Here are 71 books that Yellow Bird fans have personally recommended if you like
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My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.
I came of age in the seventies, and this book took me through that time, specifically 1977 again, able to view events through the lens of a particularly insightful adult.
This book encompasses more than baseball. There’s the battle to be mayor between Ed Koch and Mario Cuomo, Rupert Murdoch buying the New York Post, disco and dancing at Studio 54, the dawn of punk rock, but at its heart is the story of the Yankees and that crazy love triangle of Reggie Jackson, Billy Martin, and George Steinbrenner. I was delighted to relive all of that craziness.
“Masterful . . . In Mahler’s expert hands, the city’s outsized citizens are flawed, fierce, bickersome, and as indomitable as the metropolis itself.” —Mike Sokolove, author of The Ticket Out
A passionate and dramatic account of a year in the life of a city, when baseball and crime reigned supreme, and when several remarkable figures emerged to steer New York clear of one of its most harrowing periods.
By early 1977, the metropolis was in the grip of hysteria caused by a murderer dubbed “Son of Sam.” And on a sweltering night in July, a citywide power outage touched off…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I'm a former novelist who now writes historical narrative nonfiction, mainly about American cities and the people who give them life. Each book focuses on an important turning point in the history of a specific metropolis (I've written about Chicago, New Orleans, Los Angeles, and San Francisco), often when the city goes from being a minor backwater to being someplace of significance. And I try to tell this story through the lives of real individuals who help to make that transformation happen. My goal is to use the skills I developed as a fiction writer to create historical narratives that maintain strict standards of scholarship while being as compelling and compulsively readable as novels.
The Year of Dangerous Days is another of those city books that braid together several storylines into a single vibrant portrait. This time the city is Miami, and the year of crisis is 1980, when the Florida metropolis faced a toxic combination of racial unrest, cocaine-fueled gang violence, and an uncontrollable refugee crisis.
Nicholas Griffin anchors his narrative on a few central characters – a police captain, a prominent journalist, a drug lord, and the city's dynamic mayor – creating a cinematic account of a city that somehow managed to emerge from its annus horribilis scarred and chastened, but primed for an unlikely urban rebirth.
In the tradition of The Wire, the "utterly absorbing" (The New York Times) story of the cinematic transformation of Miami, one of America's bustling cities-rife with a drug epidemic, a burgeoning refugee crisis, and police brutality-from journalist and award-winning author Nicholas Griffin.
Miami, Florida, famed for its blue skies and sandy beaches, is one of the world's most popular vacation destinations, with nearly twenty-three million tourists visiting annually. But few people have any idea how this unofficial capital of Latin America came to be.
The Year of Dangerous Days is "an engrossing, peek-between-your-fingers history of an American city on the…
I'm a former novelist who now writes historical narrative nonfiction, mainly about American cities and the people who give them life. Each book focuses on an important turning point in the history of a specific metropolis (I've written about Chicago, New Orleans, Los Angeles, and San Francisco), often when the city goes from being a minor backwater to being someplace of significance. And I try to tell this story through the lives of real individuals who help to make that transformation happen. My goal is to use the skills I developed as a fiction writer to create historical narratives that maintain strict standards of scholarship while being as compelling and compulsively readable as novels.
As any objective historian can tell you, there are very few spotless heroes in history, and very few villains whose wrongdoing isn't firmly rooted in the psychological and sociological forces that shaped them.
So I really admire writers who, like Kali Nicole Gross, take pains to put the bad actions of their subjects in the context of their time and circumstances. In this measured and nuanced account of a sensational 19th-century murder, Gross carefully examines Gilded Age attitudes toward race and gender, tracing their influence on the crime, its investigation, and its punishment.
The result is a book both scholarly and absorbing – not an easy feat for any author to pull off.
Shortly after a dismembered torso was discovered by a pond outside Philadelphia in 1887, investigators homed in on two suspects: Hannah Mary Tabbs, a married, working-class, black woman, and George Wilson, a former neighbor whom Tabbs implicated after her arrest.
As details surrounding the shocking case emerged, both the crime and ensuing trial-which spanned several months-were featured in the national press. The trial brought otherwise taboo subjects such as illicit sex, adultery, and domestic violence in the black community to public attention. At the same time, the mixed race of the victim and one of his assailants exacerbated anxieties over…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I'm a former novelist who now writes historical narrative nonfiction, mainly about American cities and the people who give them life. Each book focuses on an important turning point in the history of a specific metropolis (I've written about Chicago, New Orleans, Los Angeles, and San Francisco), often when the city goes from being a minor backwater to being someplace of significance. And I try to tell this story through the lives of real individuals who help to make that transformation happen. My goal is to use the skills I developed as a fiction writer to create historical narratives that maintain strict standards of scholarship while being as compelling and compulsively readable as novels.
I find few dramas in history more intriguing than that of Abraham Lincoln, and it's sobering to realize just how close we came to missing his entire second act.
The so-called Baltimore Plot – a conspiracy to assassinate the newly elected president while en route to his first inauguration – has been written about before, but never as vividly and novelistically as in Daniel Stashower's The Hour of Peril. In telling this riveting story, Stashower brings into the spotlight a little-known figure named Kate Warne, perhaps the country's first female private detective.
Tough-minded and self-possessed beyond her years, Warne assists the celebrated Allan Pinkerton in a tense, nerve-racking effort to spirit the President-elect safely to Washington DC – and into arguably the most important role in American history.
"It's history that reads like a race-against-the-clock thriller." ―Harlan Coben
Daniel Stashower, the two-time Edgar award–winning author of The Beautiful Cigar Girl, uncovers the riveting true story of the "Baltimore Plot," an audacious conspiracy to assassinate Abraham Lincoln on the eve of the Civil War in THE HOUR OF PERIL.
In February of 1861, just days before he assumed the presidency, Abraham Lincoln faced a "clear and fully-matured" threat of assassination as he traveled by train from Springfield to Washington for his inauguration. Over a period of thirteen days the legendary detective Allan Pinkerton worked feverishly to detect and thwart…
I'm the author of two police procedural mysteries, a series that features a father/daughter detective team. I write in the traditional mystery genre for the simple reason that I'm a passionate reader of this genre, and always have been. I enjoy the structure of a whodunnit—the pacing, red herrings, clues, plot twists, reveals—and love constructing a multi-layered mystery that is both engaging and suspenseful. I’m a big fan of the masters of this genre: Agatha Christie, PD James, Dick Francis, and Val McDermid. I’m also an avid watcher of police procedural television series, and I’m especially drawn to the darker investigative stories you find in programs like The Killing, Mare of Easttown, and The Wire.
Detective Kylie Millard returns to her investigative duties in this second book in the Badlands Thriller series when she’s called to a murder scene of a young couple and a missing baby. Like the first book in the series, White Out, the writing is taut and the pacing is brisk. But what I especially love about this book is the intertwining narratives of the three female characters—Kylie, Lily, and Hannah—and how these disparate stories eventually come together. Quite the twist at the end!
From the USA Today bestselling author of White Out comes a story of two heroines with shattered pasts and a town with blood on its hands.
When a North Dakota couple is shot down in their home in cold blood, the sleepy town of Hagen wakes with a jolt. After all, it's usually such a peaceful place. But Detective Kylie Milliard knows better.
Despite not handling a homicide investigation in years, Kylie is on the case. A drop of blood found at the scene at first blush promises to be her best evidence. But it ultimately only proves that someone…
All my work--as a novelist and a licensed clinical therapist--deals with what happens in families, which sometimes includes overwhelming grief. But now, it hasn’t been long since I lost my own son. In these novels, I recognize a piece of myself as I, like any survivor, have struggled to cope. Like few other events in our lives, death has the possibility of completely derailing us with its brutality, and often surviving family cast about blindly, searching for sense, for meaning. Sometimes we can’t find any; sometimes we do, and sometimes we create it ourselves. These novels put different approaches into story, and that, too, is a way to search out direction--and hope.
In her fifteenth novel, Erdrich, a member of the Ojibwe tribe, attempts to answer the question, “Can a person do the worst possible thing and still be loved?” by showing readers how native American parents living on a reservation cope when the father, Landreaux, accidentally kills his best friend’s five-year-old son in a hunting accident. Landreaux is distraught, wracked with horror, guilt, and grief. After consultation and attending a sweat, guided by an old native custom, he gives La Rose, his and his wife’s youngest child–whose best friend was the deceased–to the bereaved parents and siblings in a version of justice. It’s a twist on an eye for an eye, intended to equalize the suffering and prevent the escalation and further death that can occur when acts of grief-fueled revenge begin. Now both families are suffering unbearable loss, and so is LaRose, a five-year-old boy.
Late summer in North Dakota, 1999: Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence but only when he staggers closer does he realise he has killed his neighbour's son.
Dusty Ravich, the deceased boy, was best friends with Landreaux's five-year-old son, LaRose. The two families have been close for years and their children played together despite going to different schools. Landreaux is horrified at what he's done; fighting off his longstanding alcoholism, he ensconces himself in a sweat lodge and prays for guidance. And there he discovers an old…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
My new book, I Saw Satan at the 7-Eleven, is among other things, a love letter to heavy metal. I am a lifelong music obsessive: a record collector, concertgoer, maker of mixtapes, sewer of patch jackets. When I’m not writing or reading I’m playing guitar with the amp turned all the way up. And I have the tinnitus to prove it. Some of the books on this list are about metal, others are simply imbued with its rebellious dionysian spirit. But every damn one of them goes to 11, I can assure you of that. Enjoy!
The cutest book I’ve ever read about being a fan. Warm and softhearted, Chuck’s writing is literary comfort food.
A music and sports journalist turned memoirist, this is his misty-eyed look back at childhood. Like an episode of The Wonder Years all about Hair Metal. You can substitute Hair Metal for anything chronically un-cool that you ever fell in love with.
It’s a gleeful defence of the dork inside, a reminder that taste is subjective, that fashions come and go, that when we poo-poo things we’re denying ourselves potential enjoyment. There’s no such thing as a guilty pleasure. Pleasure is pleasure, and there isn’t enough of it in this sorry world.
So, curl up with Klosterman and enjoy what you enjoy.
Powered by a sharp and wholly original voice, Chuck Klosterman delivers a real-life High Fidelity in this savvy, deliriously funny memoir of growing up a shameless heavy-metal devotee in 1980s North Dakota. The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he's mired in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which said rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, Shout at the Devil, Motley…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
So much is possible in a memoir! When I first read this, my sense of what can happen in a book exploded open. Norris constructs this book like a good soup, throwing in longer, interlocking essays, short reflections, and even shorter “weather reports.” But this is not a collection of random pieces.
They build, they resonate, and they form a bigger narrative. Wow. For those who wonder if the fragments they’re writing will ever add up, read this to see what’s possible—with the added benefit of an immersion in the plains’ unique beauty.
“A deeply spiritual, deeply moving book” about life on the Great Plains, by the New York Times–bestselling author of The Cloister Walk (The New York Times Book Review). Kathleen Norris invites readers to experience rich moments of prayer and presence in Dakota, a timeless tribute to a place in the American landscape that is at once desolate and sublime, harsh and forgiving, steeped in history and myth. In thoughtful, discerning prose, she explores how we come to inhabit the world we see, and how that world also inhabits us. Her voice is a steady assurance that we can, and do,…
After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut noveluntil I was thirty-five. My work is inspired by my favorite authors from the 1940s:Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald.I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.
I used to moderate a book club for museum members at what is now the Institute of Contemporary Art, Los Angeles. Love Medicine was chosen by one of our exhibition artists. This astonishing debut is a masterwork about family, poverty, and passion.
The book is set where my grandparents came from, Minnesota and the Dakotas, and illustrates how settlers from Europe (my ancestors) continued to disrupt and destroy Native lives well into the 20th century. Ojibwe spiritual beliefs and Catholicism tangle as tightly as the characters that embody them. Spanning from 1934 to 1985, this novel should not be missed by anyone interested in Native American history.
“The beauty of Love Medicine saves us from being completely devastated by its power.” — Toni Morrison
Set on a North Dakota Ojibwe reservation, Love Medicine—the first novel from master storyteller and National Book Award-winning author Louise Erdrich—is an epic story about the intertwined fates of two families: the Kashpaws and the Lamartines.
With astonishing virtuosity, each chapter of this stunning novel draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
Here’s a fantastic book for anyone who eats food. Humble and kind, Gabe has led thousands of us farmers to change our ways through the story of his transformation. His book showcases how hard farming can be when you rely on subsidies, rob your soil of life, and sell into heartless and corrupt commodity markets.
Gabe reveals what transformation looks like with a mindset and a management change… and just how rich and rewarding farm life is when you listen to and partner with Mother Nature. And how health and community grow around you. He’s my tractor-driving trail-blazing hero.
'Dirt to Soil is the [regenerative farming] movements's holy text' The Observer
Author and farmer Gabe Brown, featured in the Netflix documentary Kiss the Ground
'A regenerative no-till pioneer' NBC News
'Dirt to Soil confirms my belief that animals are part of the natural land. We need to reintegrate livestock and crops on our farms and ranches, and Gabe Brown shows us how to do it well.' Temple Grandin, author of Animals in Translation
Soil health pioneer Gabe Brown did not set out to write a book on no-till, regenerative agriculture but that was the end product of his research…
