100 Books Like Women

I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great. 

So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.

I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time… show more.

This book is a profound meditation on human resilience that never fails to move me. I'm constantly in awe of Hemingway's ability to weave so much meaning into such a deceptively simple tale. The way Santiago's unwavering determination shines through, even in the face of seemingly insurmountable odds, resonates deeply with me.

I find myself returning to this book time and time again, drawing inspiration from the old man's quiet strength and dignity. The vivid portrayal of man's relationship with nature—both its beauty and its harsh realities—leaves me breathless. What I love most is how Hemingway captures the essence of the human spirit in Santiago's struggle, reminding me that true victory lies not in the outcome but in the perseverance of the journey.

I liked this book so much I turned it into a play, which has been performed by a number of schools in the United States and England.

A nineteenth-century classic (first published in 1881) by one of America’s most famous writers, it tells the story of two boys who swap places: one is Prince Edward, the son of King Henry VIII, the other is Tom Canty, a poor boy from the London streets. The action, full of twists and turns (and Twain’s satirical observations about wealth, power, and identity) unfolds in London and Kent and incorporates a host of weird and wonderful characters that both boys encounter on their adventures.

It has had umpteen film and TV adaptations and has influenced every “role swap” plot that has ever been concocted since.

This book has become so familiar to us through cartoons and movies that we often forget how very weird it is as a piece of writing. The book begins when Alice, bored of her sister’s company, notices a white rabbit muttering to itself “Oh dear! Oh dear!”, and starts to become curious—not, mind you, because talking rabbits are impossible, but only because they are so very intriguing.

The rest of the book shares this bemused tone: Alice will be subjected to all sorts of indignities, including a near-beheading, but as a “good” Victorian girl, she will generally accept the bizarre reality that is presented to her. Carroll’s mastery of language is key to this effect. Nearly every character sounds sensible, turning well-formed logical sentences, but they never make much actual sense, and their speeches are riddled with so many puns, double meanings, and other linguistic tricks that one can never… show more.

Many of us writers are subject to the terrible cliché of substance abuse, none so much as Charles Bukowski. Having dabbled in the debauched myself, Ham on Rye sadly reflects what life could be like if the idiocy of adolescence continues into adulthood. This book is hilarious, vulgar, shocking, and oddly insightful. Not only is this my favourite Bukowski book, but it’s the book that introduced me to his work and changed my writing forever.

Note-perfect 200-page tent flap pullback of the gloriously flawed Henry Chinaski, the poster manchild for living life on your own terms. But you already knew that. Gambling, drinking, aimlessness, and all the stuff we love to get neck deep in. And by “we,”  I mean me. And maybe the greatest opening line in the history of literature: “It began as a mistake.” Here’s why I am a fraud: I didn’t know about this book until four years ago.

Bukowski didn't thieve, solve crimes, or use high-tech. In fact, he worked hard and was poor and isolated most of his life. But he lived in the fringe of the noir world, and beat on his machines—manual typewriters, then an IBM Selectric, and finally, with some fame and money, a computer. He was South of his No North, real and genuine for so long that when Hollywood knocked, he was ready for them. This book is his first-hand account of the dumb ego and stupid money that goes into making a movie. Hilarious and dark at the same time. A poet's novel.

Skylar Ramirez kicks off this twisty series by introducing the alcoholic Captain Brad Mendoza and his troubled executive officer. Along the way, a crooked path leads the reader deeper into a well-developed universe of money, politics, and betrayal.

Every character plays a role, but some play more than one. While these are technically military people, their mission isn’t supposed to involve flying missiles and drawn-out battles. Mostly, it’s about a bunch of troubled people finding their way back from the brink.

This one has more military than the first three, but it's still a great read.

This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.

A wonderful graphic novel for and about teens, Operatic follows Charlie, a teen girl who must find "her song" for a school project, and embarks on an emotional journey about the meaning of music, friendship, love, and opera. The book, gutting and uplifting all at once, is also an homage to the great Maria Callas, while peppered with pop and rock references. A perfect book for readers 12 and up, by which I mean: up to 30, up to 45, up to 99 years old, as music ties us powerfully with our life story, no matter our age.