beheading, but as a “good” Victorian girl, she will generally accept the bizarre reality that is presented to her. Carroll’s mastery of language is key to this effect. Nearly every character sounds sensible, turning well-formed logical sentences, but they never make much actual sense, and their speeches are riddled with so many puns, double meanings, and other linguistic tricks that one can never…
Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.
One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously…
