Here are 100 books that Words Upon the Word fans have personally recommended if you like
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I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
Denning is a master. He mixes literary analysis, historical sleuthing, and some smart ideological excavation to see how dime novels—treated like trash by most scholars—were used by working men and women in 19th century America. They were creating a culture and their reading did all the things that culture does: helped them make sense of the world, gave them a place to pay with ideas, and invent myths and narratives for orientation. All while middle-class scolds told them they were reading “wrong.”
If you’ve ever loved a book that wasn’t good for you, or wanted to seriously think about something that wasn’t “serious,” this book is for you.
Mechanic Accents is a widely acclaimed study of American popular fiction and working-class culture. Combining Marxist literary theory with American labor history, Michael Denning explores what happened when, in the nineteenth century, working people began to read cheap novels and the ""fiction question"" became a class question. In a new afterword, Denning locates his study within the context of current debates on class and cultural studies.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
Wolfgang Iser isn’t for the faint of heart. You don’t read him as much as wrestle. But in this work, the German theorist teaches you to watch for the ghost of the reader who haunts fiction, the one who isn’t quite there, but always right next to you, implied by the text as the intended audience, the ideal reader (who isn’t quite you).
He’s German and this is literary theory, so put away your phone, but if you can wrestle with Iser it will change forever how you read anything.
Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses. Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce.
This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I love how nothing fazes Nicole, even when she gets into awkward situations. Her novelty socks (so not lawyerly) and occasional geeky lines make me smile, and I like the friends she finds in the middle of trying to prove—and solve—her uncle's murder.
I always take sides with characters whose parents have manipulated their life's path, so I feel Nicole's conflict over her profession and the distance it causes within her family. She comes into this story feeling like a failure, and I want to see her succeed. Plus, I like the potential for romance with the county medical examiner.
**Mystery/Cozy Gold Medalist in the 2018 IPPY Awards**
**Grand Prize Winner of the 2018 Writer's Digest Ebook Awards**
Sometimes the truth can be a sticky thing…
Nicole Fitzhenry-Dawes feels like she’s the only failure amid a family of high achievers. Her last serious boyfriend turned out to be married and her career as a criminal defense attorney is in tatters. When her uncle passes away and leaves her his maple syrup farm in Michigan, she thinks it might be time for a career change—hopefully one that allows her to stay as far away from murderers and liars as possible.
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
Writing about crime is understandably fraught. Some true crime stories are told with genuine care and attention to impact, while others are definitely…not.
In Jane, Nelson finds a way to grapple with the death of her aunt and the impact it is had on her and her family. It was a guiding light for me when I thought about ways to tell an unwieldy story about murder.
Nelsonleans on honesty, compassion, and curiosity to stay safely away from the most common true crime traps, and the result is a wonderful, affecting book.
Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours.
Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
In 2015, I moved to Michigan’s Upper Peninsula, a world all its own. I live only four blocks from Lake Superior, and I can’t imagine living anywhere without that lake. I pay much more attention to the weather—those waves really crash during Winter storms—and I’ve become more interested in things like geology and local history since moving to such a unique place. Everything I notice eventually enters my poetry, which has become filled with water, shorelines, copper, and white deer. And best of all, our long winters give me a lot of time to read.
After I moved to the Upper Peninsula, I kept hearing about an event referred to as the Italian Hall Disaster in Calumet, Michigan, when over 70 people were killed, most of them children, in 1913.
This book features that event as part of its plot, but it really drew me in because I felt so sympathetic to its main character, Annie Clements. She cares about people, and she cares about justice, and I admired her from the start. I wanted her to succeed even as I sensed she probably would not. She’s one of the few characters I actually grieved for when I finished the book.
From the bestselling and award-winning author of The Sparrow comes “historical fiction that feels uncomfortably relevant today” (Kirkus Reviews) about “America’s Joan of Arc”—the courageous woman who started a rebellion by leading a strike against the largest copper mining company in the world.
In July 1913, twenty-five-year-old Annie Clements has seen enough of the world to know that it’s unfair. She’s spent her whole life in the mining town of Calumet, Michigan, where men risk their lives for meager salaries—and have barely enough to put food on the table for their families. The women labor in the houses of the…
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I love this book because it has a gripping story that keeps you guessing and flipping pages. I also love it because it showcases a strong, female, Native protagonist solving a mystery and acting with agency, power, and knowledge of self. It does a lot to disrupt the victim narratives about Indigenous people we have often seen in literature.
I also love this one because Angeline Boulley is really connected to her own Native community, and it shows up in the work. It gives you a window into Ojibwe culture rather than an imagining of the culture.
A PRINTZ MEDAL WINNER! A MORRIS AWARD WINNER! AN AMERICAN INDIAN YOUTH LITERATURE AWARD YA HONOR BOOK!
A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK
An Instant #1 New York Times Bestseller
Soon to be adapted at Netflix for TV with President Barack Obama and Michelle Obama's production company, Higher Ground.
“One of this year's most buzzed about young adult novels.” ―Good Morning America
A TIME Magazine Best YA Book of All Time Selection Amazon's Best YA Book of 2021 So Far (June 2021) A 2021 Kids' Indie Next List Selection An Entertainment Weekly Most Anticipated Books of…
I got my start in paranormal investigation when it was a popular fad around 2000 and joined a ghost-hunting group. I became obsessed with the history behind hauntings and why ghost stories and legends persist over time. This love of the ghostly combined with my love of books and literature led me down the path of writing. I enjoy sharing strange and spooky history because it puts people in touch with their state's history in a fun and interesting way. So many people think history is boring facts and dates, but share a ghost story or a true crime mystery, and you have people’s attention. When that story happened close to home? Even better!
If you love the strange and unusual in Michigan, this book is a wonderful addition to your book self for all ages. Linda Godfrey delivers a lively and fun collection of ghosts, UFOs, monsters, and other oddities. Plus, many fellow Michiganders lent their own experiences and spooky encounters with the paranormal to the book making it much more personal than just a list of paranormal locations.
Is it weird that the Wolverine State may never have had any wolverines in it? We think so, and that suits us fine. The weirder the better, we say, and Michigan falls perfectly into that category. Oh, sure, big-time heroes like Charles Lindbergh and Madonna hail from here, and so does President Gerald Ford, but do they compare to superhero Captain Jackson, who strolls around town in a purple cape doing good deeds? Well, yes, maybe they do, but the captain, in our opinion, is more representative of our fine state. Because, let's face it, Michigan has a great big…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I grew up in Ohio, just south of the Great Lakes. As a kid, I spent time on the Lakes fishing with my dad. I’ve been fascinated with these freshwater seas and their ecological richness ever since. My love for the Lakes eventually merged with my passion for early American history when I attended graduate school at Notre Dame. There, I began researching how Native peoples understood and utilized the unique geography of the Lakes. That work grew into my first book, Muddy Ground, and I anticipate the rest of my career as a historian will be dedicated to studying the environmental and human history of the Great Lakes region.
I wanted to include a work of fiction on this list and if it was to be fiction about the Great Lakes region it had to be Jim Harrison. If it could only be one Harrison book, then The River Swimmer is the book that best captures the freshwater magic of the Lakes.
This is not like the other works on my list—the title story follows the adventures of a northern Michigan teen named Thad who is an adept swimmer and uses his skill as a river traveler to journey all the way to Chicago. Sprinkled with elements of fantasy, Indigeneity, and bawdiness all together, the work is classic Jim Harrison.
But the reason it belongs on my list is because of the way it captures the magic of these interconnected waterways.
"Among the most indelible American novelists of the last hundred years. . . . [Harrison] remains at the height of his powers." Dwight Garner, The New York Times
"Trenchant and visionary." Ron Carlson, The New York Times Book Review
A New York Times best-seller, enthusiastically received by critics and embraced by readers, The River Swimmer is Jim Harrison at his most memorable: two men, one young and one older, confronting inconvenient loves and the encroachment of urbanity on nature, written with freshness, abundant wit, and profound humanity. In "The Land of Unlikeness," Clive a failed artist, divorced and grappling with…