100 Books Like Wolves Eat Dogs

I must have read a hundred books about story structure over the years. Somehow, perhaps because of some story-related blind spot on my part, none of them ever seemed to stick.

My problem was always the middle. Middles can sag. It seems that a story's interior becomes little more than the wasteland a protagonist must traverse to get from the mystery of a beginning to the ultimate challenge of an ending.

Yorke's Into The Woods celebrates the middle. He reminds us that the essential crux of a story lies in its midpoint. Right at the heart of an effective story, he argues, lies a fundamental transformation, a change so great that the protagonist emerges with new powers into a new world.

Furthermore, by analysing stories in five acts rather than three, he allows for an elegant symmetry in which the first and fifth, second, and fourth acts mirror one another.… show more.

I could have chosen any Raymond Chandler novel for this list; he is such a brilliant stylist, one of the best in the language.

His lugubrious, heavy-drinking, first-person detective Philip Marlowe is my kind of fictional hero, a genre-defining character, perpetually alone though he yearns for the glamorous women he meets.

David Brooks explores how we often climb one “mountain” of achievement—only to discover that true fulfillment lies on a second mountain, defined by purpose, service, and deeper values. This reflects the journey I've taken myself, and that I see so many entrepreneurs and startup founders take, where success becomes less about climbing higher and more about climbing in the right direction, guided by internal transformation and spiritual growth.

We all have that mountain inside of us that we need to climb, and it can be hard to admit that it's the mountain within that matters. I read this during a time of reflection, standing in the “valley” between two phases of life, uncertain of what came next. Brooks gave language to a transition I was already living—moving from outer success to inner fulfillment. His metaphor helped me see that real purpose isn’t about chasing accolades; it’s about showing up with… show more.

I could easily recommend any of Robert Harris’s “intelligent thrillers” however I’ve picked this one because I like the idea of an “ordinary” man who finds himself in the midst of a dangerous mystery. Briefly, The Second Sleep is set in the future after our civilisation has destroyed itself and where life is now functioning at the medieval level. The church, which controls everything, has banned investigation into the past. A humble priest is sent to visit a village in his parish and begins to suspect that things are not as they seem. Eventually, against the orders of the church, he decides to try to penetrate the past with alarming consequences. So, as for my character, David Hidalgo, we find that ordinary people can make a difference!

Plokhy’s engaging and well-documented study provides an excellent overview of the entire history of Ukraine and the repeated story of invasion, war, and occupation by its neighbors Poland and especially Russia. In particular, it provides sharp analyses of the complex relations between Ukraine and Russia from the time of its Czars through Stalin, the post-Stalinist Kremlin leadership, and Putin, providing contemporary readers penetrating insights into the current invasion of Ukraine by Russia. The book depicts in dramatic detail and narrative the century-long struggles of Ukraine for sovereignty, its century-long oppression by its neighbors, the terrible mass starvation and murder it suffered from both the Soviet Union and Nazi Germany in World War II, and its eventual independence—threatened by Russia in the 21st century through the present. In the contemporary context, Plotky’s text provides an illuminating understanding of Ukraine and its conflicted and often tragic history.

What strikes me most about this book is how prescient it is. Published in 2000, this assessment of the first few years of Ukrainian independence accurately flags that Russia never fully accepted it and explains why an independent Ukraine threatens Russia. The introduction provides an excellent, brief history of Ukraine. Later chapters focus on politics, economics, social and cultural issues, and foreign policy up to 1998. Dyczok, an academic, was an eyewitness to key historical events, reporting from Ukraine during its 1991 declaration of independence and after. I particularly recommend the chapter on Ukrainian-Russian relations. Although written long before Russia’s annexation of Crimea and subsequent invasion of Ukraine, much in that chapter foreshadows these critical events and helps account for why what happened did.

Suspicious of biography, Malcolm dissects various myths about Chekhov’s death in this engaging book that mixes travel writing with acute readings of Chekhov’s stories and plays. As Malcolm visits some of the places crucial to Chekhov’s life and work (the scenes in Ukraine are of course poignant), she moves seamlessly between her own everyday experiences and the predicaments of Chekhov’s characters. In amongst the despair, disappointment, and absurdity she discovers beauty, humor, and occasional visions of hope.

Political scientists Arel and Driscoll deal with the period between the Maidan revolt of 2014 and the 2022 invasion.

They point out that the Maidan events provoked a three-way split in Ukraine between pro-Western Ukrainians, pro-Russia Ukrainians, and those in the middle who wanted neither to join the Russian Federation nor to distance themselves from it. Most of these neutrals remained loyal to the Ukrainian nationalist government in Kyiv and continued to do so after the Russian invasion in February 2022.

Nikolai Gogol – or, in Ukrainian, Mykola Hohol – is considered a classic of Russian literature.

At the same time, he was born Ukrainian, wrote about Ukraine, and is considered their own by many Ukrainian literature lovers. Literary scholar Edyta Bojanowska has written a fascinating study about how Gogol knew to draw upon both Ukrainian and Russian cultural repertoires to appeal to readers and how he intentionally played with his intimate knowledge of both cultures.

This was one of the studies that inspired me as I tried to understand the complex cultural entanglements between nineteenth-century Russia and Ukraine, as I found them personified in my books’ protagonists.

Gogol is one of the weirdest and most fascinating of Russian writers, whose eccentric comic masterpieces continue to entertain and puzzle us. His identity as a Ukrainian who became a Russian classic and the way this is or isn’t reflected in his works has long been debated.

Nikolai Gogol: Performing Hybrid Identity makes sense of these two contending national components of Gogol’s writing and career. Ilchuk demonstrates the remarkable ways his “hybrid” national identity played out: in his often bizarre language, an uncanny Russian pervaded by Ukrainianisms (made more or less evident in successive, ideologically-motivated editings); in his works’ narrative structure, plot, and theme; and in the author’s odd behavior in society as a colonial “other.”

The book helped me understand the ins and outs of post-colonial theory, which the author presents in a clear and effective way.  It also unexpectedly illuminated for me aspects of Russian imperial identity that… show more.