Books like Wind with a Chance of Wolfsbane — picked by fans

I have a soft spot for books about communities of supernaturals that live among mortals and this is another book that hit the spot. I read it years multiple times and it’s one of the books I think of when I need a paranormal romance fix. The hero is swoon-worthy, the heroine is engaging and the worldbuilding is inviting. There’s drama, romance, a bit of mystery and danger, and none of the story is sacrificed for the story which I’m always happy to read. I love the slow burn of the romance between the hero and heroine that allows you to see the attraction grow as the story advances. One of my faves!

This book is gritty, hard-hitting, and beautifully written–blood, sweat, and tears on a page.

I loved this book because the author did not pull any punches! The main male character was broken, his life had been tragic, and he didn’t just magically morph into some perfect model hero. While yes, I both see and imagine vampires as capable of incredible, deep love and loyalty, I also see them as a distinct species with an alternate nature, possessing the capacity for raw, animalistic pain, deep anger (even brutality), and the ability to act from all three places. This author nailed this, and she did it with intelligent, intricate plotting and bare, relatable emotion. She also wields some clever wit and biting snark. 

I was sucked in from the first chapter, and I never wanted to put it down. This story gave me so much to think about, and it stayed with… show more.

When I look for books to read, my criteria are a compelling mystery, an action-packed fantasy, or a blend of both. Welcome to the both. I love this book's excellent mystery, action, and world-building balance! While the action was on par with what I expected of Sanderson, the primary and secondary characters take the story a step further with depth that made me connect with their personalities and the motivation for their actions.

They feel like real people, with their dialogue and interactions adding to the investigation’s progression, and if a writer can achieve that in a story, that sells it for me. This, along with the worldbuilding and rather fun mystery, always makes it a reread option for me.

Mythology, romance, twisted villains, and a reluctant hero come together to make a book you will not want to put down. I’m a sucker for greek mythology and love it when it's brought into the modern world. The idea of a whole culture and supernatural world intertwined with ours will always catch my attention. There’s something so intriguing about the idea that there’s more going on in our world than we can imagine and this story pushes the narrative brilliantly. The main characters can irk your nerves at times but if there is no drama there’s no story in my opinion. These are realistic characters in unrealistic conditions and they’re always fun to read about.

I reread The Witness for the Dead at least three times in the first months after I got my hands on it and have bought it in both physical form and ebook. This is a great secondary world fantasy and murder mystery. It’s on this list because of the portrayal of Thara Celehar as a man struggling with depression, haunted by past trauma and the bleakness he expects of his future while carrying on doing his duty by those who depend on him, combined with his unfailing mixture of wisdom and kindness and his awkwardness in accepting kindness and friendship in return, is so beautifully done. I can tell that this is going to remain one of my comfort reads forever.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

Madeline Hunter is the pseudonym of an art historian who teaches at the university level, and that expert knowledge translates well in her books.

The little bits and pieces of art detail she adds to her story worlds really bring them to life. There’s also an element of mystery that deepens the plot. The Seducer is the first book in The Seducer series, and while it’s not the first of her books that I’ve read, the story of Diane Albret and Daniel St. John is the one that made me a fan.

The heroine is a recent boarding school graduate, and the hero is her far more experienced guardian. In the modern-day world, this premise is all kinds of creepy. The power dynamics between this couple were so far off, I wasn’t sure how Hunter could make this a romance.

But based on the historical details built into the world,… show more.

I discovered the Pearl Saga (a trilogy) via Van Lustbader taking up the reins on Robert Ludlum’s Bourne novels. While I was reading these books, I was waiting to hear from Voyager (Harper Collins) regarding an epic fantasy novel I wrote, which featured in its climactic scenes a girl using crystals to trap a dragon in a cage-like device inside a mountain. There was a delay in the publication of the third book of the Pearl Saga, and when it came out, it featured a girl holding a ‘crystal’ before a dragon, and it was called The Cage of Nine Banestones. My heart sank, but it turned out that the delay was related to the death of Van Lustbader’s father.

The trilogy begun in ‘Ring’ is for some brooding and self-indulgent, but for me it was a triumph of worldbuilding and alien realia, with technology and sorcery vying… show more.

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.