Here are 74 books that Wrecked Lives and Lost Souls fans have personally recommended if you like
Wrecked Lives and Lost Souls.
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After completing my doctorate in sociology and teaching at the University of Virginia, I looked forward to advancing my career in academia. But life had other plans, and I accepted offers to write histories and biographies under contract with individuals and organizations in my home state of Oklahoma. So, following both my muse (for the record, that’s Clio, the muse of history) and amazing book-writing opportunities, I became a dual citizen of Virginia and Oklahoma. These days, I write history and biography, seasoned with sociological imagination, in my home office just down the road from Monticello. Somehow, Jefferson makes it into almost all of them!
As a former professor of sociology and media studies at the University of Virginia, I was (and, of course, remain!) interested in the history of communication. In this book, I discovered the backstory to the creation of well-known documents that fueled the American Revolution and fostered lively debate in the ensuing decades.
I also enjoyed reading about writers, publishers, and printers (often, one and the same) whose literary works raised mudslinging to an art form and deepened divisions that threatened to upend the grand experiment of democracy in its infancy. But somehow, the incendiary press of the late eighteenth century became “the basis of a humane and enduring society.”
Infamous Scribblers is a perceptive and witty exploration of the most volatile period in the history of the American press. News correspondent and renonwned media historian Eric Burns tells of Ben Franklin, Alexander Hamilton and Sam Adams,the leading journalists among the Founding Fathers of George Washington and John Adams, the leading disdainers of journalists and Thomas Jefferson, the leading manipulator of journalists. These men and the writers who abused and praised them in print (there was, at the time, no job description of "journalist") included the incendiary James Franklin, Ben's brother and one of the first muckrakers the high minded…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have been interested in understanding the realities of American social and political life throughout my career as a historian. I have written about the aftermath of populism, a biography of a New Dealer who went to prison for stuffing ballot boxes, the hidden history behind the Gateway Arch, and the year after Pearl Harbor. More than ever, I find that candid assessments of who we have been are necessary to understand where we are today.
I found Hochschild’s narrative of the aftermath of World War I in America to be especially timely and provocative. Hochschild shows that while we remember the early 1920s as one of triumph and the beginning of the “Jazz Age,” in many areas, democracy was in short supply, and the nation was on the brink of a terrifying future.
At times, this book reads like a dystopian novel, but it is all too real.
National Bestseller • One of the year's most acclaimed works of nonfiction • A Best Book of 2022: New York Times, Washington Post, New Yorker, Chicago Tribune, Kirkus
From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor
The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions…
After completing my doctorate in sociology and teaching at the University of Virginia, I looked forward to advancing my career in academia. But life had other plans, and I accepted offers to write histories and biographies under contract with individuals and organizations in my home state of Oklahoma. So, following both my muse (for the record, that’s Clio, the muse of history) and amazing book-writing opportunities, I became a dual citizen of Virginia and Oklahoma. These days, I write history and biography, seasoned with sociological imagination, in my home office just down the road from Monticello. Somehow, Jefferson makes it into almost all of them!
In my writing, I have gravitated toward social history, which can be loosely defined as history “from the bottom up.” This book appealed to me because the author doesn’t frame radical ideas and revolutions as top-down upheavals but rather as the result of simmering tensions that coalesce in cataclysms.
Beckerman describes big changes that have been, and continue to be, incubated beneath the radar until they explode into really big deals. Topics include the French Revolution, the 1989 crackdown in Tiananmen Square, and the fascist attack in my hometown, Charlottesville, Virginia, in 2017.
'The Quiet Before is a fascinating and important exploration of how ideas that change the world incubate and spread.' Steven Pinker
'Filled with insightful analysis and colourful storytelling... Rarely does a book give you a new way of looking at social change. This one does.' Walter Isaacson
Why do some radical ideas make history?
We tend to think of revolutions as loud: frustrations and demands shouted in the streets. But the ideas fuelling them have traditionally been conceived in much quieter spaces, in the small, secluded corners where a vanguard can imagine alternate realities. This extraordinary book is a search…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
After completing my doctorate in sociology and teaching at the University of Virginia, I looked forward to advancing my career in academia. But life had other plans, and I accepted offers to write histories and biographies under contract with individuals and organizations in my home state of Oklahoma. So, following both my muse (for the record, that’s Clio, the muse of history) and amazing book-writing opportunities, I became a dual citizen of Virginia and Oklahoma. These days, I write history and biography, seasoned with sociological imagination, in my home office just down the road from Monticello. Somehow, Jefferson makes it into almost all of them!
My wife is a pianist, and at a musical performance, the director of the local symphony orchestra said that this was a must-read book. So, of course, I read it, and I was hooked. Through the music of Strauss, Britten, Schoenberg, and Shostakovich, I learned a hidden story about the power of music to shape public opinion and, in the shadow of the Holocaust, speak truth to power.
I finished it with an appreciation for the power of music and the courage of musicians to reflect people’s yearning for a just and equitable world.
A BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR • WINNER OF THREE NATIONAL JEWISH BOOK AWARDS • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past • SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR
In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as…
I grew up in the 1960s and 1970s in western Sonoma County, California, surrounded by forests, rivers, and the Pacific Ocean. Yet this idyllic setting was shaken by the assassinations of the Kennedy brothers and Dr. Martin Luther King, Jr.; the Vietnam War; civil rights riots; Nixon and Watergate; the Pentagon Papers; Weather Underground bombings; Patti Hearst with a machine gun; and four students killed at Kent State. These events led me to major in Politics at UC Santa Cruz and become an investigative journalist. I soon realized the U.S. is built not only on equal rights and freedom but also on systemic disparity, injustice, and violence.
Set within the greatest mass migration in American history, Steinbeck’s 1939 classic follows the Joad family as they join nearly three million others who escape the Dust Bowl of the American Midwest.
Usurious banks have foreclosed and crushed the bereft farmers. More than 200,000 refugees head for California, and the Joads join them in an ambling caravan of rattling jalopies. Young Rose of Sharon moves pregnant across the continent, emblematic of both the promise and the peril of the human condition. She’s surrounded by family and hangers-on who ford the wasted continent, only to face a glut of labor in the vast farms of California and the brutal exploitation of the owner classes. The Joads are slapped with the bitter understanding that the promise of California exists largely in myth. Yet always Steinbeck returns to the promises of human connection and even happiness that beckon from just over the next…
'I've done my damndest to rip a reader's nerves to rags, I don't want him satisfied.'
Shocking and controversial when it was first published, The Grapes of Wrath is Steinbeck's Pultizer Prize-winning epic of the Joad family, forced to travel west from Dust Bowl era Oklahoma in search of the promised land of California. Their story is one of false hopes, thwarted desires and powerlessness, yet out of their struggle Steinbeck created a drama that is both intensely human and majestic in its scale and moral vision.
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.
I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been gay for as long as I can remember. I even told my mother, when I was five years old, that I was going to marry Hoss Cartwright (from the TV show Bonanza). But even knowing yourself that well doesn’t make it easy to actually beyourself, so I still had to come out to friends and family over a span of five or six years in my late teens and early twenties. And coming out is never easy, although it feels like a million bucks once you’ve done it. Also, it’s different for everyone, and having books like these I’ve recommended may not make it easier, but they show us that it can be done and that we’re not alone.
Having grown up gay in a small town in the South, this resonated with me as an out gay man in a big city in my twenties, because it got everything about being gay in a small Southern town right: the tone, the emotion, the terror, and most of all, it got how there are more of us in those small Southern towns than we realize at the time, and how leaving for bigger, “better” places isn’t always the answer.
A lonely eighteen-year-old boy growing up in the working-class town of Pryor, Oklahoma, Charlie Hope struggles to cope with his passionately religious mother, the death of his hard-drinking grandfather, his enigmatic late father, and his own confusion over sexual orientation. A first novel.
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Henderson was a homesteader and teacher in the Oklahoma panhandle and this collection of her writing creates a compelling first-hand portrait of the Dust Bowl. Impeccably detailed about rural farm life, from the days of prosperity to the bare-bones existence necessitated by hardship, Henderson is a thoughtful, ponderous guide. “Out here we thought the depths of the depression had been fathomed some time ago when the sheriff subtracted from the very personal possessions of one our neighbors a set of false teeth that he had been unable to pay for.”
In May 1936 Secretary of Agriculture Henry A. Wallace wrote to Caroline Henderson to praise her contributions to American ""understanding of some of our farm problems."" His comments reflected the national attention aroused by Henderson's articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson's articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains.
Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma's panhandle to homestead and teach in 1907. This collection of Henderson's letters and articles published from 1908 to1966 presents an intimate portrait of a woman's…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
The Unfinished Bombingwas eerily prescient when first published in 2001 and remains uncannily relevant today.
Linenthal set the standard in his analysis of public tragedy, its impact on an American community and the larger nation, and its memorialization.
In April 1995, a white homegrown right-wing terrorist bombed the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 men, women, and children. Linenthal’s story of the massive crime, outpourings of grief, and the efforts to memorialize the dead and prevent future cataclysms is gripping and personal yet academically astute.
The Oklahoma City National Memorial & Museum that rose from the rubble is among the most culturally and aesthetically successful monuments in the history of American public memory. Though seemingly eclipsed by the catastrophic events of September 11, 2001, this story of rupture and recovery, so well told by the author, continues to be critical and instructive.
On April 19, 1995 the bombing of the Alfred P. Murrah Federal Building in Oklahoma City shook the nation, destroying our complacent sense of safety and sending a community into a tailspin of shock, grief, and bewilderment. Almost as difficult as the bombing itself has been the aftermath, its legacy for Oklahoma City and for the nation, and the struggle to recover from this unprecedented attack. In The Unfinished Bombing, Edward T. Linenthal explores the many ways Oklahomans and other Americans have tried to grapple with this catastrophe. Working with exclusive access to materials gathered by the Oklahoma City National…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
Release Me is an anthology that looks at the legacy of Tulsa's Historic Greenwood District through the eyes of various authors tapping a plethora of literary styles and devices. Through Release Me, the voices of the oft-unheard ring out. The legacy of the Greenwood District lives.
“Apparitions roam the Greenwood District, yearning to be free of the day they died…” The story of the Greenwood District in Tulsa, OK (aka Black Wall Street) is more than the 1921 Tulsa Race Massacre. RELEASE ME, the Spirits of Greenwood Speak anthology focuses on the lives of the citizens of Greenwood. The anthology is a symphony of historic facts about the Greenwood District (before and after the massacre) along with timeless and borderless community building principles wrapped in poetry, short stories, art, essays, and photography. RELEASE ME, the Spirits of Greenwood Speak anthology has contributions from Poet Laureate of…
