I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This book is contemporary art. The graphics are on a different artistic level than most comics or graphic novels. It made me realize that the contemporary art scene can live and flourish in storytelling, which by the end of the day led me on my path to becoming a comic artist. The story about W the Whore has a weird poetic feel. It is not about a prostitute, but about a woman and that is the symbolism and metaphors Feuchtenberger introduces in her surreal landscape.
The experiences of womanhood are heightened and transformed in these eerie, fairy tale–like comics by a gifted artist-writer duo.
Soon after the fall of the Berlin Wall, the West German–born Katrin de Vries read a magazine featuring the drawings of the East German–born Anke Feuchtenberger. De Vries wrote to ask Feuchtenberger if she might want to collaborate, and together they’ve produced some of the most striking German comics of the last thirty years, most notably W the Whore.
Collected here in English for the first time, W the Whore, W the Whore Makes Her Tracks, and W the Whore Throws…
