Here are 100 books that Written in Dead Wax fans have personally recommended if you like
Written in Dead Wax.
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I love old records: there’s a romance to thinking about who originally owned them, where they were listened to, what life soundtrack they defined. My connection to the music industry is tenuous at best. I’ve been in recording studios, helped load equipment in and out of gigs—roadie duty?—designed liner notes, and even performed as a backup singer in a pick-up band of coworkers from the retailer where I worked. (We had two gigs.) I also like when humor is used in mysteries to offset the darkness of murder and define a character—how he or she will get through the challenge. I hope you enjoy the books on this list as much as I have!
Another favorite trope of mine is reading about how characters run their small business.
This series has sisters who own a record shop (what fun!) and is cozy. The town and family elements made it easy to immerse myself in the book’s world.
In the real world, it seems like record store owners are mostly male, so the idea of sisters taking over this one made it unique.
First in a new series by Olivia Blacke, Vinyl Resting Place follows three sisters who discover that opening a family business can be murder.
"A charming cozy for a new generation of mystery readers . . . Vinyl Resting Place is a delight!" –Elle Cosimano, USA Today bestselling author of Finlay Donovan Is Killing It
"Vinyl Resting Place is bolstered by the sisters' genuine bond, colorful personalities, and not-so-gentle conflicts. It's a winning combination." -New York Times Book Review
When Juni Jessup and her sisters Tansy and Maggie put all their beans in one basket to open Sip & Spin…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I love old records: there’s a romance to thinking about who originally owned them, where they were listened to, what life soundtrack they defined. My connection to the music industry is tenuous at best. I’ve been in recording studios, helped load equipment in and out of gigs—roadie duty?—designed liner notes, and even performed as a backup singer in a pick-up band of coworkers from the retailer where I worked. (We had two gigs.) I also like when humor is used in mysteries to offset the darkness of murder and define a character—how he or she will get through the challenge. I hope you enjoy the books on this list as much as I have!
I’m a fan of characters who have messy lives that need fixing, and that’s Dahlia “Doll” Devine (lead singer of a country band).
Instead of the record side of the industry, this one gives us the grimy dive bar version with a house all-girl band. I easily pictured being up there on stage with Dahlia (drums, maybe? tambourine?). There’s a strong character growth arc, too, which was satisfying.
From award-winning author Lori Rader-Day, Wreck Your Heart is an engaging, “wisecracking and wonderful” crime novel with a big heart, about a country and midwestern singer out to catch her big break before family―or murder―wrecks everything.
Dahlia “Doll” Devine had the kind of hardscrabble beginning that could launch a thousand broken-hearted country songs, but now she’s the star of her own stage at McPhee’s Tavern. As part of Chicago’s―yes, Chicago’s―country music scene, Dahlia is an up-and-coming singer in spangles and boots of classic country tunes. Up and coming, that is, until her boyfriend Joey up and went, taking the rent…
I love old records: there’s a romance to thinking about who originally owned them, where they were listened to, what life soundtrack they defined. My connection to the music industry is tenuous at best. I’ve been in recording studios, helped load equipment in and out of gigs—roadie duty?—designed liner notes, and even performed as a backup singer in a pick-up band of coworkers from the retailer where I worked. (We had two gigs.) I also like when humor is used in mysteries to offset the darkness of murder and define a character—how he or she will get through the challenge. I hope you enjoy the books on this list as much as I have!
It’s a parody of Noel and Liam Gallagher, who famously have a somewhat troubled sibling relationship (putting it mildly), running around London to solve a murder. I’m not the most well-versed Oasis fan, but I know enough about them to have gotten a kick out of this.
It was a fast read, and I finished it in about a day. I don’t mind cursing in a humorous mystery, and frankly, I don’t think you could do this story justice without the F-bombs.
"If you wish cozy mysteries had more f-bombs, this series is for you. I definitely recommend it-no maybe about it." Andrew Shaffer, New York Times bestselling author of HOPE NEVER DIES: AN OBAMA BIDEN MYSTERY
Noel & Liam Reunited? Definitely... Maybe.
Prayers have been answered. Hell has frozen over. The Gallagher brothers have finally gotten back together. Only it's not to play music - it's to solve a murder. Recently, the club of celebrities-turned-sleuths has exploded with names like Barack Obama, Queen Elizabeth II and Taylor Swift appearing on the list. Liam and Noel add a touch of rock n'…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I love old records: there’s a romance to thinking about who originally owned them, where they were listened to, what life soundtrack they defined. My connection to the music industry is tenuous at best. I’ve been in recording studios, helped load equipment in and out of gigs—roadie duty?—designed liner notes, and even performed as a backup singer in a pick-up band of coworkers from the retailer where I worked. (We had two gigs.) I also like when humor is used in mysteries to offset the darkness of murder and define a character—how he or she will get through the challenge. I hope you enjoy the books on this list as much as I have!
I enjoyed the character of Junior Bender in the first book in this series, and I loved this one even more.
Junior is one of those wrong-side-turned-right-side-of-the-law characters, and sometimes it’s fun to ride shotgun with a character who gets his hands dirty. Rounding out the music industry connection is an old record producer who had some sketchy business dealings back in the sixties.
I confess, just the mention of the sixties for the backstory was enough for me (I love experiencing that era through different stories), and with an already-loved protagonist, I was all in.
JUNIOR BENDER UNTANGLES ONE OF THE WEIRDEST MYSTERIES IN TINSELTOWN
LA burglar Junior Bender has (unfortunately) developed a reputation as a competent private investigator for crooks. The unfortunate part about this is that regardless of whether he solves the crime or not, someone dangerous is going to be unhappy with him, either his suspect or his employer.
Now Junior is being bullied into proving aging music industry mogul Vinnie DiGaudio is innocent of the murder of a nasty tabloid journalist he'd threatened to kill a couple times. It doesn’t help that the dead journalist’s widow is one pretty…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not.
Sterne explores the cultural history of how and why Americans developed technologies that reproduced and transmitted sound. It is a surprising story that takes us through the Civil War and ideas about death, deaf children and their teachers, the discipline of medicine, and the practice of folklore. It turns out that cultural shifts encouraged the preservation of sound, and those machines we developed in turn changed the ways we listen.
The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and…
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
This picture book by jazz great Wynton Marsalis was one of my favorites to read to my little rock star when he was a baby. It’s musical without being sing-songy, and celebrates everyday sounds like washboards or squeaking doors that become musical if you listen right. My son was mesmerized by the noises and rhythm, and I felt more musical just by reading it.
The creators of Jazz ABZ are back for an encore! With infectious rhythm and rhyme, musical master Wynton Marsalis opens kids’ ears to the sounds around us.
What’s that sound? The back door squeeeaks open, sounding like a noisy mouse nearby — eeek, eeeek, eeeek! Big trucks on the highway rrrrrrrumble, just as hunger makes a tummy grrrrumble. Ringing with exuberance and auditory delights, this second collaboration by world-renowned jazz musician and composer Wynton Marsalis and acclaimed illustrator Paul Rogers takes readers (and listeners) on a rollicking, clanging, clapping tour through the many sounds that fill a neighborhood.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.
Michael Denning was my dissertation advisor in grad school and one of the most impressive scholars of American culture that I know. What I like about Noise Uprising is that it gives us a whole new perspective on the beginnings of jazz. No longer is American jazz at the center of the universe. Instead, it’s a small piece of a larger mosaic of popular music that stretched from Havana and Rio to Seville, Cairo, Jakarta, and Honolulu. Before reading this book I had no idea that musical recording even went on in all these far-flung places, beginning in 1925, even before the great wave of recordings appeared from Louis Armstrong, Duke Ellington, and Jelly Roll Morton. We learn about the origin and first recordings of such major genres as samba, son, tango, flamenco, tarab, kroncong, and hula. All of these styles were deeply embedded in the social and political struggles…
In a handful of years between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern music unfolded in a series of relatively unnoticed recording sessions around the world. These included the recording of tango in Buenos Aires, son in Havana, and samba in Rio; of hula in Honolulu, shidaiqu in Shanghai, and kroncong in Jakarta, and; of taraab in East Africa and marabi in Johannesburg. In this ground-breaking study, Michael Denning draws a global map of a musical revolution that had more profound consequences than the "modern"…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not.
Just as important as thinking about how music sounds and what it means is thinking about where technology comes from and crucially, where it goes after we’re done with it. This book lets no one off the hook and insists that anyone who cares about music should be cognizant of its economies of waste and decomposition.
Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of.
Devine's story focuses on three forms of materiality. Before…
I wrote Leaving the Beach because I was once bulimic and music-obsessed. After seeking help and recovering, I realized I wanted to write a realistic book about a bulimic woman; it was critical that I didn’t unintentionally romanticize any aspects of this insidious, potentially fatal disease.
This is the only nonfiction selection on my list. If you live in the Boston area and love music, you’ve probably read Brett Milano’s music reviews in the Boston Globe, Boston Herald, or Phoenix.He’s also written numerous books—both fiction and nonfiction—about various types of music. Vinyl Junkies is a wonderful read, even if you’re not particularly interested in music, because although many people featured in it are well-known in the music and art worlds (Peter Buck, Robert Crumb), on a higher level, the book’s really about collecting and collectors in general. Why do people collect? What’s the difference between simply accumulating stuff and curating a collection? And where does one draw the line?
Not too far away from the flea markets, dusty attics, cluttered used record stores and Ebay is the world of the vinyl junkies. Brett Milano dives deep into the piles of old vinyl to uncover the subculture of record collecting. A vinyl junkie is not the person who has a few old 45s shoved in the cuboard from their days in high school. Vinyl Junkies are the people who will travel over 3,000 miles to hear a rare b-side by a German band that has only recorded two songs since 1962, vinyl junkies are the people who own every copy…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
In the words of Joni Mitchell, you “don’t know what you got till it’s gone.” Only a person who has gone deaf partway through life knows what it means to live with and without sound. And music.
In this evocative book, British journalist Bella Bathurst chronicles her profound loss of hearing starting at age 27—and twelve years later, its dramatic return. The health reporter in me gave a thumbs-up to her skillful exploration of the lesser-known science of hearing.
She introduces expert lip readers, soldiers who accept deafness as an occupational hazard, and the copper “ear trumpets” used by Beethoven as his greatest joy ebbed. When Bathurst regains her hearing, I was awed by her description of hearing music anew: “It was a thousand volts of birdsong.”
In 1997, Bella Bathurst began to go deaf. Within a few months, she had lost half her hearing, and the rest was slipping away. She wasn't just missing punchlines, she was missing most of the conversation - and all of the jokes. For the next twelve years deafness shaped her life, until, in 2009, everything changed again.
Sound draws on this extraordinary experience, exploring what it is like to lose your hearing and - as Bella eventually did - to get it back, and what that teaches you about listening and silence, music and noise. She investigates the science behind…
