100 Books Like Yuan Shikai

A brilliant account of the two Opium Wars showing how they have been remembered in particular ways in order to make modern political points. Lovell shows us how political operators on both sides used the question of the opium trade to further their own interests. It exposes the nasty business of imperialism but also takes down a lot of myths about the wars. The book allows us to see the conflicts both in terms of what happened at the time, and how views over those events changed over the following century and a half. She explores the international history of opium and how it became linked with racist representations of Chinese overseas and how this continues to affect relations between peoples and governments today.

A great place to start to understand the long history of connections between East Asia and the rest of the world. Thirteen chapters take the reader from the Mongol Empire in the thirteenth century up to the end of the Second World War. Each follows a particular person and their encounters with peoples of Inner and Central Asia, Europe, and Africa. They show how many things that historians have assumed to be ‘Chinese’ were borrowed from foreigners. Even the idea of the Great State, the framework through which later Chinese emperors used to describe their realm was taken from the Mongols. They also allow us to remember the ‘messiness’ of history with pioneers and villains on all sides.

This is a jewel of a book. It takes a strange coincidence and weaves it into a wonderful tale of world history. It explores the lives of three Scotsmen, all called George Smith but not related, who traded in Asia during the eighteenth century, a crucial time for the development of the East India Company and ties between East and West. It really opens a window into the lives of these pioneers and brings this neglected history alive. In particular, it complicates the usual story of the East India Company by showing how it was a force for stability in trade with China and it was the ‘free traders’ taking inspiration from people like the economist Adam Smith back in London, who upset the relations and created the conditions for the nineteenth-century Opium War.

There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.

The Qing dynasty is covered in both volumes 10 and 11 of this wonderful series. Volume 10 contains essays that earlier in my career I would always go back to—not for the riveting prose but for the solid information. John K. Fairbank (1907-1991), the father of U.S. Sinology and longtime professor at Harvard University, invited the finest Sinologists to contribute to these volumes. Pick and choose from among the excellent chapters including: Joseph Fletcher (Inner Asia and Sino-Russian relations), John K. Fairbank (the treaty port system), Philip A. Kuhn (the Taiping Rebellion) in volume 10; and Immanuel C. Y. Hsu (foreign relations), Marius Jansen (Japan and the 1911 Revolution) in volume 11. Beware that the two volumes are very much scholarly works—in both the positive and negative meanings of the word, scholarly.

Few include the White Lotus War in their discussion of nineteenth-century rebellions. Yet, in many ways, it provides the perfect starting point. Lasting over eight years, plowing a path of destruction across five central Chinese provinces, and emphatically marking the end to nearly a century of peace and commercial prosperity, the White Lotus War is an ominous harbinger of what was to follow. Chinese historian Yingcong Dai highlights the many disparate factors – from bureaucratic negligence and administrative apathy to the rise of secret societies and charismatic religious leaders – that transformed otherwise weakly connected local protests into a massive revolt that threatened to upend the Qing imperial state (1644-1911). As a specialist on Chinese warfare and imperial governance, the author pulls back the curtain on a rarely told tale that brings turn-of-the-18th-century China to life.

I think this is the best up-to-date history of the Qing dynasty. I use it for teaching because it’s completely reliable, covers everything you might need to know, and lays it all out clearly.

It also has a really good balance between the history of major events like the Opium Wars and the Taiping Rebellion and the social history and context. And I like the fact that it explains the big debates that scholars are having in clear and simple terms.

Outsiders do not grasp the frequency let alone the magnitude of the civil and foreign wars that ravaged China well into the Maoist era. Sometimes China was the aggressor and sometimes the victim and, in its many civil wars, the Chinese government was always brutal. Concise chapters describe each conflict.

I loved Elegant’s book because he included a highly detailed account of the period, an account only possible by a top China scholar.

Manchu is a fictional work set within a vivid history of 17th-century China when the Manchus from northeast Asia battled native Han Chinese causing the fall of the Ming dynasty (1368 to 1644). The great conflict is brought to life in a personal way, including the interactions of heroic characters, Eastern and Western. The result highlights varied perceptions of politics, warfare, and social relations. 

I appreciate Elegant’s blend of academic precision and detail with creative storytelling to make history so interesting. He encases facts in an emotional plot. Elegant is a master wordsmith who stimulates thought, valuable for understanding the Manchu period as well as individual introspection.