Here are 94 books that You Sexy Thing fans have personally recommended if you like
You Sexy Thing.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Le Guin is a literary force, and this is her most emotionally elegant work.
The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
This is such a beautiful, gentle and cozy book that I couldn’t put it down. In this story, people were left with no choice but to completely rebuild their society, and they did something wonderful.
This book is like a breath of fresh air, like a quiet, healing journey that doesn’t rely on action—it’s an exploration, a celebration of nature, and society, and connection. It touched me in a profound way. It made me go outside to check if it was raining and stand with my bare feet in the grass, enjoying the coldness and softness of the sensation.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honour the old promise of checking in. The robot cannot go back until the question of 'what do people need?' is answered.
But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.
Set in man’s far future and vast in scope, I was plunged into this novel without managing to catch my breath. This is science fiction that epitomizes the best in the genre: a powerful story, strong characters, vast vision, and lots of drama.
It is a hard book to put down, and I did not want to! I enjoyed the intricate tapestry the story weaves and, importantly, entertains. The interaction between the main characters is vividly real, as are genuine emotions vented when it is revealed an alien species manipulated man’s development. I would be kind of sore at that as well. This novel left me appreciating powerful writing and gave me a lot to think about, influencing my own writing.
Pierson's puppeteers, strange, three-legged, two-headed aliens, have discovered an immense structure in a hitherto unexplored part of the universe. Frightened of meeting the builders of such a structure, the puppeteers set about assembling a team consisting of two humans, a puppeteer and a kzin, an alien not unlike an eight-foot-tall, red-furred cat, to explore it. The artefact is a vast circular ribbon of matter, some 180 million miles across, with a sun at its centre - the Ringworld. But the expedition goes disastrously wrong when the ship crashlands and its motley crew faces a trek across thousands of miles of…
After more than 20 years of community work and activism in LGBTQ+ spaces, I couldn’t help but turn these experiences into a novel in which Berlin becomes the world’s first gay state – Proud Pink Sky,released March 14 from Amble Press. My essays and short stories focus on the strange, the queer, and the speculative, and have been published in The Sun Magazine, Guernica, Strange Horizons, PinkNews,andNature Futures,while my campaign work for LGBTQ+ and polyamory rights has been referenced in The Mirror, Buzzfeed, and BBC News. I am also nonbinary queer, have a Ph.D. in Literature, and currently live in Berlin.
Melissa Scott takes worldbuilding to fascinating extremes in her 1995 novel, Shadow Man. Due to changes in human biology, there are five recognised sexes in Scott’s far-flung society, with man and woman joined by fem, herm, and mem – yet despite the variety in body types, the isolated and backward planet of Hara forces its residents to choose between a simple binary. With its bold depictions of gender discrimination and violence, Shadow Manis relevant to our own social battles while also indulging in a fast-paced plot and thought-provoking speculation, all while being just different enough from our own world that it scratches that escapist itch.
In the far future, human culture has developed five distinctive genders due to the effects of a drug easing sickness from faster-than-light travel. But on the planet Hara, where society is increasingly instability, caught between hard-liner traditions and the realities of life, only male and female genders are legal, and the "odd-bodied" population are forced to pass as one or the other. Warreven Stiller, a lawyer and an intersexed person, is an advocate for those who have violated Haran taboos. When Hara regains contact with the Concord worlds, Warreven finds a larger role in breaking the long-standing role society has…
After more than 20 years of community work and activism in LGBTQ+ spaces, I couldn’t help but turn these experiences into a novel in which Berlin becomes the world’s first gay state – Proud Pink Sky,released March 14 from Amble Press. My essays and short stories focus on the strange, the queer, and the speculative, and have been published in The Sun Magazine, Guernica, Strange Horizons, PinkNews,andNature Futures,while my campaign work for LGBTQ+ and polyamory rights has been referenced in The Mirror, Buzzfeed, and BBC News. I am also nonbinary queer, have a Ph.D. in Literature, and currently live in Berlin.
Presenting one of the darkest futures I’ve ever read, The Offsetplunges us into a neo-medieval world ravaged by climate destruction. The debut novel of writing duo Natasha C. Calder and Emma Szewczak, The Offsetis set in a sinister, depopulated London which murders people for reproducing, yet it also weaves in a strange social acceptance. As with Becky Chambers’sA Psalm for the Wild-Built,queer and nonbinary people are completely and unquestioningly accepted – yet though the latter takes place in a quiet utopia, while here we’re dealing with a dramatic dystopia. This tolerance adds depth and nuance to an otherwise bleak setting, and it’s not just relegated to the background: The central protagonists form a queer family, one threatened by the omnipresent cruelties of a decaying future.
The world is dying and over populated. Professor Jac Boltanski is leading Project Salix, a ground-breaking new mission to save the world by replanting radioactive Greenland with genetically-modified willow trees. But things aren't working out and there are discrepancies in the data. Has someone intervened to sabotage her life's work?
In the meantime, her daughter Miri, an anti-natalist, has run away from home. Days before their Offset ceremony where one of her mothers must be sentenced to death, she is brought back against her will following a run-in with the law. Which parent will Miri pick to die: the one…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
In 1966, I traveled to brave new worlds with the crew of the Starship Enterprise. Star Trek immediately became my lodestone, the focal point of my ten-year-old self, and I never missed an episode. A few years later I found Dune, and my love for the SF genre was cemented. I freely admit that I am not a hard science writer. I like to have fun with my stories, to play with ideas. I write first to entertain myself, and hopefully a reader or two along the way. I am a philosopher, a reader, and a writer.
Take the concept of diving on shipwrecks and move it into space, then add a mystery and a whole lot of adventure, and you have Rusch’s awesome Diving series.
The Renegat is the 10th book in the series and the most ambitious one yet. Rusch is a master of character and world-building and it shines here. I can’t recommend this series enough.
As a young recruit, brilliant engineer Nadim Crowe accidentally destroys an entire Scrapheap full of ships. Now, decades later, he ends up on the crew of the Renegat, the only ship in the Fleet ever sent on a mission backwards to investigate an ancient Scrapheap.
Something invaded that Scrapheap and the Fleet wants to know what. Or who.
The Renegat: The only ship the Fleet dares risk. The Renegat: A ship of misfits and screw-ups sent on an impossible mission. All alone in deep space.
In 1966, I traveled to brave new worlds with the crew of the Starship Enterprise. Star Trek immediately became my lodestone, the focal point of my ten-year-old self, and I never missed an episode. A few years later I found Dune, and my love for the SF genre was cemented. I freely admit that I am not a hard science writer. I like to have fun with my stories, to play with ideas. I write first to entertain myself, and hopefully a reader or two along the way. I am a philosopher, a reader, and a writer.
The second book in Bear’s White Space series, Machine is an entertaining blend of SF adventure and multiple mysteries that sucked me right in. A space hospital begins to experience escalating mishaps after a rescue mission returns with the cryo-suspended crew of a stranded generation ship along with its memory-challenged ship’s mind.
Trust is a key theme in Machine, and you can trust Bear’s capable writer hands to tell a whopping good story.
She hasn't had a decent cup of coffee in fifteen years.
The first part of her job involves jumping out of perfectly good space-ships. The second part requires developing emergency treatments for sick aliens of species she's never seen before.
She loves it.
But her latest emergency is also proving a mystery:
Two ships, one ancient and one new, locked in a dangerous embrace. A mysterious crew suffering from an even more mysterious ailment. A shipmind trapped in an inadequate body, much of her memory pared away. A murderous virus from out of time.
I’m a longtime food writer, magazine editor, cookbook author, and certified chef (through Kendall College, also in Chicago of course!). I was born in Chicago, raised in the Northern suburbs, and came back right after graduating from the University of Michigan in the early 2000s. For two decades, I lived in various parts of the city and wrote about the food scene for local and national outlets. The first edition of The Chicago Chef’s Table came out in 2012. Even though I moved to the suburbs a few years ago with my growing family, we still get down to the city often to enjoy the hottest new spots. My love for Chicago will never subside!
David is a fellow food writer and friend of mine and we’ve enjoyed many dinners and events out at local restaurants.
Many years ago he started an online forum for the food-obsessed in Chicago, and that was before “blogs” and Substacks and even social media. Monica is a longtime local food writer and NPR contributor. They both are true authorities on the dining scene here so their stories about the history and lore of various beloved Chicago/Midwestern dishes (beyond deep dish and Italian beef sandwiches) are really exciting to read.
Italian beef and hot dogs get the headlines. Cutting-edge cuisine and big-name chefs get the Michelin stars. But Chicago food shows its true depth in classic dishes conceived in the kitchens of immigrant innovators, neighborhood entrepreneurs, and mom-and-pop visionaries.
Monica Eng and David Hammond draw on decades of exploring the city's food landscape to serve up thirty can't-miss eats found in all corners of Chicago. From Mild Sauce to the Jibarito and from Taffy Grapes to Steak and Lemonade, Eng and Hammond present stories of the people and places behind each dish…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a product of a Methodist preacher and a public school teacher, I learned about community early on. Church basements and living rooms were where I first saw what it means to show up for one another. My grandmother's faith steadied our family in uncertain times, and those lessons shaped me. In my career, I've had the privilege of working in South Africa, organizing in communities across the country, and serving in the White House. Each experience deepened my understanding of how fragile—and how powerful—our institutions can be. I’m drawn to books that wrestle with how we hold community together because I’ve learned that communities don’t hold themselves. We choose whether they endure.
This novel made a small community come alive for me.
The rhythms, the friendships, the generational passing down of story—it all resonated. What moves me most is how the past and present sit beside each other, shaping one another quietly. It showed me that belonging is built in ordinary spaces: kitchens, churches, front porches.
As I reflected on my grandmother and the community that shaped my family, I thought about this same inheritance. The power of memory, story, and place.
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again.
